Author: Imam Yahya ibn Sharaf an-Nawawi
Publisher: Turath Publishing
ISBN: 190694959X
Category : Religion
Languages : en
Pages : 863
Book Description
The Book Of Remembrances [Kitab al-Adhkar] – By Imam Yahya ibn Sharaf an-Nawawi Kitab al-Adhkar is the definitive compilation of words of remembrance and glorification of (dhikr), and supplicatory prayer to (du’a), the Lord of the Universe, as related from His final Emissary, the Prophet Muhammad (may Allah bless and exalt him). Dhikr and du’a lie at the very heart of the din, the relationship between creature and Creator. As part of the Sunna or Prophetic Way, they are a divinely appointed means of approaching Allah Most High for all our needs, and of making use of all the moments of daily life to strengthen our tawhid, the existential and cognitive Unity that is the hallmark of Muslim spirituality. Also covered are the vital principles of speaking only what is good and avoiding the sins of the tongue. The author, Muhy al-Din Yahya ibn Sharaf al-Nawawi (631-676/123-1277) devoted his entire life to the pursuit of sacred knowledge. He is revered throughout the Sunni world as one of its greatest authorities. Among his most famous writings are the Arba’in, a collection of forty Hadiths; a commentary on the Sahih of Imam Muslim; and Kitab al-Adhkar. Designed as a reference guide and a source of inspiration, this volume presents a clear and elegant English translation of Imam al-Nawawis classic, together with the text of every single prayer and invocation, both in Arabic letters and in romanisation. Also included are all the authors statements about those Hadiths which he related personally from his own teachers, and his guidance on the correct spelling and meanings of rare words and names. Finally, al-Nawawi's comments on the sources of Hadiths are supplemented by further scholarly notes.
The Book Of Remembrances
Author: Imam Yahya ibn Sharaf an-Nawawi
Publisher: Turath Publishing
ISBN: 190694959X
Category : Religion
Languages : en
Pages : 863
Book Description
The Book Of Remembrances [Kitab al-Adhkar] – By Imam Yahya ibn Sharaf an-Nawawi Kitab al-Adhkar is the definitive compilation of words of remembrance and glorification of (dhikr), and supplicatory prayer to (du’a), the Lord of the Universe, as related from His final Emissary, the Prophet Muhammad (may Allah bless and exalt him). Dhikr and du’a lie at the very heart of the din, the relationship between creature and Creator. As part of the Sunna or Prophetic Way, they are a divinely appointed means of approaching Allah Most High for all our needs, and of making use of all the moments of daily life to strengthen our tawhid, the existential and cognitive Unity that is the hallmark of Muslim spirituality. Also covered are the vital principles of speaking only what is good and avoiding the sins of the tongue. The author, Muhy al-Din Yahya ibn Sharaf al-Nawawi (631-676/123-1277) devoted his entire life to the pursuit of sacred knowledge. He is revered throughout the Sunni world as one of its greatest authorities. Among his most famous writings are the Arba’in, a collection of forty Hadiths; a commentary on the Sahih of Imam Muslim; and Kitab al-Adhkar. Designed as a reference guide and a source of inspiration, this volume presents a clear and elegant English translation of Imam al-Nawawis classic, together with the text of every single prayer and invocation, both in Arabic letters and in romanisation. Also included are all the authors statements about those Hadiths which he related personally from his own teachers, and his guidance on the correct spelling and meanings of rare words and names. Finally, al-Nawawi's comments on the sources of Hadiths are supplemented by further scholarly notes.
Publisher: Turath Publishing
ISBN: 190694959X
Category : Religion
Languages : en
Pages : 863
Book Description
The Book Of Remembrances [Kitab al-Adhkar] – By Imam Yahya ibn Sharaf an-Nawawi Kitab al-Adhkar is the definitive compilation of words of remembrance and glorification of (dhikr), and supplicatory prayer to (du’a), the Lord of the Universe, as related from His final Emissary, the Prophet Muhammad (may Allah bless and exalt him). Dhikr and du’a lie at the very heart of the din, the relationship between creature and Creator. As part of the Sunna or Prophetic Way, they are a divinely appointed means of approaching Allah Most High for all our needs, and of making use of all the moments of daily life to strengthen our tawhid, the existential and cognitive Unity that is the hallmark of Muslim spirituality. Also covered are the vital principles of speaking only what is good and avoiding the sins of the tongue. The author, Muhy al-Din Yahya ibn Sharaf al-Nawawi (631-676/123-1277) devoted his entire life to the pursuit of sacred knowledge. He is revered throughout the Sunni world as one of its greatest authorities. Among his most famous writings are the Arba’in, a collection of forty Hadiths; a commentary on the Sahih of Imam Muslim; and Kitab al-Adhkar. Designed as a reference guide and a source of inspiration, this volume presents a clear and elegant English translation of Imam al-Nawawis classic, together with the text of every single prayer and invocation, both in Arabic letters and in romanisation. Also included are all the authors statements about those Hadiths which he related personally from his own teachers, and his guidance on the correct spelling and meanings of rare words and names. Finally, al-Nawawi's comments on the sources of Hadiths are supplemented by further scholarly notes.
