Nataraja the Dancing God PDF Download

Author: P. Banerjee
Publisher:
ISBN: 9788170200086
Category :
Languages : en
Pages :

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Author: Projesh Banerji
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 166

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Author:
Publisher:
ISBN: 9788130716800
Category : Hindu sculpture
Languages : en
Pages : 208

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Author: Ananda Kentish Coomaraswamy
Publisher: Legare Street Press
ISBN: 9781018837376
Category :
Languages : en
Pages : 0

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Anna Aleksandra Śla̧czka
Publisher:
ISBN: 9789492660107
Category :
Languages : en
Pages : 64

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The monumental bronze Shiva in the collection of the Rijksmuseum is one of the greatest attractions of the Asian Pavilion. The Hindu god dances with elegantly curved arms, his left leg lifted high. His long locks of hair wave around his head. His face shows a serene smile. This specific representation of the dancing Shiva ? Nataraja, ?King of the Dancers? ? grew into one of the most universal symbols of Hinduism. It is all the more striking that no one knows why the Nataraja type was invented, why he looks the way he does, and what he really represents.0This publication tells more about the dancing Shiva in art and the development and meaning of the Nataraja image. It goes without saying that particular attention is devoted to the impressive Shiva in the Rijksmuseum, to his original function as a processional bronze and to the extraordinarily virtuous way he was cast ? which even with modern technology would be a true tour de force.

Author: Christopher Noey
Publisher: Metropolitan Museum of Art
ISBN: 0714873543
Category : Art
Languages : en
Pages : 274

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Artists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of works from The Met collection appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.

Author: Osho
Publisher: Osho International Foundation
ISBN:
Category : Religion
Languages : en
Pages : 392

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Discourses by an Indian sectarian religious leader, July 28-August 20, 1976.

Author: Amit Sarwal
Publisher: Routledge
ISBN: 1000761991
Category : Performing Arts
Languages : en
Pages : 210

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The Dancing God: Staging Hindu Dance in Australia charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage. Ideal for anyone with an interest in global dance, The Dancing God is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.

Author: Wolf-Dieter Storl
Publisher: Simon and Schuster
ISBN: 1594777802
Category : Philosophy
Languages : en
Pages : 456

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An extensive look at all the aspects of multi-natured Shiva • Explores the shamanic roots of world spirituality as exemplified by this Hindu god who shares many of the attributes of the Norse Odin and the Celtic Cernunnos • Looks at Shiva’s relation to contemporary culture, Tantra, and the dualistic religions of the West To his devotees Shiva is the entire universe and the core of all beings. Hindu myth shows him appearing at the beginning of creation as a giant pillar of fire from which this world sprang forth. Yet he is also the most approachable of gods, for he is the lover of lovers and the devotee of his devotees. Of the 1,008 names of Shiva, Pashupati, Lord of Animals, is one of the most common. His special relation to animals along with his trickster nature reveal the deep connection of Shiva to shamanism and other gods such as the Norse Odin and the Celtic Cernunnos that came out of the Paleolithic traditions. Ethnologist Wolf-Dieter Storl was first captivated by Shiva when he was in India as a visiting scholar at Benares Hindu University. In this book he invites readers to join in the lively and mythical world of Shiva, or Mahadev, God of All Gods. Shiva is a study in contrasts: As the lord of dance he loses himself in ecstatic abandon; with his consort Parvati he can make love for 10,000 years. Both men and women worship him for his ability to unite and balance masculine and feminine energies. But as the ascetic Shankar he sits in deep meditation, shunning women, and none dare disturb him lest he open his third eye and immolate the entire universe. Lord of intoxicants and poisons, he is the keeper of secret occult knowledge and powers, for which he is worshipped by yogis and demons alike. Shiva dances both the joy of being and the dance of doom--but in every aspect he breaks through the false ego to reveal the true self lying within. This is his true power.

Author: Vidya Dehejia
Publisher: Princeton University Press
ISBN: 0691202591
Category : Art
Languages : en
Pages : 337

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The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC