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Author: David Chamberlain Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 216
Book Description
This collection offers new and challenging scholarly interpretations of six major "Chaucerian" love poems from Clanvowe's Cuckoo and the Nightingale (1385) to the early Renaissance Court of Love (c. 1530). This study reveals previously overlooked subtlety and irony of these works, including an original, in-depth look at the neglected icon of this erotic poetry, the hawthorn tree. The contributors' critical approach emphasizes the texts themselves, their cultural context, and the literary tradition of the genre. The focus is decidedly on the poems' likely meaning to their original audiences; Chamberlain sketches fifteenth century literary taste in his introduction. This book contributes to the ongoing debate about the meaning of love in Middle English, and medieval, poetry. Contents: "Under the Schaddow of the Hawthorne Greene": The Hawthorn in Medieval Love Poetry, Susan Schoon Everly and David Chamberlain; Clanvowe's Cuckoo, David Chamberlain; Venus Unveiled: Lydgate's "Temple of Glas" and the Religion of Love, Bryan Crockett; "The air": The Plight of the Courtly Lover, Clair F. James; The Hope for "Pleasaunce": Richard Roos' Translation of Alain Chartier's "La Belle Dame Sans Mercy", Melissa Brown Tomus; "The Floure and the Leafe": An Alternative Approach, Cynthia Lockard Snyder; In Love's Thrall: "The Court of Love" and its Captives, Bonita Friedman.
Author: David Chamberlain Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 216
Book Description
This collection offers new and challenging scholarly interpretations of six major "Chaucerian" love poems from Clanvowe's Cuckoo and the Nightingale (1385) to the early Renaissance Court of Love (c. 1530). This study reveals previously overlooked subtlety and irony of these works, including an original, in-depth look at the neglected icon of this erotic poetry, the hawthorn tree. The contributors' critical approach emphasizes the texts themselves, their cultural context, and the literary tradition of the genre. The focus is decidedly on the poems' likely meaning to their original audiences; Chamberlain sketches fifteenth century literary taste in his introduction. This book contributes to the ongoing debate about the meaning of love in Middle English, and medieval, poetry. Contents: "Under the Schaddow of the Hawthorne Greene": The Hawthorn in Medieval Love Poetry, Susan Schoon Everly and David Chamberlain; Clanvowe's Cuckoo, David Chamberlain; Venus Unveiled: Lydgate's "Temple of Glas" and the Religion of Love, Bryan Crockett; "The air": The Plight of the Courtly Lover, Clair F. James; The Hope for "Pleasaunce": Richard Roos' Translation of Alain Chartier's "La Belle Dame Sans Mercy", Melissa Brown Tomus; "The Floure and the Leafe": An Alternative Approach, Cynthia Lockard Snyder; In Love's Thrall: "The Court of Love" and its Captives, Bonita Friedman.
Author: Jessica Rosenfeld Publisher: Cambridge University Press ISBN: 1139495259 Category : Literary Criticism Languages : en Pages : 257
Book Description
Jessica Rosenfeld provides a history of the ethics of medieval vernacular love poetry by tracing its engagement with the late medieval reception of Aristotle. Beginning with a history of the idea of enjoyment from Plato to Peter Abelard and the troubadours, the book then presents a literary and philosophical history of the medieval ethics of love, centered on the legacy of the Roman de la Rose. The chapters reveal that 'courtly love' was scarcely confined to what is often characterized as an ethic of sacrifice and deferral, but also engaged with Aristotelian ideas about pleasure and earthly happiness. Readings of Machaut, Froissart, Chaucer, Dante, Deguileville and Langland show that poets were often markedly aware of the overlapping ethical languages of philosophy and erotic poetry. The study's conclusion places medieval poetry and philosophy in the context of psychoanalytic ethics, and argues for a re-evaluation of Lacan's ideas about courtly love.
Author: Corinne Saunders Publisher: John Wiley & Sons ISBN: 1405159634 Category : Literary Criticism Languages : en Pages : 706
Book Description
MEDIEVAL POETRY In a series of original essays from leading literary scholars, this Companion offers a chronological sweep of medieval poetry from Old English to the great genres of romance, narrative, and alliterative poetry of the 15th century. Beginning in the Anglo-Saxon period, the volume explores the Old English language and its alliterative tradition, before moving on to examine the genres of heroic, devotional, wisdom and epic poetry, culminating in a discussion of arguably the founding text of the English literary canon, the great epic Beowulf. In part two, the Companion moves on to discuss the linguistic and social changes brought about as a result of the Norman Conquest, exploring how this influenced the development of literary genres. Essays probe the shifts and continuities in genres such as lyric, chronicle and dream vision, and the emergence of new genres such as popular and courtly romance, and drama. A particular focus is the continuation of the alliterative tradition from the Anglo-Saxon period to the fifteenth century. A series of chapters on major authors, including Chaucer, Gower, and Langland, provide fresh approaches to reading and studying key texts, such as The Canterbury Tales, Piers Plowman and Sir Gawain and the Green Knight. Finally, the collection examines cultural change at the close of the medieval period and the variety of literature produced in the ‘long fifteenth century’, including writing by and for women, Scots poetry, clerical and courtly works, and secular and sacred drama.
