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Author: Jerry Schuchalter Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Literary Criticism Languages : en Pages : 320
Book Description
German literature about America has consistently occupied a marginal position in both German and American studies. This study attempts an overall interpretation of such nineteenth-century literature by charting its most significant narratives. Narratives are thus shown to be embedded and generated in a bicultural or multicultural setting derived from historical givens as well as from the possibilities inherent in fabrication. The result is the illumination of an area previously neglected in literature, revealing not only intricate literary creations, but also significant insights about culture, canonicity, and the construction of national identities.
Author: Jerry Schuchalter Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Literary Criticism Languages : en Pages : 320
Book Description
German literature about America has consistently occupied a marginal position in both German and American studies. This study attempts an overall interpretation of such nineteenth-century literature by charting its most significant narratives. Narratives are thus shown to be embedded and generated in a bicultural or multicultural setting derived from historical givens as well as from the possibilities inherent in fabrication. The result is the illumination of an area previously neglected in literature, revealing not only intricate literary creations, but also significant insights about culture, canonicity, and the construction of national identities.
Author: Charlotte Woodford Publisher: Camden House ISBN: 1571134875 Category : Literary Criticism Languages : en Pages : 298
Book Description
A much-needed look at the fiction that was actually read by masses of Germans in the late nineteenth century, and the conditions of its publication and reception. The late nineteenth century was a crucial period for the development of German fiction. Political unification and industrialization were accompanied by the rise of a mass market for German literature, and with it the beginnings ofthe German bestseller.Offering escape, romance, or adventure, as well as insights into the modern world, nineteenth-century bestsellers often captured the imagination of readers well into the twentieth century and beyond. However, many have been neglected by scholars. This volume offers new readings of literary realism by focusing not on the accepted intellectual canon but on commercially successful fiction in its material and social contexts. It investigates bestsellers from writers such as Freytag, Dahn, Jensen, Raabe, Viebig, Stifter, Auerbach, Storm, Möllhausen, Marlitt, Suttner, and Thomas Mann. The contributions examine the aesthetic strategies that made the works sucha success, and writers' attempts to appeal simultaneously on different levels to different readers. Bestselling writers often sought to accommodate the expectations of publishers and the marketplace, while preserving some sense ofartistic integrity. This volume sheds light on the important effect of the mass market on the writing not just of popular works, but of German prose fiction on all levels. Contributors: Christiane Arndt, Caroline Bland, Elizabeth Boa, Anita Bunyan, Katrin Kohl, Todd Kontje, Peter C. Pfeiffer, Nicholas Saul, Benedict Schofield, Ernest Schonfield, Martin Swales, Charlotte Woodford. Charlotte Woodford is Lecturer in German and Directorof Studies in Modern Languages at Selwyn College, University of Cambridge. Benedict Schofield is Senior Lecturer in German and Head of the Department of German at King's College London.
Author: Irene S. Di Maio Publisher: LSU Press ISBN: 0807131466 Category : History Languages : en Pages : 343
Book Description
A global traveler and adventurer, the German author Friedrich Gerstäcker (1816--1872) first arrived in Louisiana in March 1838, paddling the waterways leading from the wilds of the northwestern part of the state near Shreveport south to cosmopolitan New Orleans. He returned to the state in 1842, living for a year in the areas of Bayou Sara, St. Francisville, and Pointe Coupée -- then considered the most beautiful garden and plantation land along the Mississippi River. In 1867 he briefly visited Louisiana again, observing the devastation wrought by the Civil War and the turmoil of Reconstruction. No mere armchair tourist, Gerstäcker fully engaged himself in exploring Louisiana -- its landscapes, peoples, and Peculiar Institution. He was in the unique position of being both an insider and an outsider, and his sojourns in the state served as the basis for travel books, short stories, and novels. Gerstäcker was a remarkable raconteur and a highly popular author. During his lifetime and beyond, his writings conveyed the tenor of southern life to a German-speaking audience. Now, compiled and translated into English by Irene S. Di Maio, they offer a window on nineteenth-century Louisiana across several decades of growth and upheaval.Gerstäcker's aim as a writer was to inform and entertain, especially through humor, drama, and suspense. His works -- including his fiction -- sustain an almost ethnographic level of detail. The stories, travel sketches, and novel excerpts included here comment on slavery and its aftermath, ethnic and racial diversity, transcultural relations, and immigration and multilingualism. Gerstäcker's impressions of Louisiana remain relevant and deeply engaging
Author: Rinske Van Stipriaan Pritchett Publisher: Peter Lang ISBN: 9783039102921 Category : Art Languages : en Pages : 248
Book Description
During the mid-nineteenth century, Charlotte Birch-Pfeiffer pursued a fifty-year career as a playwright and theater manager in Germany, Austria, and Switzerland at a time of the transformation of court theaters and itinerant troupes into commercial establishments staffed by middle-class professionals and subject to market forces. Although she has been undervalued by some critics past and present who considered her mainly as an adapter of contemporary novels, this study shows that with her thorough knowledge of the European dramatic tradition, her skill as a playwright, and above all her professionalism she overcame institutional and gender bias to develop a form of drama that integrated the social and economic changes of her time. The analysis focuses on her use of the subversive genre of comedy, the strategies she used to evade the censor, and her employment of assertive female and working-class characters. She revived commedia dell'arte techniques of the past while devising innovations that anticipated the subsequent course of drama as well as the film techniques of today.
