Author: Alex Marlow-Mann
Publisher: Edinburgh University Press
ISBN: 0748687653
Category : Performing Arts
Languages : en
Pages : 257
Book Description
The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema.
New Neapolitan Cinema
Author: Alex Marlow-Mann
Publisher: Edinburgh University Press
ISBN: 0748687653
Category : Performing Arts
Languages : en
Pages : 257
Book Description
The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema.
Publisher: Edinburgh University Press
ISBN: 0748687653
Category : Performing Arts
Languages : en
Pages : 257
Book Description
The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema.
The New Neapolitan Cinema
Author: Alex Marlow-Mann
Publisher: Traditions in World Cinema
ISBN: 9780748668779
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Aine O'Healy, Loyola Marymount University.
Publisher: Traditions in World Cinema
ISBN: 9780748668779
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Aine O'Healy, Loyola Marymount University.
Napoli/New York/Hollywood
Author: Giuliana Muscio
Publisher: Fordham Univ Press
ISBN: 0823279391
Category : Performing Arts
Languages : en
Pages : 455
Book Description
This cinema history illuminates the role of southern Italian performance traditions on American movies from the silent era to contemporary film. In Napoli/New York/Hollywood, Italian cinema historian Giuliana Muscio investigates the significant influence of Italian immigrant actors, musicians, and directors on Hollywood cinema. Using a provocative interdisciplinary approach, Muscio demonstrates how these artists and workers preserved their cultural and performance traditions, which led to innovations in the mode of production and in the use of media technologies. In doing so, she sheds light on the work of generations of artists, as well as the cultural evolution of “Italian-ness” in America over the past century. Muscio examines the careers of Italian performers steeped in an Italian theatrical culture that embraced high and low, tragedy and comedy, music, dance, acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.
Publisher: Fordham Univ Press
ISBN: 0823279391
Category : Performing Arts
Languages : en
Pages : 455
Book Description
This cinema history illuminates the role of southern Italian performance traditions on American movies from the silent era to contemporary film. In Napoli/New York/Hollywood, Italian cinema historian Giuliana Muscio investigates the significant influence of Italian immigrant actors, musicians, and directors on Hollywood cinema. Using a provocative interdisciplinary approach, Muscio demonstrates how these artists and workers preserved their cultural and performance traditions, which led to innovations in the mode of production and in the use of media technologies. In doing so, she sheds light on the work of generations of artists, as well as the cultural evolution of “Italian-ness” in America over the past century. Muscio examines the careers of Italian performers steeped in an Italian theatrical culture that embraced high and low, tragedy and comedy, music, dance, acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.
The Cinema of Paolo Sorrentino
Author: Russell Kilbourn
Publisher: Columbia University Press
ISBN: 0231548621
Category : Performing Arts
Languages : en
Pages : 480
Book Description
Paolo Sorrentino, director of Il Divo (2008) and The Great Beauty (2013) and creator of the HBO series The Young Pope (2016), has emerged as one of the most compelling figures in twenty-first-century European film. From his earliest productions to his more recent transnational works, Sorrentino has paid homage to Italy’s cinematic past while telling stories of masculine characters whose sense of self seems to be on the brink of dissolution. Together with his usual collaborators (including cinematographer Luca Bigazzi and editor Cristiano Travagliolo) and actors (chief among them Toni Servillo), Sorrentino has produced an incisive depiction of the contemporary European condition by means of an often spectacular postclassical style that nevertheless continues postwar Italian film’s tradition of political commitment. This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur. Russell J. A. Kilbourn offers close readings of Sorrentino’s feature films and television output from One Man Up (2001) to The Young Pope (2016) and Loro (2018), featuring in-depth analyses of the director’s exuberant and intensified film style. Addressing the crucial themes of Sorrentino’s output—including a masculine subject defined by a melancholic awareness of its own imminent demise, and a critique of the conventional cinematic representation of women—Kilbourn illuminates Sorrentino’s ability to suffuse postmodern elegies for the humanist worldview with a sense of social awareness and responsibility. Kilbourn also foregrounds Sorrentino’s contributions to the ongoing transformations of cinematic realism and the Italian and European art cinema traditions more broadly. The first English-language study of the acclaimed director’s oeuvre, The Cinema of Paolo Sorrentino demonstrates why he is considered one of the most dynamic figures making films today.
Publisher: Columbia University Press
ISBN: 0231548621
Category : Performing Arts
Languages : en
Pages : 480
Book Description
Paolo Sorrentino, director of Il Divo (2008) and The Great Beauty (2013) and creator of the HBO series The Young Pope (2016), has emerged as one of the most compelling figures in twenty-first-century European film. From his earliest productions to his more recent transnational works, Sorrentino has paid homage to Italy’s cinematic past while telling stories of masculine characters whose sense of self seems to be on the brink of dissolution. Together with his usual collaborators (including cinematographer Luca Bigazzi and editor Cristiano Travagliolo) and actors (chief among them Toni Servillo), Sorrentino has produced an incisive depiction of the contemporary European condition by means of an often spectacular postclassical style that nevertheless continues postwar Italian film’s tradition of political commitment. This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur. Russell J. A. Kilbourn offers close readings of Sorrentino’s feature films and television output from One Man Up (2001) to The Young Pope (2016) and Loro (2018), featuring in-depth analyses of the director’s exuberant and intensified film style. Addressing the crucial themes of Sorrentino’s output—including a masculine subject defined by a melancholic awareness of its own imminent demise, and a critique of the conventional cinematic representation of women—Kilbourn illuminates Sorrentino’s ability to suffuse postmodern elegies for the humanist worldview with a sense of social awareness and responsibility. Kilbourn also foregrounds Sorrentino’s contributions to the ongoing transformations of cinematic realism and the Italian and European art cinema traditions more broadly. The first English-language study of the acclaimed director’s oeuvre, The Cinema of Paolo Sorrentino demonstrates why he is considered one of the most dynamic figures making films today.
