Negotiating Home, History and Nation PDF Download

Author: Singapore Art Museum
Publisher:
ISBN:
Category : Art, Southeast Asian
Languages : en
Pages : 280

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Author: Elazar Barkan
Publisher: JHU Press
ISBN: 9780801868078
Category : History
Languages : en
Pages : 468

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The author takes a sweeping look at the idea of restitution and its impact on the concept of human rights and the practice of politics. She confronts the difficulties of determining victims and assigning blame.

Author: Jeff Lesser
Publisher: Duke University Press
ISBN: 9780822322924
Category : History
Languages : en
Pages : 308

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A comparative study of immigration and ethnicity with an emphasis on the Chinese, Japanese, and Arabs who have contributed to Brazil's diverse mix.

Author: Elly Kent
Publisher: ANU Press
ISBN: 1760464937
Category : Art
Languages : en
Pages : 400

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Book Description
Living Art: Indonesian Artists Engage Politics, Society and History is inspired by the conviction of so many of Indonesia’s Independence-era artists that there is continuing interaction between art and everyday life. In the 1970s, Sanento Yuliman, Indonesia’s foremost art historian of the late twentieth century, further developed that concept, stating: ‘New Indonesian Art cannot wholly be understood without locating it in the context of the larger framework of Indonesian society and culture’ and the ‘whole force of history’. The essays in this book accept Yuliman’s challenge to analyse the intellectual, sociopolitical and historical landscape that Indonesia’s artists inhabited from the 1930s into the first decades of the new millennium, including their responses to the COVID-19 pandemic. The inclusion of one of Yuliman’s most influential essays, translated into English for the first time, offers those outside Indonesia an insight into a formative period in the generation of new art knowledge in Indonesia. The volume also features essays by T. K. Sabapathy, Jim Supangkat, Alia Swastika, Wulan Dirgantoro and FX Harsono, as well as the three editors (Elly Kent, Virginia Hooker and Caroline Turner). The book’s contributors present recent research on issues rarely addressed in English-language texts on Indonesian art, including the inspirations and achievements of women artists despite social and political barriers; Islam- inspired art; artistic ideologies; the intergenerational effects of trauma; and the impacts of geopolitical change and global art worlds that emerged in the 1990s. The Epilogue introduces speculations from contemporary practitioners on what the future might hold for artists in Indonesia. Extensively illustrated, Living Art contributes to the acknowledgement and analysis of the diversity of Indonesia’s contemporary art and offers new insights into Indonesian art history, as well as the contemporary art histories of Southeast Asia and Asia more generally.

Author: Terence Chong
Publisher: ISEAS-Yusof Ishak Institute
ISBN: 9814786888
Category : Social Science
Languages : en
Pages : 256

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Charismatic pastors, fast-paced worship sessions, inspirational but shallow theology, and large congregations — these are just some of the associated traits of Pentecostal megachurches. But what lies beneath the veneer of glitz? What are their congregations like? How did they grow so quickly? How have they managed to negotiate local and transnational challenges? This book seeks to understand the growth and popularity of independent Pentecostal megachurches in Southeast Asia. Using an ethnographic approach, the chapters examine Pentecostal megachurches in Malaysia, Indonesia, the Philippines, and Singapore. Each chapter dwells on the development of the megachurch set against the specific background of the country’s politics and history.

Author: W. J. Norman
Publisher: Oxford University Press
ISBN: 0198293356
Category : Philosophy
Languages : en
Pages : 273

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There are at least three times as many nations as states in the world today. This book addresses some of the special challenges that arise when two or more national communities re the same (multinational) state. As a work in normative political philosophy its principal aim is to evaluate the political and institutional choices of citizens and governments in states with rival nationalist discourses and nation-building projects. The first chapter takes stock of a decade of intensephilosophical and sociological debates about the nature of nations and nationalism. Norman identifies points of consensus in these debates, as well as issues that do not have to be definitively resolved in order to proceed with normative theorizing. He recommends thinking of nationalism as a form ofdiscourse, a way of arguing and mobilizing support, and not primarily as a belief in a principle. A liberal nationalist, then, is someone who uses nationalist arguments, or appeals to nationalist sentiments, in order to rally support for liberal policies. The rest of the book is taken up with the three big political and institutional choices in multinational states. First, what can political actors and governments legitimately do to shape citizens' national identity or identities? This is thecore question in the ethics of nation-building, or what Norman calls national engineering. Second, how can minority and majority national communities each be given an adequate degree of self-determination, including equal rights to carry out nation-building projects, within a democratic federal state?Finally, even in a world where most national minorities cannot have their own state, how should the constitutions of multinational federations regulate secessionist politics within the rule of law and the ideals of democracy? More than a decade after Yael Tamir's ground-breaking Liberal Nationalism, Norman finds that these three great practical and institutional questions have still rarely been addressed within a comprehensive normative theory of nationalism.

