Negotiating Copyright in the American Theatre: 1856–1951 PDF Download

Author: Brent Salter
Publisher: Cambridge University Press
ISBN: 1108484751
Category : Law
Languages : en
Pages : 279

View

Book Description
The book illuminates the legal and business history of the American theatre through new archival discoveries.

Author: Brent Salter
Publisher:
ISBN: 9781108676182
Category : Copyright
Languages : en
Pages :

View

Book Description
"This book is a historical account about the negotiation of creativity in the American theatre. It is a history of how the American theatre organized its relationships and how stakeholders, and in particular dramatists, responded to these developments. The book examines how copyright law has interacted with the American theatre in dynamic and counterintuitive ways, helping to facilitate theatrical production between authors of original copyright works and audiences. But copyright plays only a supporting role in the much larger theatrical economy. This is a history of how the industry was shaped by the evolution of mediating businesses and the practices they established. The growth in mediating businesses, and responses to these developments, has accompanied enduring ambiguities about the authority dramatists are often assumed to have over the work they create"--

Author: Brent S. Salter
Publisher: Cambridge University Press
ISBN: 1108620353
Category : Law
Languages : en
Pages : 279

View

Book Description
Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space between authors and audiences? Does copyright law actually protect playwrights and help them make a living? At the center of these negotiations are mediating businesses with extraordinary power that rapidly evolved from the mid-nineteenth to mid-twentieth centuries: agents, publishers, producers, labor associations, administrators, accountants, lawyers, government bureaucrats, and film studio executives. As these mediators asserted authority over creativity, creators organized to respond, through collective minimum contracts, informal guild expectations, and professional norms, to protect their presumed rights as authors. This institutional, relational, legal, and business history of the entertainment history in America illuminates both the historical context and the present law. An innovative new kind of intellectual property history, the book maps the relations between the different players from the ground up.

Author: Ivan Joe Filippo
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 704

View

Book Description

Author: Charles Grippo
Publisher: Skyhorse Publishing Inc.
ISBN: 9781581153231
Category : Law
Languages : en
Pages : 0

View

Book Description
33 of the most sought-after contracts in the theater business in one easy-to-use resource. Here is a complete, easy-to-use resource for anyone involved in the performing arts! This expanded edition contains 33 indispensable, hard-to-find contracts and forms that will save artists and performing groups thousands of dollars in lawyer's fees, while minimizing their legal risks. Attorney/producer/playwright Charles Grippo explains the proper use of each form in clear, concise language. No matter which side of the negotiating table you're on, you'll find plenty of practical advice to help you obtain the best possible deal. These ready-to-use forms and contracts cover every aspect of theater law, including author agreements, commissions, production license, play publishing, and more. Also included on a convenient CD-ROM, the forms can be copied electronically, modified, customized, and saved. New to this edition are contracts for performing arts designers; fight and stunt directors; musicians; stage managers and technical directors; front of the house personnel; commissions for original musical compositions; and much more. From producers and directors, to performers and choreographers, to theatrical designers and box office managers, this volume is a necessity for anyone involved in the performing arts.

Author: Charles Grippo
Publisher: Simon and Schuster
ISBN: 1621537129
Category : Performing Arts
Languages : en
Pages : 288

View

Book Description
Expert, Practical Advice for Everyone in Show Business Now updated and expanded, this second edition of The Stage Producer’s Business and Legal Guide is the ultimate survival kit for anyone presenting live entertainment. The information contained in this handbook is essential for those working in Broadway, regional, stock, or university theater; concert halls; opera houses; and more. Attorney, producer, and playwright Charles Grippo provides comprehensive advice on every aspect of the theater business and the law, including: Crowdfunding Your Production New Opportunities to Raise Money Self-Production Licensing and Producing Plays Devised Theater and Collaborations Creating Jukebox Musicals Organizing a Theater Company Theatrical Insurance Maintaining a Harassment-Free Environment Negotiating Contracts Essential Rules Every Board Member Must Know Managing a Not-for-Profit Theater Company Navigating Taxes Using Third-Party Intellectual Property And much, much more! The entire range of individuals involved in entertainment—producers, performers, writers, directors, managers, and theater owners—will find invaluable practical and legal advice in this handy guide.

