Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
Book Description
New technologies in the nineteen nineties 1990s
New technologies in the ˜1990œ [nineteen hundred nineties]
Communications Technology for the ˜1990sœ [nineteen Hundred and Nineties] and Beyond
Foreign direct investment in the 1990s [nineteen hundred and nineties]
Author: Cynthia Day Wallace
Publisher: Martinus Nijhoff Publishers
ISBN: 9780792305729
Category : Political Science
Languages : en
Pages : 232
Book Description
Publisher: Martinus Nijhoff Publishers
ISBN: 9780792305729
Category : Political Science
Languages : en
Pages : 232
Book Description
Technology in the 1990s
New Technologies in the 1990s
Author: Organisation for Economic Co-operation and Development. Group of Experts on the Social Aspects of New Technologies
Publisher:
ISBN:
Category : Technological innovations
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Technological innovations
Languages : en
Pages : 32
Book Description
Technology in the 1990s
Author: Royal Society (Great Britain). Discussion Meeting
Publisher:
ISBN:
Category : Materials
Languages : en
Pages : 183
Book Description
Publisher:
ISBN:
Category : Materials
Languages : en
Pages : 183
Book Description
New Technologies in the Nineteen Nineties
Author: Organisation for Economic Co-operation and Development
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
Book Description
The Nuclear Technology Challenge for the 1990s [nineteen Hundred and Nineties]
Author: Ronald C. Stinson
Publisher:
ISBN:
Category : Nuclear power plants
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category : Nuclear power plants
Languages : en
Pages : 554
Book Description
The Nineties
Author: Chuck Klosterman
Publisher: Penguin
ISBN: 0735217971
Category : Social Science
Languages : en
Pages : 385
Book Description
An instant New York Times bestseller! From the bestselling author of But What if We’re Wrong, a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history. It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
Publisher: Penguin
ISBN: 0735217971
Category : Social Science
Languages : en
Pages : 385
Book Description
An instant New York Times bestseller! From the bestselling author of But What if We’re Wrong, a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history. It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.