Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
New Oxford History of Music. Vol. 2
Author: New Oxford History of Music
Author: NEW.Concert Music, 1630-1750
Author: Gerald Ernest Heal AbrahamPublisher: Oxford : Oxford University Press
ISBN: 9780193163065
Category : Music
Languages : en
Pages : 0
Book Description
The New Oxford History of Music, Volume 2
Author: Richard CrockerAncient and Oriental Music
Author: Egon WelleszNew Oxford History of Music Vol 2
Author: Dom Anselm HughesThe new Oxford history of music. 2. Early medieval music up to 1300
Author: Anselm HughesThe Oxford History of Music Volume 2
Author: Hadow W H (William Henry) 1859-1937Publisher: Hardpress Publishing
ISBN: 9781314301335
Category :
Languages : en
Pages : 426
Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The New Oxford History of Music
Author: New Oxford History ...Oxford History of Western Music
Author: Richard TaruskinPublisher: Oxford University Press
ISBN: 0199813698
Category : Music
Languages : en
Pages : 3856
Book Description
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c