Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 808
Book Description
British Museum
Author: The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 708
Book Description
Railroad Gazette
Author: The Lancet London
Author: Census Reports Tenth Census
Author: United States. Census OfficePublisher:
ISBN:
Category : United States
Languages : en
Pages : 1308
Book Description
... Tenth Census: Newspapers and periodicals, Alaska, etc
Author: United States. Census OfficePublisher:
ISBN:
Category : Mortality
Languages : en
Pages : 1292
Book Description
Tenth Census of the United States, 1880: Newspapers, periodicals. Alaska ship building
Author: United States. Census Office. 10th census, 1880Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1270
Book Description
Willing's Press Guide
Author: Publisher:
ISBN:
Category : English newspapers
Languages : en
Pages : 504
Book Description
Coverage of publications outside the UK and in non-English languages expands steadily until, in 1991, it occupies enough of the Guide to require publication in parts.
The Law Times
Author: The Origins of Graphic Design in America, 1870-1920
Author: Burton RaffelPublisher: Yale University Press
ISBN: 9780300068351
Category : Design
Languages : en
Pages : 246
Book Description
By the time the phrase "graphic design" first appeared in print in 1922, design professionals in America had already created a discipline combining visual art with mass communication. In this book, Ellen Mazur Thomson examines for the first time the early development of the graphic design profession. It has been thought that graphic design emerged as a profession only when European modernism arrived in America in the 1930s, yet Thomson shows that the practice of graphic design began much earlier. Shortly after the Civil War, when the mechanization of printing and reproduction technology transformed mass communication, new design practices emerged. Thomson investigates the development of these practices from 1870 to 1920, a time when designers came to recognize common interests and create for themselves a professional identity. What did the earliest designers do, and how did they learn to do it? What did they call themselves? How did they organize them-selves and their work? Drawing on an array of original period documents, the author explores design activities in the printing, type founding, advertising, and publishing industries, setting the early history of graphic design in the context of American social history.