Author: Marjanne Elaine Goozé Publisher: Peter Lang ISBN: 9783039110186 Category : History Languages : en Pages : 326
Book Description
This collection of essays centers on women writers who negotiated, interrogated, and challenged the gender ideology of separate spheres through their advocacy and representations of female Bildung. The term Bildung encompasses an individual's entire moral, spiritual, behavioral, emotional, political and intellectual development. The contributors analyze works of fiction, memoirs, autobiographies, letters, the periodical press, and conduct and cookbooks from the mid-1700s to circa 1900 that confront the separate spheres paradigm and promote women's educational and personal development. They examine women's writing and reading practices, moral and gender philosophies, political activism, and work from the home to the stage and factory. Most writers did not repudiate outright existing gender models, but both subtly and overtly subverted and reinterpreted them. In all the texts, the process of female education leads to an assertion of agency. The writers came from different social classes and professional backgrounds, ranging from noblewomen to working-class autobiographers of the later nineteenth century. This volume will be of interest to German cultural, literary, and historical scholars, as well as to those concerned with the development of European feminism, women's education and autobiography.
Author: Alyssa A. Lonner Publisher: Peter Lang ISBN: 9783039103317 Category : History Languages : en Pages : 264
Book Description
As one of the most widely read German authors of the nineteenth century, Gustav Freytag (1816-1895) continues to be associated with the middle class and the progress it enjoyed. Yet while his best-selling novel Soll und Haben (1855) and its lesser-known successor Die verlorene Handschrift (1864) owed their vast commercial success largely to their buoyant message of bourgeois advancement, they simultaneously devote significant attention to elements of traditional German society. In exploring Freytag's dual roles as both a novelist of contemporary middle-class life and a cultural historian, this book uncovers the author's divergent - and ostensibly conflicting - desire both to embrace progress and commemorate the past. Investigating his literary engagement with three central elements of Germany's historical identity - the pervasiveness of folk beliefs, a strong identification with rural life, and the continued presence of the aristocracy - this study shows how Freytag attempts to locate these constituents of pre-industrial Germany in a modern, industrial nation, and in doing so contributes to a historically anchored national identity in which material and political progress coexist with a rich heritage and ancient traditions.
Author: P. Goral Publisher: Springer ISBN: 1137364300 Category : History Languages : en Pages : 285
Book Description
This book demonstrates how the two adversaries of the Cold War, West Germany and East Germany, endeavored to create two distinct and unique German identities. In their endeavor to claim legitimacy, the German cinematic representation of the American West became an important cultural weapon of mass dissemination during the Cold War.
Author: Kim Fordham Publisher: Peter Lang ISBN: 9783039110391 Category : Drama Languages : en Pages : 164
Book Description
What makes the trial so appealing as dramatic form? Why do we watch? Is it simply the quest for truth and justice? Or is it much more than that? From the time of Sophocles, the court has fascinated audiences and dramatists alike. Kleist is no exception, as each of his dramas and many of his stories and anecdotes contain a trial of some sort from its most primitive form of hand-to-hand combat in the duel to more conventional legal proceedings in secular, military and ecclesiastical courts. At trial, we desire, whether consciously or unconsciously, to have our own system of beliefs and behaviours affirmed rather than to attempt to achieve justice: self-interest prevails at the expense of truth and equity. The focus of this book is the tension between the restoration of dikê, the balance of natural order, and the pursuit of truth and justice as impetus behind the trial. With recourse to the concept of legal instrumentalism, which underscores this preference for order over justice in both the law and literature, the author examines Kleist's dramas to determine the extent to which those individuals in positions of power are able to manipulate the proceedings, seeking not justice and truth, but rather the validation of their own particular version of order. The trial, a tool generally thought to be designed to discover truth and to mete out justice, is used instead, in the hands of the powerful, as an instrument of control and degradation.
Author: Jerry Schuchalter
Author: Jerry Schuchalter
Author: Charlotte Woodford
Author: Irene S. Di Maio
Author: Rinske Van Stipriaan Pritchett
Author: Marjanne Elaine Goozé
Author: Alyssa A. Lonner
Author: P. Goral
Author: Maggie McKinley
Author: Kim Fordham
Author: