Author: Mark Crinson
Publisher: Yc British Art
ISBN: 9780300166187
Category : Architecture
Languages : en
Pages : 0
Book Description
The neo-avant-garde and postmodernism have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. This collection of essays discusses the work of architects and their associates.
Neo-avant-garde and Postmodern
Author: Mark Crinson
Publisher: Yc British Art
ISBN: 9780300166187
Category : Architecture
Languages : en
Pages : 0
Book Description
The neo-avant-garde and postmodernism have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. This collection of essays discusses the work of architects and their associates.
Publisher: Yc British Art
ISBN: 9780300166187
Category : Architecture
Languages : en
Pages : 0
Book Description
The neo-avant-garde and postmodernism have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. This collection of essays discusses the work of architects and their associates.
Impossible Histories
Author: Dubravka Djurić
Publisher: MIT Press
ISBN: 9780262042161
Category : Art
Languages : en
Pages : 636
Book Description
The first critical survey of the largely unknown avant-garde movements of the former Yugoslavia.
Publisher: MIT Press
ISBN: 9780262042161
Category : Art
Languages : en
Pages : 636
Book Description
The first critical survey of the largely unknown avant-garde movements of the former Yugoslavia.
Neo-Avant-Garde
Author:
Publisher: BRILL
ISBN: 9401203768
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.
Publisher: BRILL
ISBN: 9401203768
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.
Theorizing the Avant-Garde
Author: Richard John Murphy
Publisher: Cambridge University Press
ISBN: 9780521648691
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
In Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs and Bloch, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity.
Publisher: Cambridge University Press
ISBN: 9780521648691
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
In Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs and Bloch, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity.
Theory of the Avant-garde
Author: Peter Bürger
Publisher: Manchester University Press
ISBN: 9780719014536
Category : Art
Languages : en
Pages : 196
Book Description
Publisher: Manchester University Press
ISBN: 9780719014536
Category : Art
Languages : en
Pages : 196
Book Description
The Return of the Real
Author: Hal Foster
Publisher: MIT Press
ISBN: 9780262561075
Category : Design
Languages : en
Pages : 332
Book Description
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today. After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites. If The Return of the Real begins with a new narrative of the historical avant-gard, it concludes with an original reading of this contemporary situation—and what it portends for future practices of art and theory, culture and politics.
Publisher: MIT Press
ISBN: 9780262561075
Category : Design
Languages : en
Pages : 332
Book Description
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today. After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites. If The Return of the Real begins with a new narrative of the historical avant-gard, it concludes with an original reading of this contemporary situation—and what it portends for future practices of art and theory, culture and politics.
Neo-Avant-Gardes
Author: Bart Vervaeck
Publisher: EUP
ISBN: 9781474486101
Category :
Languages : en
Pages : 0
Book Description
A systematic transnational investigation of post-war literary experiments in Europe and the Americas What are the forms in which the avant-garde returns after the Second World War? How does the literary avant-garde re-invent itself without losing its affinity with historical avant-garde currents such as surrealism and futurism? This book explores the international relevance of the concept of neo-avant-garde for the study of post-war literary innovations covering North American, Latin American, Caribbean, Austrian, French, British, Belgian, Dutch and German cases. Each of the twenty-one newly commissioned chapters combines theoretical reflection with practical analysis. Together, they provide a multi-faceted account of diverse group and trends, such as the New Realists, Black Arts Movement, Labris and the Vienna Group. They also focus on a wide range of authors, like Pierre Alferi, Amiri Baraka, Konrad Bayer, Mario Bellatín, Kamau Brathwaite, and Anna Kavan. In addition, they pay attention to specific techniques, including erasure, lyricisation, and montage, and to specific genres such as comic books, experimental fiction, and visual poetry. Bart Vervaeck is Professor of Dutch Literature and Narrative Theory at the University of Leuven.
Publisher: EUP
ISBN: 9781474486101
Category :
Languages : en
Pages : 0
Book Description
A systematic transnational investigation of post-war literary experiments in Europe and the Americas What are the forms in which the avant-garde returns after the Second World War? How does the literary avant-garde re-invent itself without losing its affinity with historical avant-garde currents such as surrealism and futurism? This book explores the international relevance of the concept of neo-avant-garde for the study of post-war literary innovations covering North American, Latin American, Caribbean, Austrian, French, British, Belgian, Dutch and German cases. Each of the twenty-one newly commissioned chapters combines theoretical reflection with practical analysis. Together, they provide a multi-faceted account of diverse group and trends, such as the New Realists, Black Arts Movement, Labris and the Vienna Group. They also focus on a wide range of authors, like Pierre Alferi, Amiri Baraka, Konrad Bayer, Mario Bellatín, Kamau Brathwaite, and Anna Kavan. In addition, they pay attention to specific techniques, including erasure, lyricisation, and montage, and to specific genres such as comic books, experimental fiction, and visual poetry. Bart Vervaeck is Professor of Dutch Literature and Narrative Theory at the University of Leuven.
The New York School Poets and the Neo-avant-garde
Author: Mark Silverberg
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754662983
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
In the first monograph to examine all five New York School Poets, Mark Silverberg analyzes the work of John Ashbery, Barbara Guest, Kenneth Koch, Frank O'Hara, and James Schuyler in terms of the 'neo-avant-garde.' Silverberg examines the aesthetic concerns and ideological assumptions these poets shared with one another and with artists from the visual and performing arts. A unique feature is Silverberg's annotated catalogue of collaborative works by the five poets and other artists.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754662983
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
In the first monograph to examine all five New York School Poets, Mark Silverberg analyzes the work of John Ashbery, Barbara Guest, Kenneth Koch, Frank O'Hara, and James Schuyler in terms of the 'neo-avant-garde.' Silverberg examines the aesthetic concerns and ideological assumptions these poets shared with one another and with artists from the visual and performing arts. A unique feature is Silverberg's annotated catalogue of collaborative works by the five poets and other artists.
American Avant-garde Theatre
Author: Arnold Aronson
Publisher: Psychology Press
ISBN: 9780415241397
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
This book offers the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s looking at its origins and its theoretical foundations through an examination of literature, cinema and art.
Publisher: Psychology Press
ISBN: 9780415241397
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
This book offers the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s looking at its origins and its theoretical foundations through an examination of literature, cinema and art.
The Originality of the Avant-Garde and Other Modernist Myths
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262610469
Category : Design
Languages : en
Pages : 324
Book Description
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
Publisher: MIT Press
ISBN: 9780262610469
Category : Design
Languages : en
Pages : 324
Book Description
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.