Author: National Council on Education for the Ceramic Arts (U.S.). ConferencePublisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 1466
Book Description
NCECA 2004
Author: National Council on Education for the Ceramic Arts (U.S.). ConferencePublisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 1466
Book Description
NCECA 2004
Author: NCECA Resource & Membership Directory
Author: National Council on Education for the Ceramic Arts (U.S.)Publisher:
ISBN:
Category : Potters
Languages : en
Pages : 180
Book Description
Investigations, Inspirations
Author: National Council on Education for the Ceramic Arts (U.S.). ConferencePublisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 192
Book Description
500 Plates & Chargers
Author: Suzanne J. E. TourtillottPublisher: Lark Books
ISBN: 1579906885
Category : Plates (Tableware)
Languages : en
Pages : 424
Book Description
For must of us, plates and chargers are primarily vessels for serving and holding food. In the eyes of the talented artists whose works are showcased in this collection, these objects are spectatular pieces to display on a table, sideboard or hutch.
Art Now Gallery Guide
Author: Ceramics Monthly
Author: Ceramics, Art and Perception
Author: Choosing Craft
Author: Vicki HalperPublisher: Univ of North Carolina Press
ISBN: 080788992X
Category : Crafts & Hobbies
Languages : en
Pages : 334
Book Description
Choosing Craft explores the history and practice of American craft through the words of influential artists whose lives, work, and ideas have shaped the field. Editors Vicki Halper and Diane Douglas construct an anecdotal narrative that examines the post-World War II development of modern craft, which came of age alongside modernist painting and sculpture and was greatly influenced by them as well as by traditional and industrial practices. The anthology is organized according to four activities that ground a professional life in craft--inspiration, training, economics, and philosophy. Halper and Douglas mined a wide variety of sources for their material, including artists' published writings, letters, journal entries, exhibition statements, lecture notes, and oral histories. The detailed record they amassed reveals craft's dynamic relationships with painting, sculpture, design, industry, folk and ethnic traditions, hobby craft, and political and social movements. Collectively, these reflections form a social history of craft. Choosing Craft ultimately offers artists' writings and recollections as vital and vivid data that deserve widespread study as a primary resource for those interested in the American art form.
Author: