Author: James Campbell
Publisher: Polygon
ISBN:
Category : Literary Collections
Languages : en
Pages : 216

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Book Description

Author: James Campbell
Publisher: Polygon
ISBN:
Category : Literary Collections
Languages : en
Pages : 214

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Book Description

Author: Vassiliki Kolocotroni
Publisher: University of Chicago Press
ISBN: 9780226450742
Category : History
Languages : en
Pages : 658

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Book Description
This anthology provides a guide to the Modernist movement in literature. Covering intellectual concerns of the period 1850-1940, it draws on contemporary essays, reviews, articles and manifestos of the political and aesthetic avant-garde.

Author: James Campbell
Publisher: Paul Dry Books
ISBN: 1589881753
Category : Literary Criticism
Languages : en
Pages : 391

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Book Description
NB by J. C., a collection of James Campbell’s best columns from the TLS, is a guide to the literary pleasures and absurdities of the past two decades. For over twenty years, James Campbell wrote the popular NB column on the back page of The Times Literary Supplement, signing it “J. C.” The initials were not intended as a disguise, but to provide freedom to the persona. “J. C.” was irreverent, whimsical, occasionally severe. The column had a low tolerance for the literary sins of pomposity, hypocrisy, and cant. It took aim at contemporary absurdities resulting from identity politics or from academic jargon. Readers of NB by J. C. will find not only an off-beat guide to our cultural times, but entries from The TLS Reviewer’s Handbook, which offered regular advice on the cultivation of a good writing style. “Above all, aspire to the Three E’s: elegance, eloquence, and entertainment.” The Introduction offers a history of the TLS from its beginnings through its precarious stages of adaptation and survival. “The secret of J. C.’s weekly column is its unique mix of anonymity with intimacy: this ‘stranger’, whom we meet over our morning coffee, is the most discreet and delightful of guides to what’s happening―good or mostly bad―in the literary world, with all its pretensions, follies, and occasional triumphs. I especially relished J. C.’s prizes―for the worst prose or the silliest blurb. Then again, leave it to J. C. to find the rare edition, the forgotten book of poems that deserves another look. True wit, coupled with wisdom: it’s the rarest of writerly feats.”―Marjorie Perloff, author of The Vienna Paradox: A Memoir “I receive immense pleasure from J. C.’s columns. Something more than pleasure: warmth, laughter, gratitude (especially when he is nailing academic unreadability).”—Vivian Gornick, author of Unfinished Business: Notes of a Chronic Re-Reader "For many years, Campbell appeared each week in the Times Literary Supplement, where his back-page essay—ironic, bookish and irresistibly entertaining—was every subscriber’s favorite feature."—Michael Dirda, Washington Post, on James Campbell's NB column

Author: Tom Normand
Publisher: Routledge
ISBN: 1351749323
Category : Social Science
Languages : en
Pages : 215

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Book Description
This title was first published in 2000: An investigation of Scottish art between 1928 and 1955 to bring into focus the multifaceted project that was Scottish modernism. At the core of this work lies the contention that Scottish modernism was underpinned by a desire to express a national consciousness. It was this ambition which became the defining feature of radical Scottish art, setting the parameters of its relationship with the idea of a coherent and international modern movement. With the foundation of the National Party of Scotland in 1928, Scottish intellectuals began to consider the nature of national identity and the characteristics of a national art. The "Scottish Renaissance Movement", under the voluble leadership of Hugh MacDiarmid, set out to articulate these interests, developing a vernacular poetry and literature. For Scottish artists, the way forward was harder to identify, as they fought to reconcile the demands for a Scottish national art with the stylistic revolution of international modernism. Tom Normand examines the competing claims of nationalism and modernism as they affected Scottish art. This in-depth analysis of a dynamic episode in Scottish visual culture looks at the work of, among others, William Johnstone, William McCance and John Duncan Fergusson.