Author: Gillian Koh
Publisher: World Scientific
ISBN: 9811287058
Category : Social Science
Languages : en
Pages : 241

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Thought-leaders contributing to this volume include Alvin Tan, Kwa Chong Guan, Yang Razali Kassim, Kishore Mahbubani, Gerard Ee, and more!This volume comprises essays republished from various issues of the annual journal of the National University of Singapore Society called Commentary.The third in a series that provides bite-sized reviews of the history of Singapore's development in a range of areas of public policy, it delves into the most challenging of them all — defining the Singapore nation, a quest that began just under six decades ago.This is an enterprise that the pioneer generation of political leaders recognised would provide collective purpose and the soul to what government and people do to establish the young country — an area that cannot rely on engineered solutions or diktat.The authors have proffered in these essays, their assessments of these attempts at crafting this identity but also the ground's responses be they through the development of the arts, the government's political narratives, economic strategy, visions of urban development, and civic activism. Included are discussions on Singapore's model of multiracialism, its vision of being a global city, the impact of public policy in the redevelopment of housing estates, and an appeal to adopt a model of empowerment in addressing the needs of the poor — incorporating what citizens are saying about who we are and wish to be as a people.There is no single definition of what the Singapore nation is; nor should we wish for easy answers as they have to be created and grasped on the ground. There is no final destination. The authors make us all too aware that it will be an enduring journey into 'being' which is enriched by the freedom to explore ideas, ideals, values, the self and the metaphysical condition of being a community of unity, that is paradoxically, necessarily comfortable with plurality, hybridity, and change. Owning this common journey is probably what distinguishes Singaporeans as a people and the volume reminds readers of that.

Author: Yvonne Spielmann
Publisher: NUS Press
ISBN: 9814722367
Category : Art
Languages : en
Pages : 189

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Indonesian art entered the global contemporary art world of independent curators, art fairs, and biennales in the 1990s. By the mid-2000s, Indonesian works were well-established on the Asian secondary art market, achieving record-breaking prices at auction houses in Singapore and Hong Kong. This comprehensive overview introduces Indonesian contemporary art in a fresh and stimulating manner, demonstrating how contemporary art breaks from colonial and post-colonial power structures, and grapples with issues of identity and nation-building in Indonesia. Across different media, in performance and installation, it amalgamates ethnic, cultural, and religious references in its visuals, and confidently brings together the traditional (batik, woodcut, dance, Javanese shadow puppet theater) with the contemporary (comics and manga, graffiti, advertising, pop culture). Spielmann's Contemporary Indonesian Art surveys the key artists, curators, institutions, and collectors in the local art scene and looks at the significance of Indonesian art in the Asian context. Through this book, originally published in German, Spielmann stakes a claim for the global relevance of Indonesian art.

Author: Rebecca W. Gaudiosi
Publisher: Routledge
ISBN: 042995672X
Category : Political Science
Languages : en
Pages : 177

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This book offers a comprehensive practitioner's guide to negotiating at the United Nations. Although much of the content can be applied broadly, the guide focuses on navigating multilateral negotiations at the UN. The book is a tool to help new UN negotiators, explaining basic negotiation concepts and offering insight into the complexities of the UN system. It also offers a playbook for cooperation for negotiators at any level, exploring the dynamics of relationships and alliances, the art of chairing a negotiation, and the importance of balancing the power asymmetries present in any multilateral discussion. The book proposes improvements to the UN negotiation process and looks at the impact of information technologies on negotiation dynamics; it also shares stories from women UN delegates, illustrating what it means to be a female negotiator at the UN. This book is an exploration of the power of the individual in any negotiation, and of the responsibility all negotiators have in wielding that power to speak for a better world. This book will be of much interest to students of diplomacy, global governance, foreign policy, and International Relations, as well as practitioners and policymakers.

Author: Amy Lyford
Publisher: Univ of California Press
ISBN: 0520253140
Category : Art
Languages : en
Pages : 288

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"In a study that combines archival research, a firm grounding in the historical context, biographical analysis, and sustained attention to specific works of art, Amy Lyford provides an account of Isamu Noguchi's work between 1930 and 1950 and situates him among other artists who found it necessary to negotiate the issues of race and national identity. In particular, Lyford explores Noguchi's sense of his art as a form of social activism and a means of struggling against stereotypes of race, ethnicity, and national identity. Ultimately, the aesthetics and rhetoric of American modernism in this period both energized Noguchi's artistic production and constrained his public reputation"--