Nineteenth-century Australian Art in the National Gallery of Victoria

Nineteenth-century Australian Art in the National Gallery of Victoria PDF Author: Terence Lane
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 144

Book Description
For the first time, some of the major 19th century Australian works of art from the National Gallery of Victoria have been published in one book. Includes paintings, watercolours, drawings, furniture, silver, textiles and sculpture.

Emotionally Charged

Emotionally Charged PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 8

Book Description


Primitive Art Exhibition, Public Library, Museums, and National Gallery of Victoria ...

Primitive Art Exhibition, Public Library, Museums, and National Gallery of Victoria ... PDF Author: Public Library, Museums, and National Gallery (Vic.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 54

Book Description


A Companion to Nineteenth-Century Art

A Companion to Nineteenth-Century Art PDF Author: Michelle Facos
Publisher: John Wiley & Sons
ISBN: 1118856333
Category : Art
Languages : en
Pages : 559

Book Description
A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nineteenth-Century Art also puts the focus on other aspects of identity including individual, ethnic, gender, and religious. The text explores a wealth of relevant topics such as: the challenges the artists faced; how artists learned their craft and how they met clients; the circumstances that affected artist’s choices and the opportunities they encountered; and where the public and critics experienced art. This important text: Offers a comprehensive review of nineteenth-century art that covers the most pressing issues and significant artists of the era Covers a wealth of important topics such as: ethnic and gender identity, certain general trends in the nineteenth century, an overview of the art market during the period, and much more Presents novel and valuable insights into familiar works and their artists Written for students of art history and those studying the history of the nineteenth century, A Companion to Nineteenth-Century Art offers a comprehensive review of the first modern era art with contributions from noted experts in the field.

Australian Art in the National Gallery of Australia

Australian Art in the National Gallery of Australia PDF Author: National Gallery of Australia
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 458

Book Description
The art of collaboration: the big Americans.

British Art for Australia, 1860-1953

British Art for Australia, 1860-1953 PDF Author: Matthew C. Potter
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603

Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.

She-oak and Sunlight

She-oak and Sunlight PDF Author: Anne & Hesson Gray (Angela)
Publisher:
ISBN: 9781760761905
Category :
Languages : en
Pages :

Book Description


19th Century Australian Watercolours, Drawings & Pastels

19th Century Australian Watercolours, Drawings & Pastels PDF Author: Art Gallery of New South Wales
Publisher: Art Media Resources
ISBN:
Category : Art
Languages : en
Pages : 148

Book Description
This is the fourth in our series of publications concerned with the gallery's extensive and exceptional Australian works on paper collection. The selection for this publication and exhibition is by Hendrik Kolenberg, Senior Prints, Drawings and Watercolours and Patricia James, one of our longest serving and most trusted Gallery Volunteers

A Companion to Australian Art

A Companion to Australian Art PDF Author: Christopher Allen
Publisher: John Wiley & Sons
ISBN: 1118767950
Category : Art
Languages : en
Pages : 560

Book Description
A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.

Australian Art

Australian Art PDF Author: Andrew Sayers
Publisher: Oxford University Press, USA
ISBN: 9780192842145
Category : Art
Languages : en
Pages : 268

Book Description
This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.