The Art of Reciting the Qur'an
Author: Kristina Nelson
Publisher: American Univ in Cairo Press
ISBN: 9789774245947
Category : Religion
Languages : en
Pages : 282
Book Description
For the Muslim faithful, the familiar sound of the Qur'anic recitation is the predominant and most immediate means of contact with the Word of God. Heard day and night, on the street, in taxis, in shops, in mosques, and in homes, the sound of recitation is far more than the pervasive background music of daily life in the Arab world. It is the core of religious devotion, the sanctioning spirit of much cultural and social life, and a valued art form in its own right. Participation in recitation, as reciter or listener, is itself an act of worship, for the sound is basic to a Muslim's sense of religion and invokes a set of meanings transcending the particular occasion. For the most part, Westerners have approached the Qur'an much as scriptural scholars have studied the Bible, as a collection of written texts. The Art of Reciting the Qur'an aims at redirecting that focus toward a deeper understanding of the Qur'an as a fundamentally oral phenomenon. Focusing on the Egyptian context, and examining Muslim attitudes toward the Qur'an, the institutions that regulate its recitation, and performer-audience expectations and interaction. Kristina Nelson, a trained Arabist and musicologist, casts new light on the significance of Qur'anic recitation within the world of Islam today. This new edition of a landmark study, with a new postscript, will be welcomed by all scholars and students of the modern Middle East, as well as by ethnomusicologists, anthropologists, linguists, folklorists, and religious scholars. ''This is an important book--a book of cultural translation in the best sense of the word: it translates meaning.'' --Regula Burckhardt Qureshi, Ethnomusicology ''Quite simply, the book changes the way one understands the Qur'an, and it changes the way one listens.'' --Philip D. Schuyler, MESA Bulletin
Publisher: American Univ in Cairo Press
ISBN: 9789774245947
Category : Religion
Languages : en
Pages : 282
Book Description
For the Muslim faithful, the familiar sound of the Qur'anic recitation is the predominant and most immediate means of contact with the Word of God. Heard day and night, on the street, in taxis, in shops, in mosques, and in homes, the sound of recitation is far more than the pervasive background music of daily life in the Arab world. It is the core of religious devotion, the sanctioning spirit of much cultural and social life, and a valued art form in its own right. Participation in recitation, as reciter or listener, is itself an act of worship, for the sound is basic to a Muslim's sense of religion and invokes a set of meanings transcending the particular occasion. For the most part, Westerners have approached the Qur'an much as scriptural scholars have studied the Bible, as a collection of written texts. The Art of Reciting the Qur'an aims at redirecting that focus toward a deeper understanding of the Qur'an as a fundamentally oral phenomenon. Focusing on the Egyptian context, and examining Muslim attitudes toward the Qur'an, the institutions that regulate its recitation, and performer-audience expectations and interaction. Kristina Nelson, a trained Arabist and musicologist, casts new light on the significance of Qur'anic recitation within the world of Islam today. This new edition of a landmark study, with a new postscript, will be welcomed by all scholars and students of the modern Middle East, as well as by ethnomusicologists, anthropologists, linguists, folklorists, and religious scholars. ''This is an important book--a book of cultural translation in the best sense of the word: it translates meaning.'' --Regula Burckhardt Qureshi, Ethnomusicology ''Quite simply, the book changes the way one understands the Qur'an, and it changes the way one listens.'' --Philip D. Schuyler, MESA Bulletin
Popular Educator
The Sound of Salvation
Author: Guangtian Ha
Publisher: Columbia University Press
ISBN: 0231552483
Category : Religion
Languages : en
Pages : 222
Book Description
Winner, 2023 Clifford Geertz Prize in Anthropology of Religion, Society for the Anthropology of Religion The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants. The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals. Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world.
Publisher: Columbia University Press
ISBN: 0231552483
Category : Religion
Languages : en
Pages : 222
Book Description
Winner, 2023 Clifford Geertz Prize in Anthropology of Religion, Society for the Anthropology of Religion The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants. The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals. Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world.