Author: Douglas L. Reside
Publisher: Oxford University Press
ISBN: 0190073713
Category : Music
Languages : en
Pages : 233

View

Book Description
Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording. The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway.

Author: Diana Taylor
Publisher: Duke University Press
ISBN: 9780822315155
Category : Literary Criticism
Languages : en
Pages : 372

View

Book Description
In Negotiating Performance, major scholars and practitioners of the theatrical arts consider the diversity of Latin American and U. S. Latino performance: indigenous theater, performance art, living installations, carnival, public demonstrations, and gender acts such as transvestism. By redefining performance to include such events as Mayan and AIDS theater, the Mothers of the Plaza de Mayo, and Argentinean drag culture, this energetic volume discusses the dynamics of Latino/a identity politics and the sometimes discordant intersection of gender, sexuality, and nationalisms. The Latin/o America examined here stretches from Patagonia to New York City, bridging the political and geographical divides between U.S. Latinos and Latin Americans. Moving from Nuyorican casitas in the South Bronx, to subversive street performances in Buenos Aires, to border art from San Diego/Tijuana, this volume negotiates the borders that bring Americans together and keep them apart, while at the same time debating the use of the contested term "Latino/a." In the emerging dialogue, contributors reenvision an inclusive "América," a Latin/o America that does not pit nationality against ethnicity--in other words, a shared space, and a home to all Latin/o Americans. Negotiating Performance opens up the field of Latin/o American theater and performance criticism by looking at performance work by Mayans, women, gays, lesbians, and other marginalized groups. In so doing, this volume will interest a wide audience of students and scholars in feminist and gender studies, theater and performance studies, and Latin American and Latino cultural studies. Contributors. Judith Bettelheim, Sue-Ellen Case, Juan Flores, Jean Franco, Donald H. Frischmann, Guillermo Gómez-Peña, Jorge Huerta, Tiffany Ana López, Jacqueline Lazú, María Teresa Marrero, Cherríe Moraga, Kirsten F. Nigro, Patrick O'Connor, Jorge Salessi, Alberto Sandoval, Cynthia Steele, Diana Taylor, Juan Villegas, Marguerite Waller

Author: Charles Grippo
Publisher: Allworth
ISBN: 9781581159233
Category : Performing Arts
Languages : en
Pages : 192

View

Book Description
Here is a complete, easy-to-use resource for anyone involved in the performing arts! This expanded edition contains 33 indispensable, hard-to-find contracts and forms that will save artists and performing groups thousands of dollars in lawyer’s fees, while minimizing their legal risks. Attorney/producer/playwright Charles Grippo explains the proper use of each form in clear, concise language. No matter which side of the negotiating table you’re on, you’ll find plenty of practical advice to help you obtain the best possible deal. These ready-to-use forms and contracts cover every aspect of theater law, including author agreements, commissions, production license, play publishing, and more. Also included on a convenient CD-ROM, the forms can be copied electronically, modified, customized, and saved. New to this edition are contracts for performing arts designers; fight and stunt directors; musicians; stage managers and technical directors; front of the house personnel; commissions for original musical compositions; and much more. From producers and directors, to performers and choreographers, to theatrical designers and box office managers, this volume is a necessity for anyone involved in the performing arts.

Author: Paul Fryer
Publisher: McFarland
ISBN: 1476649421
Category : Performing Arts
Languages : en
Pages : 220

View

Book Description
This edited collection of essays details a wide-ranging selection of some of the most sensationally successful theatre productions of the long Victorian era, the real "blockbusters" of the age. Ranging from the world of operetta and music hall to spectacular drama and sensational melodrama, the productions included provide the reader with definitive proof that the phenomenon of the "smash hit" show is not restricted to modern Broadway. This is a world that encompassed the ground-breaking stage technology of Ben Hur, the wide political impact of Uncle Tom's Cabin and the sheer creative originality of L'Enfant Prodigue. Supporting the "star" system, productions featured some of the greatest names of the period - Sir Henry Irving, Sir Johnston Forbes Robertson, James O'Neill and Dion Boucicault. This was the very dawning of a new media age, which saw many of the productions transfer to the new world of silent cinema for the very first time