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Author: Nelson Rodrigues Publisher: Bloomsbury Publishing ISBN: 178682714X Category : Literary Criticism Languages : en Pages : 548
Book Description
Nelson Falcão Rodrigues (August 23, 1912 – December 21, 1980) was a Brazilian playwright, journalist and novelist. In 1943, he helped usher in a new era in Brazilian theater with his play Vestido de Noiva (Wedding Dress), considered revolutionary for the complex exploration of its characters' psychology and its use of colloquial dialogue. He went on to write many other seminal plays and today is widely regarded as Brazil's greatest playwright. This volume contains brand-new translations of the plays Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel and Seven Little Kitties.
Author: Nelson Rodrigues Publisher: Bloomsbury Publishing ISBN: 178682714X Category : Literary Criticism Languages : en Pages : 548
Book Description
Nelson Falcão Rodrigues (August 23, 1912 – December 21, 1980) was a Brazilian playwright, journalist and novelist. In 1943, he helped usher in a new era in Brazilian theater with his play Vestido de Noiva (Wedding Dress), considered revolutionary for the complex exploration of its characters' psychology and its use of colloquial dialogue. He went on to write many other seminal plays and today is widely regarded as Brazil's greatest playwright. This volume contains brand-new translations of the plays Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel and Seven Little Kitties.
Author: Nelson Rodrigues Publisher: Oberon Books ISBN: 9781786827159 Category : Literary Criticism Languages : en Pages : 488
Book Description
Nelson Falcão Rodrigues (August 23, 1912 – December 21, 1980) was a Brazilian playwright, journalist and novelist. In 1943, he helped usher in a new era in Brazilian theater with his play Vestido de Noiva (Wedding Dress), considered revolutionary for the complex exploration of its characters' psychology and its use of colloquial dialogue. He went on to write many other seminal plays and today is widely regarded as Brazil's greatest playwright. This volume contains brand-new translations of the plays Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel and Seven Little Kitties.
Author: Krista Brune Publisher: State University of New York Press ISBN: 1438480636 Category : Literary Criticism Languages : en Pages : 309
Book Description
In Creative Transformations, Krista Brune brings together Brazilian fiction, film, journalism, essays, and correspondence from the late nineteenth to the early twenty-first centuries. Drawing attention to the travels of Brazilian artists and intellectuals to the United States and other parts of the Americas, Brune argues that experiences of displacement have had a significant influence on their work. Across Brazilian literary and cultural history, translation becomes a way of navigating and representing the resulting encounters between languages, interactions with Spanish Americans, and negotiations of complex identities. While Creative Transformations engages extensively with theories of translation from different national and disciplinary contexts, it also constructs a vision of translation uniquely attuned to the place of Brazil in the Americas. Brune reveals the hemispheric underpinnings of works by renowned Brazilian writers such as Machado de Assis, Sousândrade, Mário de Andrade, Silviano Santiago, and Adriana Lisboa. In the process, she rethinks the dynamics between cosmopolitan and national desires and between center and periphery in global literary markets.