Author: Robert G. Benson Publisher: DS Brewer ISBN: 9780859917780 Category : Literary Criticism Languages : en Pages : 222
Book Description
A wide range of new scholarship on Chaucer's poetry. This collection of essays makes available a wide range of new scholarship on Chaucer's poetry. Opening essays address the issues of "Chaucerian representation" and "Chaucerian poetics", arguing for the multiplicity and complexityof what Chaucer "represents" and for the importance of his dual Anglo-French background in enabling him to articulate that complexity. Chaucer's use of Ovidian and Ciceronian sources and ideas is examined, and his pursuit of simplicity and suspicion of "delicacy"; the potent issues of sexuality and spirituality, and money and death (with Chaucer's own ending and his thoughts on last things) complete the collection. Contributors: DEREK BREWER, HELEN COOPER, PAUL DOWER, JOHN V. FLEMING, JOHN HILL, TRAUGOTT LAWLER, CELIA LEWIS, R. BARTON PALMER, WILLIAM PROVOST, JOHN PLUMMER, WILLIAM ROGERS.
Author: Elizabeth Eva Leach Publisher: Cornell University Press ISBN: 1501727575 Category : Music Languages : en Pages : 362
Book Description
Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.
Author: Helen Barr Publisher: OUP Oxford ISBN: 0191540862 Category : Literary Criticism Languages : en Pages : 241
Book Description
Socioliterary Practice in Late Medieval England bridges the disciplines of literature and history by examining various kinds of literary language as examples of social practice. Readings of both English and Latin texts from the late fourteenth and early fifteenth centuries are grounded in close textual study which reveals the social positioning of these works and the kinds of ideological work they can be seen to perform. Distinctive new readings of texts emerge which challenge received interpretations of literary history and late medieval culture. Canonical authors and texts such as Chaucer, Gower, and Pearl are discussed alongside the less familiar: Clanvowe, anonymous alliterative verse, and Wycliffite prose tracts.
Author: Mary-Jo Arn Publisher: Medieval Institute Publications ISBN: 1580444032 Category : Literary Collections Languages : en Pages : 217
Book Description
Readers have noticed that the fifteenth century saw a remarkable flourishing of poems written in conditions of physical captivity or on the subject of imprisonment. The largest body of this poetry is from the pen of Charles of Valois, duke of Orleans, who was captured by the English at the battle of Agincourt in 1415 and not released until 1440. The longest single poem on the subject is James I of Scotland's The Kingis Quair, purportedly written at the time of his release from an eighteen-year imprisonment in England .This volume reflects the wide scope of these prison poems by bringing together a new edition of The Kingis Quair, a selection from Charles d'Orleans' Fortunes Stabilnes, a poem by George Ashby, who was imprisoned in London's Fleet prison, and the poems of two other poets, both anonymous, who wrote about physical and/or emotional imprisonment.
Author: Robert R. Raymo Publisher: University of Toronto Press ISBN: 1442659149 Category : Religion Languages : en Pages : 670
Book Description
The allegories of the virtues and vices were a common teaching tool in the Middle Ages for both religious and lay audiences to learn the basic tenets of the Christian faith. The Mirroure of the Worlde makes available for the first time the unique text in the fifteenth-century British manuscript, MS. Bodley 283, which is among the last and largest works in the tradition of lay religious instruction mandated by the Fourth Lateran Council. The Mirroure is derived from conflations of the Miroir du Monde and the Somme le Roi, both vernacular treatises on vices and virtues compiled in Northeast France in the thirteenth century. Translated into Middle English by, it is believed, Stephen Scrope, the foremost English translator of the mid-fifteenth century, this edition is one of the only books of virtues and vices that contains Latin text, an inclusion that points towards a more widespread knowledge of the language among the laypeople than previously thought. Complete with explanatory notes and a glossary, The Mirroure of the Worlde widens the understanding of medieval moral instruction, religion, reading practices, and education.
Author: William Calin Publisher: University of Toronto Press ISBN: 1442646659 Category : Literary Criticism Languages : en Pages : 433
Book Description
In The Lily and the Thistle, William Calin argues for a reconsideration of the French impact on medieval and renaissance Scottish literature. Calin proposes that much of traditional, medieval, and early modern Scottish culture, thought to be native to Scotland or primarily from England, is in fact strikingly international and European. By situating Scottish works in a broad intertextual context, Calin reveals which French genres and modes were most popular in Scotland and why. The Lily and the Thistle provides appraisals of medieval narrative texts in the high courtly mode (equivalent to the French dits amoureux); comic, didactic, and satirical texts; and Scots romance. Special attention is accorded to texts composed originally in French such as the Arthurian Roman de Fergus, as well as to the lyrics of Mary Queen of Scots and little known writers from the French and Scottish canons. By considering both medieval and renaissance works, Calin is able to observe shifts in taste and French influence over the centuries.
Author: Kathleen A. Bishop with a Foreword by David Matthews Publisher: Cambridge Scholars Publishing ISBN: 1527553299 Category : Poetry Languages : en Pages : 330
Book Description
Standing in the Shadow of the Master? Chaucerian Influences and Interpretations grew out of a session at the 2008 International Medieval Congress at the University of Leeds. In this volume Editor Kathleen A. Bishop brings together a collection of essays contributed by a talented and diverse group of scholars from the United States, Canada, and Europe. The articles question the traditional supremacy of Chaucer in the canon while also reaffirming the lasting impact of this great English writer of the Middle Ages. Topics covered include Shakespeare, Lydgate, Gower, Henryson, Douglas, Clanvowe, Bokenham, and the Gawain Poet, as well as a modern psychoanalytic assessment of the Wife of Bath, and a dialogue on making Chaucer relevant to undergraduates immersed in 21st century culture.
Author: David Chamberlain
Author: David Chamberlain
Author: Jessica Rosenfeld
Author: Corinne Saunders
Author: Robert G. Benson
Author: Elizabeth Eva Leach
Author: Helen Barr
Author: Mary-Jo Arn
Author: Robert R. Raymo
Author: William Calin
Author: Kathleen A. Bishop with a Foreword by David Matthews