The Athenaeum
Finding List of Books Except Fiction in the Public Library of the City of Dener with Author and Subject Indexes
Author: Denver Public Library
Publisher:
ISBN:
Category : Non-fiction
Languages : en
Pages : 620
Book Description
Publisher:
ISBN:
Category : Non-fiction
Languages : en
Pages : 620
Book Description
The English Catalogue of Books
Arabic Literary Salons in the Islamic Middle Ages
Author: Samer M. Ali
Publisher: University of Notre Dame Pess
ISBN: 0268074976
Category : History
Languages : en
Pages : 312
Book Description
Arabic literary salons emerged in ninth-century Iraq and, by the tenth, were flourishing in Baghdad and other urban centers. In an age before broadcast media and classroom education, salons were the primary source of entertainment and escape for middle- and upper-rank members of society, serving also as a space and means for educating the young. Although salons relied on a culture of oral performance from memory, scholars of Arabic literature have focused almost exclusively on the written dimensions of the tradition. That emphasis, argues Samer Ali, has neglected the interplay of oral and written, as well as of religious and secular knowledge in salon society, and the surprising ways in which these seemingly discrete categories blurred in the lived experience of participants. Looking at the period from 500 to 1250, and using methods from European medieval studies, folklore, and cultural anthropology, Ali interprets Arabic manuscripts in order to answer fundamental questions about literary salons as a social institution. He identifies salons not only as sites for socializing and educating, but as loci for performing literature and oral history; for creating and transmitting cultural identity; and for continually reinterpreting the past. A fascinating recovery of a key element of humanistic culture, Ali’s work will encourage a recasting of our understanding of verbal art, cultural memory, and daily life in medieval Arab culture.
Publisher: University of Notre Dame Pess
ISBN: 0268074976
Category : History
Languages : en
Pages : 312
Book Description
Arabic literary salons emerged in ninth-century Iraq and, by the tenth, were flourishing in Baghdad and other urban centers. In an age before broadcast media and classroom education, salons were the primary source of entertainment and escape for middle- and upper-rank members of society, serving also as a space and means for educating the young. Although salons relied on a culture of oral performance from memory, scholars of Arabic literature have focused almost exclusively on the written dimensions of the tradition. That emphasis, argues Samer Ali, has neglected the interplay of oral and written, as well as of religious and secular knowledge in salon society, and the surprising ways in which these seemingly discrete categories blurred in the lived experience of participants. Looking at the period from 500 to 1250, and using methods from European medieval studies, folklore, and cultural anthropology, Ali interprets Arabic manuscripts in order to answer fundamental questions about literary salons as a social institution. He identifies salons not only as sites for socializing and educating, but as loci for performing literature and oral history; for creating and transmitting cultural identity; and for continually reinterpreting the past. A fascinating recovery of a key element of humanistic culture, Ali’s work will encourage a recasting of our understanding of verbal art, cultural memory, and daily life in medieval Arab culture.
Werner's Readings and Recitations
The Book in Mamluk Egypt and Syria (1250-1517)
Author: Doris Behrens-Abouseif
Publisher: BRILL
ISBN: 9004387056
Category : History
Languages : en
Pages : 190
Book Description
This book is the first to date to be dedicated to the circulation of the book as a commodity in the Mamluk sultanate. It discusses the impact of princely patronage on the production of books, the formation and management of libraries in religious institutions, their size and their physical setting. It documents the significance of private collections and their interaction with institutional libraries and the role of charitable endowments (waqf ) in the life of libraries. The market as a venue of intellectual and commercial exchanges and a production centre is explored with references to prices and fees. The social and professional background of scribes and calligraphers occupies a major place in this study, which also documents the chain of master-calligraphers over the entire Mamluk period. For her study the author relies on biographical dictionaries, chronicles, waqf documents and manuscripts.
Publisher: BRILL
ISBN: 9004387056
Category : History
Languages : en
Pages : 190
Book Description
This book is the first to date to be dedicated to the circulation of the book as a commodity in the Mamluk sultanate. It discusses the impact of princely patronage on the production of books, the formation and management of libraries in religious institutions, their size and their physical setting. It documents the significance of private collections and their interaction with institutional libraries and the role of charitable endowments (waqf ) in the life of libraries. The market as a venue of intellectual and commercial exchanges and a production centre is explored with references to prices and fees. The social and professional background of scribes and calligraphers occupies a major place in this study, which also documents the chain of master-calligraphers over the entire Mamluk period. For her study the author relies on biographical dictionaries, chronicles, waqf documents and manuscripts.