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Author: William Rau Publisher: Acc Art Books ISBN: 9781851497300 Category : Painting, European Languages : en Pages : 0
Book Description
Presents the historical context behind the 19th-century's artistic movements, including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting , Academic Painting, and Impressionist Painting.
Author: William Rau Publisher: Acc Art Books ISBN: 9781851497300 Category : Painting, European Languages : en Pages : 0
Book Description
Presents the historical context behind the 19th-century's artistic movements, including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting , Academic Painting, and Impressionist Painting.
Author: Lorenz Eitner Publisher: Westview Press ISBN: Category : Art Languages : en Pages : 782
Book Description
This new revised edition of an established survey of 19th century European painting from David through Cézanne includes new chapters with fifteen new illustrations on four notable women artists-- Angelika Kauffmann, Elizabeth Vigée-Lebrun, Berthe Morisot, and Mary Cassatt. This edition also contains further text revisions and updates to the bibliographies. The focus of 19th Century European Painting remains on the important artists and movements of the period with chapters on each artist's life and work, characteristics of style, and the relationship of the artistic movements to historical and intellectual currents of the time.Neoclassicism, Romanticism, Realism, Academics and Salon Painters, and Impressionism are covered and the following artists receive substantial monographic treatment: David and his followers, Goya, Ingres, Géricault, Delacroix, Corot, Courbet, Millet and the Barbizon painters, Manet, Monet, Degas, Renoir, Sisley, Pissarro, and Cézanne. There are 435 illustrations, suggested readings and references, and an index..
Author: Gail S. Davidson Publisher: Cooper Hewitt ISBN: 9780910503907 Category : Art, Modern Languages : en Pages : 0
Book Description
In the nineteenth century, it became highly fashionable for aristocratic and upper-class homeowners in Europe to commission watercolor paintings of their domestic interiors and to collect them in albums to be passed on to children, given as gifts to visiting royalty, and displayed in drawing rooms. House Proud commemorates the recent gift of a group of eighty-five nineteenth-century watercolor interior drawings - the largest collection of its kind in America - to Cooper-Hewitt, National Design Museum by Eugene V. and Clare E. Thaw. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of home. AUTHOR: Gail S. Davidson, Ph.D., is curator and head of drawings, prints, and graphic design department at Cooper-Hewitt, National Design Museum. Her published articles and books include Rococo: The Contining Curve, 1730-2008 and Frederic Church, Winslow Homer, and Thomas Moran: Tourism and the American Landscape. Floramae McCarron-Cates is associate curator of the drawongs, prints, and graphic design department at Cooper-Hewitt National Design Museum. She is the co-author of Frederic Church, Winslow Homwe, and Thomas Moran: Tourism and the American Landscape. Charlotte Gere is a nineteenth-century decorative arts specialist who has pbulished numerous scholarly books and articles on a wide variety of subjects, including Nineteenth-Century Design from Pugin to Mackintosh, An Album of 19th-century Interiors, The House Beautiful, and Shock of the Old: Christopher Dresser. ILLUSTRATIONS 125 images
Author: Rachel N. Klein Publisher: University of Pennsylvania Press ISBN: 0812251946 Category : History Languages : en Pages : 296
Book Description
A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.
Author: Colta Feller Ives Publisher: Metropolitan Museum of Art ISBN: 0870999648 Category : Art Languages : en Pages : 266
Book Description
This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR
Author: Lorenz Eitner Publisher: Routledge ISBN: 0429708912 Category : Art Languages : en Pages : 703
Book Description
This one-volume edition contains both text and plates and includes corrections in the text and bibliography made since the books publication in 1987. There are concise monographic chapters on the important artists and movements of the period, with material on each artists life and work, characteristics of style, and the relationship of the artistic movements to historical and intellectual currents of the time. The author covers a wide range of material and his presentation is lucid and perceptive. Neoclassicism, Romanticism, Realism, Academics and Salon Painters, and Impressionism are covered, and the following artists are included: David, Gros, Girodet, Grard, Gurin, Prudhon, Goya, Fuseli, Blake, Runge, Friedrich, Turner, Constable, Igres, Gricault, Delacroix, Corot, Rousseau, Daumier, Millet, Courbet, Manet, Degas, Monet, Renoir, Sisley, Pissarro, and Czanne.
Author: Lorenz Eitner Publisher: Princeton University Press ISBN: Category : Art Languages : en Pages : 440
Book Description
The National Gallery's collection encompasses the neoclassicism of Jacques-Louis David as well as the naturalism of the Barbizon painters. The works of Jean-August-Dominique Ingres, such as the Gallery's famous portrait of Madame Moitessier, are precursors to the classical style that dominated later in the century. Jean-Baptiste-Camille Corot's verdant landscapes, Honoré Daumier's political satires, and Jean-François Millet's realism are also included in this richly illustrated volume.
Author: William Rau
Author: William Rau
Author: Christie, Manson & Woods International Inc
Author: Christie's East (Firm)
Author: Lorenz Eitner
Author: Gail S. Davidson
Author: Rachel N. Klein
Author: Colta Feller Ives
Author: Lorenz Eitner
Author: Lorenz Eitner
Author: Metropolitan Museum of Art (New York, N.Y.)