Author: Ana Cláudia Suriani da Silva Publisher: UCL Press ISBN: 1800086695 Category : Fiction Languages : en Pages : 271
Book Description
Although Brazil is the largest Afro-descendant country outside of Africa, the literature produced by Black Brazilians is mostly unknown both in Brazil and abroad. There is a growing worldwide demand for Afro-descendant literature and a demand for decolonial practices and content, especially within Lusophone literature and literature across the Americas. Contemporary Afro-Brazilian Short Fiction emerges from a UCL-sponsored collaborative translation project, bridging Afro-Brazilian literature with a global audience to respond to the worldwide call for Afro-diasporic narratives. This unique compilation of 21 short stories includes both established and emerging Afro-Brazilian voices. The anthology is bilingual, fostering cross-cultural understanding and affirming the legitimacy of pretoguês as a literary language. The texts are presented with three insightful contributions by Ana Cláudia Suriani da Silva (UCL), Julio Ludemir (Flup) and Maria Aparecida Andrade Salgueiro (UERJ). The introductions not only contextualise the short stories, but also engage in theoretical debates, shedding light on the role of literary translation in language teaching and the impact of the Literary Festival of the Peripheries (Flup) in forming a new generation of Black Brazilian writers. Praise for Contemporary Afro-Brazilian Short Fiction ‘Contemporary Afro-Brazilian Short Fiction highlights generational voices spanning from the Quilombhoje literary movement to newly published authors. This bilingual anthology promises to be an asset to the ever-growing Afro-Brazilian literary canon. The gift to scholars and enthusiasts of Afro-Diaspora literature is the access to brilliantly rich creative works.’ Antonio D. Tillis, Rutgers University-Camden ‘This collection showcases the most compelling Black prose penned in contemporary Brazil bringing together a remarkable convergence of generations in a bilingual anthology. Each story is imbued with Black consciousness, transformed into the art of words, offering a powerful portrayal of both present-day and historical Brazil.’ Eduardo de Assis Duarte, Federal University of Minas Gerais (UFMG)
Author: Elisa Rizo Publisher: Lexington Books ISBN: 1498530214 Category : Literary Criticism Languages : en Pages : 131
Book Description
Atlantis Otherwise expands the study of the African diaspora by focusing on postcolonial literary expressions from Latin America and Africa. The book studies the presence of classical references in texts written by writers (black and non-black) who are committed to the articulation of the fragmented history of the African experience from the Middle Passage to the present outside of Euro-centric views. Consequently, this book addresses the silencing of the African Diaspora within the official discourses of Latin America and Hispanic Africa, as well as the limitations that linguistic and geographic boundaries have imposed upon scholarship. The contributors address questions related to the categories of race and cultural identity by analyzing a diverse body of Afro-Latin American and Afro-Hispanic receptions of classical literature and its imaginaries. Literary texts in Spanish and Portuguese written in countries such as Brazil, Colombia, and Equatorial Guinea provide the opportunity for a transnational and trans-linguistic examination of the use of classical tropes and themes in twentieth-century drama, fiction, folklore studies, and narrative.
Author: David George Publisher: University of Texas Press ISBN: 0292772920 Category : Performing Arts Languages : en Pages : 197
Book Description
Reading a play and watching it performed onstage are quite different experiences. Likewise, studying a country's theatrical tradition with reference only to playtexts overlooks the vital impact of a play's performance on the audience and on the whole artistic community. In this performance-centered approach to Brazilian theatre since the 1940s, David George explores a total theatrical language—the plays, the companies that produced them, and the performances that set a standard for all future stagings. George structures the discussion around several important companies. He begins with Os Comediantes, whose revolutionary 1943 staging of Nelson Rodrigues' Vestido de Noiva (Bridal Gown) broke with the outmoded comedy-of-manners formula that had dominated the national stage since the nineteenth century. He considers three companies of the 1950s and 1960s—Teatro Brasileiro de Comédia, Teatro de Arena, and Teatro Oficina—along with the 1967 production of O Rei da Vela (The Candle King) by Teatro Oficina. The 1970s represented a wasteland for Brazilian theatre, George finds, in which a repressive military dictatorship muzzled artistic expression. The Grupo Macunaíma brought theatre alive again in the 1980s, with its productions of Macunaíma and Nelson 2 Rodrigues. Common to all theatrical companies, George concludes, was the desire to establish a national aesthetic, free from European and United States models. The creative tension this generated and the successes of modern Brazilian theatre make lively reading for all students of Brazilian and world drama.
Author: Stephanie Dennison Publisher: Manchester University Press ISBN: 1526141728 Category : Performing Arts Languages : en Pages : 264
Book Description
This ground-breaking study provides an entertaining insight into popular film in Brazil, situating major box-office successes such as 'Central Station' (Walter Salles, 1998), in their socio-historical context.
Author: Robert Stam Publisher: Duke University Press ISBN: 9780822320487 Category : History Languages : en Pages : 436
Book Description
Focusing on the representations of multicultural themes involving Euro- and Afro-Brazilians, other immigrants, and indigenous peoples, in the rich tradition of the Brazilian fictional feature film, Robert Stam provides a major study of race in Brazilian culture through a critical analysis of Brazilian cinema. 136 photos.
Author: Nelson Rodrigues
Author: Nelson Rodrigues
Author: Nelson Rodrigues
Author: Krista Brune
Author: Ana Cláudia Suriani da Silva
Author: Elisa Rizo
Author: David George
Author: Wikipedia contributors
Author: David George
Author: Stephanie Dennison
Author: Robert Stam