New England Samplers to 1840 PDF Download

Author: Glee F. Krueger
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 262

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Author: Ethel Stanwood Bolton
Publisher: Legare Street Press
ISBN: 9781019892480
Category :
Languages : en
Pages : 0

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Book Description
This beautiful volume showcases a collection of American samplers from the collections of the National Society of the Colonial Dames of America in the State of Massachusetts. Featuring full-color photographs of each of the samplers, as well as detailed historical and artistic analysis, this book is an invaluable resource for anyone interested in the art and history of embroidery. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author:
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 696

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Book Description

Author: Susan P. Schoelwer
Publisher: Wesleyan University Press
ISBN: 0819571261
Category : Art
Languages : en
Pages : 240

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Book Description
Winner of the Connecticut Book Award (2011) Winner of the Connecticut League of History Organizations Award of Merit (2012) Connecticut women have long been noted for their creation of colorful and distinctive needlework, including samplers and family registers, bed rugs and memorial pictures, crewel-embroidered bed hangings and garments, silk-embroidered pictures of classical or religious scenes, quilted petticoats and bedcovers, and whitework dresses and linens. This volume offers the first regional study, encompassing the full range of needle arts produced prior to 1840. Seventy entries showcase more than one hundred fascinating examples—many never before published—from the Connecticut Historical Society's extensive collection of this early American art form. Produced almost exclusively by women and girls, the needle arts provide an illuminating vantage point for exploring early American women's history and education, including family-based traditions predating the establishment of formal academies after the American Revolution. Extensive genealogical research reveals unseen family connections linking various types of needlework, similar to the multi-generational male workshops documented for other artisan trades, such as woodworking or metalsmithing. Photographs of stitches, reverse sides, sketches, design sources, and related works enhance our understanding and appreciation of this fragile art form and the talented women who created it. An exhibition of needlework in this book will be held at the Connecticut Historical Society in late fall, 2010. Funding for this project has been provided by the Coby Foundation, Ltd., and the National Endowment for the Arts.

Author: Connecticut Historical Society
Publisher: Wesleyan University Press
ISBN: 1881264114
Category : Art
Languages : en
Pages : 240

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Book Description
Masterworks from the extraordinary needlework collections of the Connecticut Historical Society.

Author: Annie's
Publisher: Annie's
ISBN: 9781590128060
Category : Crafts & Hobbies
Languages : en
Pages :

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Book Description
Containing unique reproductions of samplers and smalls from private collectors and museum collections, this DVD edition features one-of-a-kind antique needlework projects from the 17th, 18th, 19th and 20th centuries, as well as antique-inspired designs. Also featured are well-researched articles profiling sampler makers, sampler-producing schools, needlework tools, museums and the various historical events that have shaped needlework. Some of the articles and projects cannot be found anywhere else, making this DVD essential to any collection. The DVD incudes full-color photography, easy-to-read charts and complete instructions.

Author: Glee F. Krueger
Publisher: Plume Books
ISBN:
Category : Kapnek, Theodore H.
Languages : en
Pages : 104

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Book Description
"The superb collection of American samplers dating from 1678-1865 that has been formed by Theodore H. Kapnek is the basis for this exemplary study of the subject, which is also very beautifully illustrated with 112 examples, the majority of them in color. There are also many details enlarged from the samplers, making it possible to examine the stitches closely. Far from being an assemblage that is merely visually stunning, the Kapnek Collection provides the reader with a broad chronological and geographical range of Americana as worked by schoolgirls over a span of two hundred years. Basically a method of teaching the essentials of both practical and ornamental needlework, samplers have become much sought after and prized in recent years as fascinating examples of early American embroidery. The author, an expert on all types of American needlework, provides in the comprehensive introduction a study of the development of the sampler in America, with special attention to the types of schools where this work was taught, the materials and stitches used, and the sources of the designs." -- Provided by publisher

Author: Mary Cobb
Publisher: Millbrook Press
ISBN: 9780761303725
Category : Juvenile Nonfiction
Languages : en
Pages : 74

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Book Description
Describes the samplers stitched by girls in colonial America and explains what these samplers tell about the lives of their makers. Includes simple projects.

Author: Laurel Thatcher Ulrich
Publisher: Vintage
ISBN: 0307416860
Category : Social Science
Languages : en
Pages : 514

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Book Description
They began their existence as everyday objects, but in the hands of award-winning historian Laurel Thatcher Ulrich, fourteen domestic items from preindustrial America–ranging from a linen tablecloth to an unfinished sock–relinquish their stories and offer profound insights into our history. In an age when even meals are rarely made from scratch, homespun easily acquires the glow of nostalgia. The objects Ulrich investigates unravel those simplified illusions, revealing important clues to the culture and people who made them. Ulrich uses an Indian basket to explore the uneasy coexistence of native and colonial Americans. A piece of silk embroidery reveals racial and class distinctions, and two old spinning wheels illuminate the connections between colonial cloth-making and war. Pulling these divergent threads together, Ulrich demonstrates how early Americans made, used, sold, and saved textiles in order to assert their identities, shape relationships, and create history.

Author: MaureenDaly Goggin
Publisher: Routledge
ISBN: 1351536761
Category : Art
Languages : en
Pages : 508

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Book Description
Rejecting traditional notions of what constitutes art, this book brings together essays on a variety of fiber arts to recoup women's artistic practices by redefining what counts as art. Although scholars over the last twenty years have turned their attention to fiber arts, redefining the conditions, practices, and products as art, there is still much work to be done to deconstruct the stubborn patriarchal art/craft binary. With essays on a range of fiber art practices, including embroidery, knitting, crocheting, machine stitching, rug making, weaving, and quilting, this collection contributes to the ongoing scholarly redefinition of women's relationship to creative activity. Focusing on women as producers of cultural products and creators of social value, the contributors treat women as active subjects and problematize their material practices and artifacts in the complex world of textiles. Each essay also examines the ways in which needlework both performs gender and, in turn, constructs gender. Moreover, in concentrating on and theorizing material practices of textiles, these essays reorient the study of fiber arts towards a focus on process?the making of the object, including the conditions under which it was made, by whom, and for what purpose?as a way to rethink the fiber arts as social praxis.