Author: R. Barton PalmerPublisher:
ISBN: 9780511274435
Category : American fiction
Languages : en
Pages : 262
Book Description
An up-to-date illustrated survey of the important films based on, or inspired by, nineteenth-century American fiction.
Nineteenth-century American Fiction on Screen
Author: R. Barton PalmerPublisher:
ISBN: 9780511274435
Category : American fiction
Languages : en
Pages : 262
Book Description
An up-to-date illustrated survey of the important films based on, or inspired by, nineteenth-century American fiction.
Nineteenth-Century American Fiction on Screen
Author: R. Barton PalmerPublisher: Cambridge University Press
ISBN: 1139461869
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
The process of translating works of literature to the silver screen is a rich field of study for both students and scholars of literature and cinema. The fourteen essays collected in this 2007 volume provide a survey of the important films based on, or inspired by, nineteenth-century American fiction, from James Fenimore Cooper's The Last of the Mohicans to Owen Wister's The Virginian. Many of the major works of the American canon are included, including The Scarlet Letter, Moby Dick and Sister Carrie. The starting point of each essay is the literary text itself, moving on to describe specific aspects of the adaptation process, including details of production and reception. Written in a lively and accessible style, the book includes production stills and full filmographies. Together with its companion volume on twentieth-century fiction, the volume offers a comprehensive account of the rich tradition of American literature on screen.
Twentieth-Century American Fiction on Screen
Author: R. Barton PalmerPublisher: Cambridge University Press
ISBN: 1139461680
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
The essays in this collection analyse major film adaptations of twentieth-century American fiction, from F. Scott Fitzgerald's The Last Tycoon to Toni Morrison's Beloved. During the century, films based on American literature came to play a central role in the history of the American cinema. Combining cinematic and literary approaches, this volume explores the adaptation process from conception through production and reception. The contributors explore the ways political and historical contexts have shaped the transfer from book to screen, and the new perspectives that films bring to literary works. In particular, they examine how the twentieth-century literary modes of realism, modernism, and postmodernism have influenced the forms of modern cinema. Written in a lively and accessible style, the book includes production stills and full filmographies. Together with its companion volume on nineteenth-century fiction, the volume offers a comprehensive account of the rich tradition of American literature on screen.
Nineteenth-century Women at the Movies
Author: Barbara Tepa LupackPublisher: Popular Press
ISBN: 9780879728052
Category : Literary Criticism
Languages : en
Pages : 352
Book Description
Eleven essays analyze the adaptations of novels by eight popular writers such as Jane Austen and Harriet Beecher Stowe, and examine the ways in which those writers' themes are reinterpreted, updated and often misconstrued by the filmmakers who bring them to the screen. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Nineteenth-Century American Literature and the Discourse of Natural History
Author: Juliana ChowPublisher: Cambridge University Press
ISBN: 1108997503
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Nineteenth-Century American Literature and the Discourse of Natural History illuminates how literary experimentation with natural history provides penumbral views of environmental survival. The book brings together feminist revisions of scientific objectivity and critical race theory on diaspora to show how biogeography influenced material and metaphorical concepts of species and race. It also highlights how lesser known writers of color like Simon Pokagon and James McCune Smith connected species migration and mutability to forms of racial uplift. The book situates these literary visions of environmental fragility and survival amidst the development of Darwinian theories of evolution and against a westward expanding American settler colonialism.
John Huston as Adaptor
Author: Douglas McFarlandPublisher: SUNY Press
ISBN: 1438463731
Category : Performing Arts
Languages : en
Pages : 328
Book Description
Argues that understanding Hustons film adaptations of literary works is essential to understanding his oeuvre as a filmmaker. John Huston as Adaptor makes the case that adaptation is the salient element in Hustons identity as a filmmaker and that his early and deep attraction to the experience of reading informed his approach to film adaptation. Thirty-four of Hustons thirty-seven films were adaptations of literary texts, and they stand as serious interpretations of literary works that could only be made by an astute reader of literature. Indeed, Huston asserted that a film director should be above all else a reader and that reading itself should be the intellectual and emotional basis for filmmaking. The seventeen essays in this volume not only address Huston as an adaptor, but also offer an approach to adaptation studies that has been largely overlooked. How an adaptor reads, the works to which he is drawn, and how his literary interpretations can be brought to the screen without relegating film to a subservient role are some of the issues addressed by the contributors. An introductory chapter identifies Huston as the quintessential Hollywood adaptor and argues that his skill at adaptation is the mark of his authorial signature. The chapters that follow focus on fifteen of Hustons most important films, including The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The African Queen (1951), The Night of the Iguana (1964), Under the Volcano (1984), and The Dead (1987), and are divided into three areas: aesthetics and textuality; history and social context; and theory and psychoanalysis. By offering a more comprehensive account of the centrality of adaptation to Hustons films, John Huston as Adaptor offers a greater understanding of Huston as a filmmaker.
Bigger than Ben-Hur
Author: Barbara RyanPublisher: Syracuse University Press
ISBN: 081565331X
Category : Performing Arts
Languages : en
Pages : 298
Book Description
First published in 1880, Ben-Hur: A Tale of the Christ became a best-seller. The popular novel spawned an 1899 stage adaptation, reaching audiences of over 10 million, and two highly successful film adaptations. For over a century, it has become a ubiquitous pop cultural presence, representing a deeply powerful story and monumental experience for some and a defining work of bad taste and false piety for others. The first and only collection of essays on this pivotal cultural icon, Bigger Than “Ben-Hur” addresses Lew Wallace’s beloved classic to explore its polarizing effect and to expand the contexts within which it can be studied. In the essays gathered here, scholars approach Ben-Hur from multiple directions—religious and secular, literary, theatrical, and cinematic—to understand not just one story in varied formats but also what they term the “Ben-Hur tradition.” Drawing from a wide range of disciplines, contributions include the rise of the Protestant novel in the United States; relationships between and among religion, spectacle, and consumerism; the “New Woman” in early Hollywood; and a “wish list” for future adaptations, among others. Together, these essays explore how this remarkably fluid story of faith, love, and revenge has remained relevant to audiences across the globe for over 130 years.
Traditions in World Cinema
Author: Linda BadleyPublisher: Rutgers University Press
ISBN: 9780813538747
Category : Performing Arts
Languages : en
Pages : 294
Book Description
The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi.
From 19th Century Femininity in Literature to 20th Century Feminism on Film: Discourse Translation and Adaptation
Author: Oana-Celia GheorghiuPublisher: Anchor Academic Publishing
ISBN: 3954894602
Category : Language Arts & Disciplines
Languages : en
Pages : 257
Book Description
Aiming at both identifying the representation of femininity as a social construct and analysing the way in which it can be translated into film adaptations of novels, this work focuses on the interpretations of a famous and, at the same time, problema
Cinematic Fictions
Author: David SeedPublisher: Liverpool University Press
ISBN: 1846318122
Category : Performing Arts
Languages : en
Pages : 327
Book Description
The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.