Author: Manomohan Chosh
Publisher: Рипол Классик
ISBN: 5882146704
Category : History
Languages : en
Pages : 649
Book Description
The Natyasastra. Ascribed to Bharata Muni. Volume 1 (Chapters I-XXVII).
The Natyasastra
Author: Manomohan Chosh
Publisher: Рипол Классик
ISBN: 5882146704
Category : History
Languages : en
Pages : 649
Book Description
The Natyasastra. Ascribed to Bharata Muni. Volume 1 (Chapters I-XXVII).
Publisher: Рипол Классик
ISBN: 5882146704
Category : History
Languages : en
Pages : 649
Book Description
The Natyasastra. Ascribed to Bharata Muni. Volume 1 (Chapters I-XXVII).
Nātyaśāstra
The Natyasastra and the Body in Performance
Author: Sreenath Nair
Publisher: McFarland
ISBN: 1476612218
Category : Performing Arts
Languages : en
Pages : 467
Book Description
The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.
Publisher: McFarland
ISBN: 1476612218
Category : Performing Arts
Languages : en
Pages : 467
Book Description
The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.
The Natyasastra A Treatise on Hindu Dramaturgy and Histrionies Ascriben to Bharata-Muxi
Author: Manomohan Chosh
Publisher: Рипол Классик
ISBN: 588214664X
Category : History
Languages : en
Pages : 287
Book Description
Publisher: Рипол Классик
ISBN: 588214664X
Category : History
Languages : en
Pages : 287
Book Description
Bharata, the Nāṭyaśāstra
Author: Kapila Vatsyayan
Publisher:
ISBN: 9788126012206
Category : Sanskrit - Dramentheorie - Bharata / Nāṭyaśāstra
Languages : en
Pages : 218
Book Description
The theory of rasa enunciated by Bharata has stimulated both creativity and critical discouirse in the Indian arts for nearly 2000 years. The text of the Natyasastra is as relevant to literature, poetry and drama as it is to architecture, sculpture, painting, music and dance. Its comprehensive treatment of artistic experience, expression and communication, content and form emerges from an integral vision which flowers as a many-branched tree of all Indian arts.
Publisher:
ISBN: 9788126012206
Category : Sanskrit - Dramentheorie - Bharata / Nāṭyaśāstra
Languages : en
Pages : 218
Book Description
The theory of rasa enunciated by Bharata has stimulated both creativity and critical discouirse in the Indian arts for nearly 2000 years. The text of the Natyasastra is as relevant to literature, poetry and drama as it is to architecture, sculpture, painting, music and dance. Its comprehensive treatment of artistic experience, expression and communication, content and form emerges from an integral vision which flowers as a many-branched tree of all Indian arts.
The Cambridge Guide to Theatre
Author: Martin Banham
Publisher: Cambridge University Press
ISBN: 9780521434379
Category : Drama
Languages : en
Pages : 1268
Book Description
Provides information on the history and present practice of theater in the world.
Publisher: Cambridge University Press
ISBN: 9780521434379
Category : Drama
Languages : en
Pages : 1268
Book Description
Provides information on the history and present practice of theater in the world.
Studies in the Nāṭyaśāstra
Author: Ganesh Hari Tarlekar
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120806603
Category : Religion
Languages : en
Pages : 420
Book Description
Studies in the Natyasastra attempts to present all aspects of the performance of Sanskrit Drama of the classical period. For this, the material available in the Natyasastra and other works on dramaturgy, sculptural evidence and the traditions of classical-dance-drama styles in the various parts of the country are made use of. The book will, in fact, be of great use to the scholar inteested in the technique of the production of Sanskrit plays.
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120806603
Category : Religion
Languages : en
Pages : 420
Book Description
Studies in the Natyasastra attempts to present all aspects of the performance of Sanskrit Drama of the classical period. For this, the material available in the Natyasastra and other works on dramaturgy, sculptural evidence and the traditions of classical-dance-drama styles in the various parts of the country are made use of. The book will, in fact, be of great use to the scholar inteested in the technique of the production of Sanskrit plays.
Karnataka's Rich Heritage – Temple Sculptures & Dancing Apsaras
Author: Lalit Chugh
Publisher: Notion Press
ISBN: 1947137360
Category : Architecture
Languages : en
Pages : 525
Book Description
Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.
Publisher: Notion Press
ISBN: 1947137360
Category : Architecture
Languages : en
Pages : 525
Book Description
Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.
Contemporary Indian Dramatists
Author: Shubha Tiwari
Publisher: Atlantic Publishers & Dist
ISBN: 9788126908714
Category : Indic drama (English)
Languages : en
Pages : 150
Book Description
The Book Is A Commentary On Indian Dramatic Theory And Some Selected Contemporary Indian Plays. Drama Is An Active Literary Art Form. Although Films And Television Have Become Very Vital In Our Times, Still Direct Experience Of The Theatre Cannot Be Replaced. The Book Provides General Commentary On Plays By Karnad, Tendulkar, And Ezekiel. The Reader Is Expected To Get An Insight Into Bharat Muni S Views On The Art Of Drama As Well As Some Very Popular Plays Of Our Times. Needless To Say That The Book Is In Series Of Many Such Other Books Where The Editor And The Contributors Believe Indian English Studies To Have Come Of Age. The Book, Among Such Others, Trumpets The Victory Of Indian English Studies In India. This Is Indeed A Welcome Change From Previously Held Puritan View Of English Studies Being Totally Alien. Magic Is Produced When English As A Language Weds The Indian Soil Or When We Apply Indigenous Tools To Study English Literary Texts.
Publisher: Atlantic Publishers & Dist
ISBN: 9788126908714
Category : Indic drama (English)
Languages : en
Pages : 150
Book Description
The Book Is A Commentary On Indian Dramatic Theory And Some Selected Contemporary Indian Plays. Drama Is An Active Literary Art Form. Although Films And Television Have Become Very Vital In Our Times, Still Direct Experience Of The Theatre Cannot Be Replaced. The Book Provides General Commentary On Plays By Karnad, Tendulkar, And Ezekiel. The Reader Is Expected To Get An Insight Into Bharat Muni S Views On The Art Of Drama As Well As Some Very Popular Plays Of Our Times. Needless To Say That The Book Is In Series Of Many Such Other Books Where The Editor And The Contributors Believe Indian English Studies To Have Come Of Age. The Book, Among Such Others, Trumpets The Victory Of Indian English Studies In India. This Is Indeed A Welcome Change From Previously Held Puritan View Of English Studies Being Totally Alien. Magic Is Produced When English As A Language Weds The Indian Soil Or When We Apply Indigenous Tools To Study English Literary Texts.
The Theatre According to the Nāṭyaśāstra of Bharata
Author: Raghunātha Purushottama Kulakarṇī
Publisher:
ISBN:
Category : Theater architecture
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Theater architecture
Languages : en
Pages : 140
Book Description