Author: Andy Lavender Publisher: Routledge ISBN: 0429576137 Category : Performing Arts Languages : en Pages : 106
Book Description
Neoliberalism, Theatre and Performance tackles one of the most slippery but significant topics in culture and politics. Neoliberalism is defined by the contributors as a political-economic system, and the ideas and assumptions (individualism, market forces and globalisation) that it promotes are consequently examined. Readers will gain an insight into how neoliberalism shapes contemporary theatre, dance and performance, and how festival programmers, directors and other artists have responded. Jen Harvie gives a broad overview of neoliberalism, before examining its implications for theatre and performance and specific works that confront its grip, including Churchill’s Serious Money and Prebble’s Enron. Liesbeth Groot Nibbelink conducts a fascinating discussion with Rainer Hofmann, artistic director of the SPRING Festival in Utrecht, on ways in which performance festivals can respond to neoliberal culture. Cristina Rosa explores contemporary dance in neoliberal Brazil as a site for both commodification and challenge. Sarah Woods and Andrew Simms discuss and present excerpts from their activist satire Neoliberalism: The Break-up Tour. Slim and elegant, forceful and wide-ranging, Neoliberalism, Theatre and Performance is an accessible resource for students, practitioners and scholars interested in how neoliberalism both suffuses and is resisted by today’s contemporary performance scene.
Author: Patricia A. Ybarra Publisher: Northwestern University Press ISBN: 0810136473 Category : Performing Arts Languages : en Pages : 349
Book Description
Latinx Theater in the Times of Neoliberalism traces how Latinx theater in the United States has engaged with the policies, procedures, and outcomes of neoliberal economics in the Americas from the 1970s to the present. Patricia A. Ybarra examines IMF interventions, NAFTA, shifts in immigration policy, the escalation of border industrialization initiatives, and austerity programs. She demonstrates how these policies have created the conditions for many of the most tumultuous events in the Americas in the last forty years, including dictatorships in the Southern Cone; the 1994 Cuban Rafter Crisis; femicides in Juárez, Mexico; the Zapatista uprising in Chiapas, Mexico; and the rise of narcotrafficking as a violent and vigorous global business throughout the Americas. Latinx artists have responded to these crises by writing and developing innovative theatrical modes of representation about neoliberalism. Ybarra analyzes the work of playwrights María Irene Fornés, Cherríe Moraga, Michael John Garcés, Caridad Svich, Quiara Alegría Hudes, Victor Cazares, Jorge Ignacio Cortiñas, Tanya Saracho, and Octavio Solis. In addressing histories of oppression in their home countries, these playwrights have newly imagined affective political and economic ties in the Americas. They also have rethought the hallmark movements of Latin politics in the United States—cultural nationalism, third world solidarity, multiculturalism—and their many discontents.
Author: Elin Diamond Publisher: Springer ISBN: 1137598107 Category : Social Science Languages : en Pages : 317
Book Description
This book is a provocative new study of global feminist activism that opposes neoliberal regimes across several sites including Asia, Australia, Canada, Europe, Latin America and the United States. The feminist performative acts featured in the book contest the aggressive unravelling of collectively won gains in gender, sexual and racial equality, the appearance of new planes of discrimination, and the social consequences of political economies based on free market ideology. The investigations of affect theory follow the circulation of intensities – of political impingements on bodies, subjective and symbolic violence, and the shock of dispossession – within and beyond individuals to the social and political sphere. Affect is a helpful matrix for discussing the volatile interactivity between performer and spectator, whether live or technologically mediated. Contending that there is no activism without affect, the collection brings back to the table the activist and hopeful potential of feminism.
Author: J. Harvie Publisher: Springer ISBN: 1137027290 Category : Art Languages : en Pages : 252
Book Description
This book asks what is the quality of participation in contemporary art and performance? Has it been damaged by cultural policies which have 'entrepreneurialized' artists, cut arts funding and cultivated corporate philanthropy? Has it been fortified by crowdfunding, pop-ups and craftsmanship? And how can it help us to understand social welfare?
Author: M. Wickstrom Publisher: Springer ISBN: 0230364217 Category : Performing Arts Languages : en Pages : 223
Book Description
This book ranges from refugee camps in Palestine to halting sites of the Irish Travellers and elsewhere in search of a new politics practiced through performance. Written through the intersection of performance and philosophy, the book refutes neoliberalism's depoliticizing and strategic uses of humanitarianism, human rights, and development.
