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Author: Laurence Senelick Publisher: Cambridge University Press ISBN: 9780521244466 Category : Drama Languages : en Pages : 516
Book Description
Chronicles the emergence of a national feeling in the theatres of Northern and Eastern Europe from the mid-eighteenth to the late nineteenth centuries.
Author: Laurence Senelick Publisher: Cambridge University Press ISBN: 9780521244466 Category : Drama Languages : en Pages : 516
Book Description
Chronicles the emergence of a national feeling in the theatres of Northern and Eastern Europe from the mid-eighteenth to the late nineteenth centuries.
Author: Claude Schumacher Publisher: Cambridge University Press ISBN: 9780521230148 Category : Drama Languages : en Pages : 568
Book Description
This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.
Author: Jeremy Black Publisher: Bloomsbury Publishing ISBN: 1349277681 Category : History Languages : en Pages : 619
Book Description
This new edition of this highly successful and influential work includes two entirely new chapters - on Europe and the wider world and on the Revolutionary crisis - and is extensively revised throughout. It offers a wide-ranging thematic account of the century, that explores social, cultural and economic topics, as well as giving a clear analysis of the political events. Filled with fascinating detail and unusual examples, this absorbing history of eighteenth-century Europe will bring the period alive to students and teachers alike.
Author: William Tydeman Publisher: Cambridge University Press ISBN: 9780521246095 Category : Drama Languages : en Pages : 798
Book Description
This volume brings together a wide selection of primary source materials from the theatrical history of the Middle Ages. The focus is on Western Europe between the fall of the Roman Empire and the emergence of markedly Renaissance forms in Italy. Early sections of the volume are devoted to the survival of Classical tradition and the development of the liturgical drama of the Roman Catholic Church, but the main concentration is on the genesis and growth of popular religious drama in the vernacular. Each of the major medieval regions is featured, while a final section covers the pastimes and customs of the people, a record of whose traditional activities often only survives in the margins of official recognition. The documents are compiled by a team of leading scholars in the field and the over 700 documents are all presented in modern English translation.
Author: Harald Kittel Publisher: Walter de Gruyter ISBN: 9783110171457 Category : Language Arts & Disciplines Languages : en Pages : 788
Book Description
"This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction.For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an overview and orientation."--
Author: Barbara Day Publisher: Charles University in Prague, Karolinum Press ISBN: 802463953X Category : Literary Criticism Languages : en Pages : 320
Book Description
The motto Národ sobě – “From the Nation to Itself” – inscribed over the proscenium arch of Prague’s National Theatre symbolizes the importance theatre holds for the Czechs. During the National Awakening of the 19th century, theatre took the place of politics, becoming an instrument of national identity in the hands of the revivalists. In what was then part of a German-speaking empire, the Czechs devised a complex and evocative theatre language made up of allegory, allusion, juxtaposition, games, wordplay, legend, history, illusion and music. A sophisticated avant-garde theatre flowered in Czechoslovakia between the wars, and became a symbol of independence during the Nazi occupation. It survived Socialist Realism and Stalinism to blossom again in the “Golden Sixties” when Prague became “the theatre capital of Europe” (Kenneth Tynan) and a generation of theatre and film directors (Radok, Grossman, Schorm) and playwrights (Havel, Kundera, Topol) were at the forefront of the Prague Spring. Reprisals took place after the 1968 Soviet invasion when, under “normalization,” hardline Communists tried to silence the voices of the ‘60s; thousands were forced into internal and external emigration. The theatre culture, however, flexible and experienced from previous repression, again provided a basis of opposition to totalitarianism. For two decades it operated in the provisional spaces of culture houses, studios, gymnasiums, bars, trade union halls, art galleries and living rooms. Strategies were devised and implemented to bring freedom back to the theatre and society. A strong sense of justice and ethics intensified the mutual commitment of theatres and audiences, leading the way to the Velvet Revolution of 1989 and the installation of a playwright as President.
Author: Laurence Senelick Publisher: Rowman & Littlefield ISBN: 1442249277 Category : Performing Arts Languages : en Pages : 693
Book Description
A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
Author: Laurence Senelick
Author: Laurence Senelick
Author: 
Author: Claude Schumacher
Author: Frederick J. Marker
Author: Jeremy Black
Author: William Tydeman
Author: Harald Kittel
Author: Barbara Day
Author: Nicholas Rzhevsky
Author: Laurence Senelick