Author: James Campbell
Publisher: Paul Dry Books
ISBN: 1589881648
Category : Biography & Autobiography
Languages : en
Pages : 266

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Book Description
"An enthralling and compulsively readable memoir: James Campbell is a marvelously charming teller of his improbable progress from high school dropout to literary critic and intellectual. There is no resisting the humor and modesty, the humanity and tenderness of his vivid account."—Phillip Lopate, author of To Show and to Tell: The Craft of Literary Nonfiction "The writing throughout is excellent and measured."—August Kleinzahler, author of Sleeping It Off in Rapid City In Just Go Down to the Road, James Campbell, a native Glaswegian, recounts his years as an incipient juvenile delinquent (arrested for stealing books!) and his young adulthood spent “on the road” in the early 1970s. After dropping out of school at fifteen, Campbell struggled with family relations and factory work. Soon he threw it all off and went traveling—through Europe, the Near East, and North Africa. His was a bohemian existence; he got along by hitchhiking and trading work for shelter. In time, Campbell settled back in Scotland. Long a reader and writer, he began working for local magazines and attending University. His early encounters with well-known authors including John Fowles and James Baldwin set him on his true path, which took him to the position of long-time writer of the NB column for the Times Literary Supplement. Just Go Down to the Road ends as Campbell gets his first book deal, and, after an unlikely start and unorthodox education, begins to find his place in the world of literature.

Author: Josh Kun
Publisher: Univ of California Press
ISBN: 9780520938649
Category : Music
Languages : en
Pages : 328

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Book Description
Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun, a MacArthur "Genius" Fellow, insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Café Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching—a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come.

Author: Bruce Barnhart
Publisher: University of Alabama Press
ISBN: 0817318046
Category : Literary Criticism
Languages : en
Pages : 265

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Book Description
Jazz in the Time of the Novel argues that a culture’s understanding of the concept of time plays a central role in its economic, social, and aesthetic affairs and that a culture arrives at its conception of time through its artistic practices. Bruce Barnhart, in Jazz in the Time of the Novel, shows that American culture of the first three decades of the twentieth century was shaped by the kindred rhythms and movements of two particular art forms: jazz and fiction. At the beginning of the twentieth century, widespread changes in America’s social, demographic, and economic norms threatened longstanding faith in a unified and inevitable movement towards a better future. As Barnhart shows both jazz and novels of the period address these temporal uncertainties, inserting themselves into arguments about the proper unfolding of an affirmative American future. Barnhart proposes that these two aesthetic forms can be viewed as co-participants in an ongoing discussion about the way in which the future should be imagined and experienced—a discussion symptomatic of the broader exchanges taking place within the many trajectories comprising early twentieth-century American culture. This book includes in-depth approaches to numerous examples of jazz and the novel, including performances by James P. Johnson, Louis Armstrong, Bessie Smith, Duke Ellington, and Ethel Waters, and novels by James Weldon Johnson, F. Scott Fitzgerald, Ernest Hemingway, Gertrude Stein, and Nella Larsen, among others. In addition to the details of specific musical and literary works, Jazz in the Time of the Novel offers careful consideration as to how these works impact their social context.

Author: Laura Hird
Publisher: Canongate Books
ISBN: 1847676723
Category : Fiction
Languages : en
Pages : 208

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Book Description
Children of Albion Rovers is the best-selling and critically acclaimed collection of novellas that features six of the most exciting young writers to emerge from Scotland in the 90s: award-winning authors Irvine Welsh, Alan Warner, Gordon Legge, and James Meek and introducing the striking new talents of Laura Hird and Paul Reekie. Children of Albion Rovers is a world of tripped-out crematorium attendants (Alan Warner), vengeful traffic-wardens (James Meek), born-again vinyl junkies (Gordon Legge), and teenage girls who sexually humiliate their teachers (Laura Hird). Also included are Paul Reekie’s fictional account of ideals betrayed, and Irvine Welsh’s first ever sci-fi story, featuring alien space casuals wreaking havoc through the known universe. The resulting mix is intoxicating to say the least.

Author: Ian Brown
Publisher: Edinburgh University Press
ISBN: 0748630651
Category : Literary Criticism
Languages : en
Pages : 368

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Book Description
In almost a century since the First World War ended, Scotland has been transformed in many rich ways. Its literature has been an essential part of that transformation. The third volume of the History, explores the vibrancy of modern Scottish literature in all its forms and languages. Giving full credit to writing in Gaelic and by the Scottish diaspora, it brings together the best contemporary critical insights from three continents. It provides an accessible and refreshing picture of both the varieties of Scottish literatures and the kaleidoscopic versions of Scotland that mark literary developments since 1918.