Author: Fintan Walsh Publisher: Routledge ISBN: 113615485X Category : Performing Arts Languages : en Pages : 313
Book Description
This book stages a timely discussion about the centrality of identity politics to theatre and performance studies. It acknowledges the important close relationship between the discourses and practices historically while maintaining that theatre and performance can enlighten ways of being with others that are not limited by conventional identitarian languages. The essays engage contemporary theatre and performance practices that pose challenging questions about identity, as well as subjectivity, relationality, and the politics of aesthetics, responding to neo-liberal constructions and exploitations of identity by seeking to discern, describe, or imagine a new political subject. Chapters by leading international scholars look to visual arts practice, digital culture, music, public events, experimental theatre, and performance to investigate questions about representation, metaphysics, and politics. The collections seeks to foreground shared, universalist connections that unite rather than divide, visiting metaphysical questions of being and becoming, and the possibilities of producing alternate realities and relationalities. The book asks what is at stake in thinking about a subject, a time, a place, and a performing arts practice that would come ‘after’ identity, and explores how theatre and performance pose and interrogate these questions.
Author: Kim Solga Publisher: Routledge ISBN: 1000767450 Category : Education Languages : en Pages : 353
Book Description
Exploring how educators and institutions might embrace the STEAM turn to ensure that theatre and performance can be instrumental to the neoliberal university, without being instrumentalized by it, this volume showcases alternative models for teaching and learning in theatre and performance in a neoliberal age. Originally a special issue of Research in Drama Education, this volume foregrounds the above ideas in six principal articles, and provides a range of potential models for change in twelve case study discussions. Detailing a variety of ‘best practices’ in theatre and performance education, contributors demonstrate how postsecondary educators around the world have recentred drama and performance by collaborating with STEM-side faculty, using theatre principles to frame and support interdisciplinary learning, and working toward important applications beyond the classroom. Arguing that the neoliberal university needs theatre and performance more than ever, this valuable collection emphasizes the critical contribution which these subjects continue to make to the development of students, staff, and institutions. This book will be of particular interest to students, researchers, and librarians in the fields of Theatre Studies, Performance Studies, Applied Theatre, Drama in Education, and Holistic Education.
Author: Philip Zapkin Publisher: Routledge ISBN: 1000431355 Category : Drama Languages : en Pages : 153
Book Description
Hellenic Common argues that theatrical adaptations of Greek tragedy exemplify the functioning of a cosmopolitan cultural commonwealth. Analyzing plays by Femi Osofisan, Moira Buffini, Marina Carr, Colin Teevan, and Yael Farber, this book shows how contemporary adapters draw tragic and mythic material from a cultural common and remake those stories for modern audiences. Phillip Zapkin theorizes a political economy of adaptation, combining both a formal reading of adaptation as an aesthetic practice and a political reading of adaptation as a form of resistance. Drawing an ethical centre from Kwame Anthony Appiah’s work on cosmopolitanism and Michael Hardt and Antonio Negri’s theory of the common, Hellenic Common argues that Attic tragedy forms a cultural commonwealth from which dramatists the world over can rework, reimagine, and restage materials to envision aspirational new worlds through the arts. This study will be of great interest to students and scholars of drama, adaptation studies, literature, and neoliberalism.
Author: Agnieszka Piotrowska Publisher: Edinburgh University Press ISBN: 1474463584 Category : Education Languages : en Pages : 344
Book Description
Addresses the very notion of what creative practice research is, its challenges within the academy and the ways in which it contributes to scholarship and knowledge.
Author: Candice Amich Publisher: Northwestern University Press ISBN: 9780810141827 Category : Performing Arts Languages : en Pages : 0
Book Description
Precarious Forms: Performing Utopia in the Neoliberal Americas explores how performance art and poetry convey utopian desires even in the bleakest of times. Candice Amich argues that utopian longing in the neoliberal Americas paradoxically arises from the material conditions of socioeconomic crisis. Working across national, linguistic, and generic boundaries, Amich identifies new political and affective modes of reception in her examination of resistant art forms. She locates texts in the activist struggles of the Global South, where neoliberal extraction and exploitation most palpably reanimate the colonial and imperial legacies of earlier stages of capitalism. The poets and artists surveyed in Precarious Forms enact gestures of solidarity and mutual care at sites of neoliberal dispossession. In her analysis of poems, body art, and multimedia installations that illuminate the persistence of a radical utopian imaginary in the Americas, Amich engages critical debates in performance studies, Latin American cultural studies, literature, and art history.
Author: Andy Lavender
Author: Patricia A. Ybarra
Author: Elin Diamond
Author: J. Harvie
Author: M. Wickstrom
Author: Fintan Walsh
Author: Kim Solga
Author: Philip Zapkin
Author: Agnieszka Piotrowska
Author: Candice Amich