Coming-of-Age Cinema in New Zealand
Author: Alistair Fox
Publisher: Edinburgh University Press
ISBN: 1474429475
Category : Performing Arts
Languages : en
Pages : 382
Book Description
Explores the complex ethical dilemmas of human mobility in the context of climate change
Publisher: Edinburgh University Press
ISBN: 1474429475
Category : Performing Arts
Languages : en
Pages : 382
Book Description
Explores the complex ethical dilemmas of human mobility in the context of climate change
Wandering Women
Author: Laura Di Bianco
Publisher: Indiana University Press
ISBN: 025306466X
Category : History
Languages : en
Pages : 242
Book Description
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.
Publisher: Indiana University Press
ISBN: 025306466X
Category : History
Languages : en
Pages : 242
Book Description
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.
The Cinema of Economic Miracles
Author: Angelo Restivo
Publisher: Duke University Press
ISBN: 9780822327998
Category : Performing Arts
Languages : en
Pages : 228
Book Description
DIVA sophisticated theoretical treatment of post-war Italian Cinema./div
Publisher: Duke University Press
ISBN: 9780822327998
Category : Performing Arts
Languages : en
Pages : 228
Book Description
DIVA sophisticated theoretical treatment of post-war Italian Cinema./div
New Visions of the Child in Italian Cinema
Author: Danielle Hipkins
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783035306293
Category : Art
Languages : en
Pages : 0
Book Description
This book draws on a growing body of work in the history and theory of children on film and applies some of these new approaches to Italian cinema for the first time. In considering issues such as gender, the transnational, mourning and filmmaking itself the book maps out a revised understanding of the child in Italian film.
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783035306293
Category : Art
Languages : en
Pages : 0
Book Description
This book draws on a growing body of work in the history and theory of children on film and applies some of these new approaches to Italian cinema for the first time. In considering issues such as gender, the transnational, mourning and filmmaking itself the book maps out a revised understanding of the child in Italian film.
Naples & the Amalfi Coast
Author:
Publisher: DK Eyewitness Travel
ISBN: 9781465427069
Category : Amalfi Coast (Italy)
Languages : en
Pages : 0
Book Description
Col. ill. and maps on inside covers, and detachable col. map of Naples affixed to flap of p. [3] of cover.
Publisher: DK Eyewitness Travel
ISBN: 9781465427069
Category : Amalfi Coast (Italy)
Languages : en
Pages : 0
Book Description
Col. ill. and maps on inside covers, and detachable col. map of Naples affixed to flap of p. [3] of cover.
Italian Neorealism and Global Cinema
Author: Laura E. Ruberto
Publisher: Wayne State University Press
ISBN: 9780814333242
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
This volume addresses the influence of Italian neorealist films on world cinema well beyond the post-World War II period associated with the movement. Despite its lack of organization and relatively short life span, the Italian neorealist movement deeply influenced directors and film traditions around the world. This collection examines the impact of Italian neorealism beyond the period of 1945-52, the years conventionally connected to the movement, and beyond the postwar Italian film industry where the movement originated. Providing a refreshing aesthetic and ideological contrast to mainstream Hollywood films, neorealist filmmakers demonstrated not only how an engaging narrative technique could be brought to bear upon social issues but also how cinema could shape and redefine national identity. The fourteen essays in Italian Neorealism and Global Cinema consider films from Italy, India, Brazil, Africa, the Czech Republic, postwar Germany, Hong Kong, the United States, France, Belgium, Colombia, and Great Britain. Each essay explores neorealism's complex relationship to a different national film tradition, style, or historical period, illustrating the profound impact of neorealism and the ways it continues to complicate the relationship between ideas of nation, national cinema, and national identity. Many of the essays identify similar themes or motifs adapted from neorealism, and several essays address a politicized national film tradition that developed in opposition to a monolithic Western aesthetic. In all, Italian Neorealism and Global Cinema provides a novel critical understanding of the wide-ranging international impact of a short period in Italian cultural history. Film scholars and students of film history will appreciate this insightful text.
Publisher: Wayne State University Press
ISBN: 9780814333242
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
This volume addresses the influence of Italian neorealist films on world cinema well beyond the post-World War II period associated with the movement. Despite its lack of organization and relatively short life span, the Italian neorealist movement deeply influenced directors and film traditions around the world. This collection examines the impact of Italian neorealism beyond the period of 1945-52, the years conventionally connected to the movement, and beyond the postwar Italian film industry where the movement originated. Providing a refreshing aesthetic and ideological contrast to mainstream Hollywood films, neorealist filmmakers demonstrated not only how an engaging narrative technique could be brought to bear upon social issues but also how cinema could shape and redefine national identity. The fourteen essays in Italian Neorealism and Global Cinema consider films from Italy, India, Brazil, Africa, the Czech Republic, postwar Germany, Hong Kong, the United States, France, Belgium, Colombia, and Great Britain. Each essay explores neorealism's complex relationship to a different national film tradition, style, or historical period, illustrating the profound impact of neorealism and the ways it continues to complicate the relationship between ideas of nation, national cinema, and national identity. Many of the essays identify similar themes or motifs adapted from neorealism, and several essays address a politicized national film tradition that developed in opposition to a monolithic Western aesthetic. In all, Italian Neorealism and Global Cinema provides a novel critical understanding of the wide-ranging international impact of a short period in Italian cultural history. Film scholars and students of film history will appreciate this insightful text.