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Author: Jody Norton Publisher: Bucknell University Press ISBN: 9780838753569 Category : Literary Criticism Languages : en Pages : 268
Book Description
"In Narcissus Sous Rature, Jody Norton argues that Contemporary American poetry's characteristic problematic is the subject's contestation of hir discursive condition. While self-comprehension is a central, recurrent concern in post-literate poetry, most poetries in English since the Enlightenment have conceived their lyric subjects in accordance with the foundational Western philosophical assumption of the rationality of being. However, after Freud, Heisenberg, Saussure, Derrida, and Lacan, conceptions of the lyric "I" as representative of a more or less permanent, self-conscious, and self-possessed personality, inhabiting an ontologically dependable natural and historical world in a consistent way are no longer credible." "The problems of how to conceptualize the psycho-linguistic structuration of the male (putatively masculine) subject and hir relation to hir cultural environment, and of how to represent both the subject and hir relations in a medium - language - that is complexly involved in the construction of both the subject and hir representation (and, in a certain sense, of the subject as representation) emerge, for Contemporary poets, out of an historic moment particularly strongly marked by theoretical developments in extra-literary fields. Norton asserts that the lyric speaker in Contemporary American poetry cannot be understood unless the explicit and implicit dialogic relations between religious, philosophical, psychological, linguistic, aesthetic, critical and poetic texts are made central to the interpretive project."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Jody Norton Publisher: Bucknell University Press ISBN: 9780838753569 Category : Literary Criticism Languages : en Pages : 268
Book Description
"In Narcissus Sous Rature, Jody Norton argues that Contemporary American poetry's characteristic problematic is the subject's contestation of hir discursive condition. While self-comprehension is a central, recurrent concern in post-literate poetry, most poetries in English since the Enlightenment have conceived their lyric subjects in accordance with the foundational Western philosophical assumption of the rationality of being. However, after Freud, Heisenberg, Saussure, Derrida, and Lacan, conceptions of the lyric "I" as representative of a more or less permanent, self-conscious, and self-possessed personality, inhabiting an ontologically dependable natural and historical world in a consistent way are no longer credible." "The problems of how to conceptualize the psycho-linguistic structuration of the male (putatively masculine) subject and hir relation to hir cultural environment, and of how to represent both the subject and hir relations in a medium - language - that is complexly involved in the construction of both the subject and hir representation (and, in a certain sense, of the subject as representation) emerge, for Contemporary poets, out of an historic moment particularly strongly marked by theoretical developments in extra-literary fields. Norton asserts that the lyric speaker in Contemporary American poetry cannot be understood unless the explicit and implicit dialogic relations between religious, philosophical, psychological, linguistic, aesthetic, critical and poetic texts are made central to the interpretive project."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Matthew Rottnek Publisher: NYU Press ISBN: 0814774849 Category : Family & Relationships Languages : en Pages : 319
Book Description
In 1973, homosexuality was officially depathologized with a revision in the Diagnostic and Statistical Manual of Psychiatry. In 1980, a new diagnosis appeared: Gender Identity Disorder of Childhood (GID). The shift separated gender from sexuality, while it simultaneously reinforced traditional concepts of "male" and "female" and made it possible for cross-gendered behavior and/or identification to be deemed psychiatric illness. What is the difference then between a child being called a sissy on the playground and being labeled with a disorder in a psychiatric hospital? Combining theory and personal narrative, this volume interrogates the meaning of "the normal" that pervades the literature on GID and investigates the theoretical underpinnings of the diagnosis. Sissies and Tomboys considers how the stigma of illness influences a child's development and what homosexual childhood, freed from the constraints of conventionally acceptable gender expression, might look like.
Author: Clint Burnham Publisher: Bloomsbury Publishing USA ISBN: 1501341308 Category : Computers Languages : en Pages : 235
Book Description
Does the Internet Have an Unconscious? is both an introduction to the work of Slavoj Žižek and an investigation into how his work can be used to think about the digital present. Clint Burnham uniquely combines the German idealism, Lacanian psychoanalysis, and Marxist materialism found in Žižek's thought to understand how the Internet, social and new media, and digital cultural forms work in our lives and how their failure to work structures our pathologies and fantasies. He suggests that our failure to properly understand the digital is due to our lack of recognition of its political, aesthetic, and psycho-sexual elements. Mixing autobiographical passages with critical analysis, Burnham situates a Žižekian theory of digital culture in the lived human body.
Author: Ann Keniston Publisher: Routledge ISBN: 113550279X Category : Literary Criticism Languages : en Pages : 188
Book Description
Overheard Voices examines poetic address and in particular apostrophe (the address of absent or inanimate others) in the work of four post-World War II American poets, with a focus on loss, desire, figuration, audience, and subjectivity. By approaching these crucial issues from an unexpected angle--through a study of the seldom-examined lyric "you"--Overheard Voices offers new insight into both contemporary lyric and the lyric genre more generally. The book offers detailed readings of Sylvia Plath, James Merrill, Louise Glück, and Frank Bidart.
Author: Gloria Anzaldúa Publisher: Routledge ISBN: 113535152X Category : Social Science Languages : en Pages : 623
Book Description
More than twenty years after the ground-breaking anthology This Bridge Called My Back called upon feminists to envision new forms of communities and practices, Gloria E. Anzaldúa and AnaLouise Keating have painstakingly assembled a new collection of over eighty original writings that offers a bold new vision of women-of-color consciousness for the twenty-first century. Written by women and men--both "of color" and "white"--this bridge we call home will challenge readers to rethink existing categories and invent new individual and collective identities.
Author: Tamara Levitz Publisher: Oxford University Press ISBN: 0199730164 Category : Biography & Autobiography Languages : en Pages : 688
Book Description
Here, Levitz demonstrates how a group of collaboratoring artists - Igor Stravinsky, Ida Rubenstein, Jacques Copeau, André Gide and others - used the myth of Perséphone to perform and articulate their most deeply held beliefs about four topics significant to modernism: religion, sexuality, death, and historical memory in art.
Author: Jody Norton
Author: Jody Norton
Author: John Douglas Norton
Author: Matthew Rottnek
Author: Clint Burnham
Author: Ankhi Mukherjee
Author: Michelle Ann Abate
Author: Ann Keniston
Author: Gloria Anzaldúa
Author: Minnie Earl Sears
Author: Tamara Levitz