News Framing of Indigenous Politics in Canada PDF Download

Author: Brian Budd
Publisher: Springer Nature
ISBN: 3031647580
Category :
Languages : en
Pages : 260

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Author: Brian Budd
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description
In the last six years, reconciliation has been highlighted (at least rhetorically) as one of the key political goals of the Canadian state as it claims to re-orientate and navigate its relationship with Indigenous Peoples. Despite being widely embraced across settler society, state-sanctioned reconciliation remains a fundamentally contested concept that has been critiqued for its failure to create space for the revitalization of Indigenous sovereignty and self-determination. This dissertation utilizes a comparative case study and mixed-methods approach to explore how print-based news media - a key source of learning about Indigenous issues for members of settler society - have contributed to the discursive construction of Indigenous-settler reconciliation in Canada. Using the techniques of frame and content analysis, the dissertation examines 533 articles and editorials published across three empirical cases - the Trans Mountain Pipeline Expansion, the 2020 Wet'suwet'en Land Defense and the Indigenous Languages Act. The key research finding is that the Canadian news media continue to produce systemic patterns in coverage which reject, marginalize and erase the territorial rights and claims of Indigenous Peoples. By extension, these patterns in coverage contribute to the construction of a 'Doctrine of Discovery' model of reconciliation defined by increasing socioeconomic and cultural equality for Indigenous Peoples, while at the same time reaffirming the exclusive territorial sovereignty of the Canadian settler state. The dissertation concludes that rather than helping to move the relationship between Indigenous Peoples and settlers forward along a path of reconciliation, power-sharing, and the resurgence of land-based self-determination, the news media are continuing to construct discourses and representations that work against the political objectives of Indigenous Peoples and reinforce settler colonial power relationships in Canada. In offering this conclusion, the study highlights the role that non-Indigenous authorship and sourcing play in shaping news coverage of Indigenous issues in Canada. The dissertation makes original contributions to both the Indigenous politics and political communications literature by explaining how the news media are contributing to the ongoing politics of Indigenous-settler reconciliation in Canada.

Author: Karrmen Crey
Publisher: U of Minnesota Press
ISBN: 1452970483
Category : Performing Arts
Languages : en
Pages : 231

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Exploring how Indigenous media has flourished across Canada from the 1990s to the present In the early 1990s, Indigenous media experienced a boom across Canada, resulting in a vast landscape of film, TV, and digital media. Coinciding with a resurgence of Indigenous political activism, Indigenous media highlighted issues around sovereignty and Indigenous rights to broader audiences in Canada. In Producing Sovereignty, Karrmen Crey considers the conditions—social movements, state policy, and evolutions in technology—that enabled this proliferation. Exploring the wide field of media culture institutions, Crey pays particular attention to those that Indigenous media makers engaged during this cultural moment, including state film agencies, arts organizations, provincial broadcasters, and more. Producing Sovereignty ranges from the formation of the Aboriginal Film and Video Art Alliance in the early 1990s and its partnership with the Banff Centre for the Arts to the Canadian Broadcasting Corporation’s 2016 production of Highway of Tears—an immersive 360-degree short film directed by Anishinaabe filmmaker Lisa Jackson—highlighting works by Indigenous creators along the way and situating Indigenous media within contexts that pay close attention to the role of media-producing institutions. Importantly, Crey focuses on institutions with limited scholarly attention, shifting beyond the work of the National Film Board of Canada to explore lesser-known institutions such as educational broadcasters and independent production companies that create programming for the Aboriginal Peoples Television Network. Through its refusal to treat Indigenous media simply as a set of cultural aesthetics, Producing Sovereignty offers a revealing media history of this cultural moment.

Author: Valerie Alia
Publisher: Berghahn Books
ISBN: 0857456067
Category : Business & Economics
Languages : en
Pages : 301

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Around the planet, Indigenous people are using old and new technologies to amplify their voices and broadcast information to a global audience. This is the first portrait of a powerful international movement that looks both inward and outward, helping to preserve ancient languages and cultures while communicating across cultural, political, and geographical boundaries. Based on more than twenty years of research, observation, and work experience in Indigenous journalism, film, music, and visual art, this volume includes specialized studies of Inuit in the circumpolar north, and First Nations peoples in the Yukon and southern Canada and the United States.

Author: Augie Fleras
Publisher: UBC Press
ISBN: 0774821396
Category : Social Science
Languages : en
Pages : 317

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While Canada is known for its official commitment to diversity, a close look at our media reveals that though they frequently promote superficial representations of difference, they actually play a pivotal role in producing and reproducing the values, structures, and priorities of a predominantly “straight,” white, male society. The Media Gaze exposes how newscasters, advertisers, filmmakers, and television programmers attempt to co-opt audiences into believing that media depictions entail neither prejudice nor perspective. In truth, the experiences of those who fall outside of the media’s preferred populations are actively ignored or misrepresented. In this timely audit of the Canadian mainstream media, sociologist Augie Fleras draws on compelling case studies to explore the societal implications of the industry’s hidden bias. He also examines alternative forms of media and media literacy to present readers with tools to challenge the dominant agenda.

Author: Erin Tolley
Publisher: UBC Press
ISBN: 077483126X
Category : Social Science
Languages : en
Pages : 265

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Framed is a wake-up call for those who think that race does not matter in Canada. Combining an empirical analysis of print media with in-depth interviews of elected officials, former candidates, political staffers, and journalists, this book uncovers the connections between race, media coverage, and politics in Canada. As Erin Tolley reveals, overt racism rarely occurs in the pages of Canadian newspapers, but assumptions about race and diversity often influence media coverage. Consequently, as reporters go about selecting which political issues and events to cover, who to quote, and how to frame stories to make them resonate with the public, they give visible minorities less prominent and more negative media coverage than their white counterparts. Visible minority politicians are also more likely to be portrayed as products of their socio-demographic backgrounds, as uninterested in pressing policy issues, and as less electorally viable. The resulting news coverage, Tolley argues, does much to weaken Canada’s commitment to a robust, inclusive democracy.

Author: Glen Sean Coulthard
Publisher: U of Minnesota Press
ISBN: 1452942439
Category : Social Science
Languages : en
Pages : 289

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WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.

Author: Ellen Moore
Publisher: Routledge
ISBN: 1351171755
Category : Business & Economics
Languages : en
Pages : 239

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This book explores tensions surrounding news media coverage of Indigenous environmental justice issues, identifying them as a fruitful lens through which to examine the political economy of journalism, American history, human rights, and contemporary U.S. politics. The book begins by evaluating contemporary American journalism through the lens of "deep media", focusing especially on the relationship between the drive for profit, professional journalism, and coverage of environmental justice issues. It then presents the results of a framing analysis of the Standing Rock movement (#NODAPL) coverage by news outlets in the USA and Canada. These findings are complemented by interviews with the Standing Rock Sioux Tribe, whose members provided their perspectives on the media and the pipeline. The discussion expands by considering the findings in light of current U.S. politics, including a Trump presidency that employs "law and order" rhetoric regarding people of color and that often subjects environmental issues to an economic "cost-benefit" analysis. The book concludes by considering the role of social media in the era of "Big Oil" and growing Indigenous resistance and power. Examining the complex interplay between social media, traditional journalism, and environmental justice issues, Journalism, Politics, and the Dakota Access Pipeline: Standing Rock and the Framing of Injustice will be of great interest to students and scholars of environmental communication, critical political economy, and journalism studies more broadly.

Author: Miranda J. Brady
Publisher: UBC Press
ISBN: 0774835117
Category : Social Science
Languages : en
Pages : 221

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We Interrupt This Program tells the story of how Indigenous people are using media tactics in the realms of art, film, television, and journalism to rewrite Canada’s national narratives from Indigenous perspectives. Miranda Brady and John Kelly showcase the diversity of these interventions by offering personal accounts and reflections on key moments – witnessing survivor testimonies at the Truth and Reconciliation Commission, attending the opening night of the ImagineNative Film + Media Festival, and discussing representations of Indigenous people with artists such as Kent Monkman and Dana Claxton and with CBC journalist Duncan McCue. These scene-setting moments bring to life their argument that media tactics, as articulations of Indigenous sovereignty, have the power not only to effect change from within Canadian institutions and through established mediums but also to spark new forms of political and cultural expression in Indigenous communities and among Indigenous youth. Theoretically sophisticated and eminently readable, We Interrupt This Program reveals how seemingly unrelated acts by Indigenous activists across Canada are decolonizing our cultural institutions from within, one intervention at a time.

Author: Dana Claxton
Publisher:
ISBN: 9781771125413
Category : Art
Languages : en
Pages : 300

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Book Description
A timely and crucial collection of essays and conversations focused on Indigenous-settler cultural politics and the ethics of Indigenous representation in Canada's media arts that explores issues of narrative sovereignty, cultural identity, cultural resistance and decolonizing creative practices.