Author: Gianpiero Rosati
Publisher: Oxford University Press
ISBN: 0192593641
Category : Literary Collections
Languages : en
Pages : 208
Book Description
Nature imitates art—not a paradox from Oscar Wilde's pen, but instead the bold formulation of the Latin poet Ovid (43 BCE-17 CE), marking a radical turning point in ancient aesthetics, founded on the principle of mimesis. For Ovid, art is independent of reality, not its mirror: by enhancing phantasia, the artist's creative imagination and the simulacrum's primacy over reality, Ovid opens up unexplored perspectives for future European literature and art. Through an examination of Narcissus and Pygmalion, figures of illusion and desire, who are the protagonists of two major episodes of the Metamorphoses, Rosati sheds light on some crucial junctures in the history of reception and aesthetics. Narcissus and Pygmalion has, since its first publication in Italian, contributed to the poet's critical fortunes over the past few decades through its combination of sophisticated literary critical thinking and patient argument applied to the poetics of self-reflexivity and, in particular, to the fundamental interface between the verbal and the visual in the Metamorphoses. A substantial introduction accompanies this new translation into English, positioning Rosati's work anew in the forefront of current discussions of Ovidian aesthetics and intermediality, in the wake of the postmodern culture of the simulacrum.
Narcissus and Pygmalion
Author: Gianpiero Rosati
Publisher: Oxford University Press
ISBN: 0192593641
Category : Literary Collections
Languages : en
Pages : 208
Book Description
Nature imitates art—not a paradox from Oscar Wilde's pen, but instead the bold formulation of the Latin poet Ovid (43 BCE-17 CE), marking a radical turning point in ancient aesthetics, founded on the principle of mimesis. For Ovid, art is independent of reality, not its mirror: by enhancing phantasia, the artist's creative imagination and the simulacrum's primacy over reality, Ovid opens up unexplored perspectives for future European literature and art. Through an examination of Narcissus and Pygmalion, figures of illusion and desire, who are the protagonists of two major episodes of the Metamorphoses, Rosati sheds light on some crucial junctures in the history of reception and aesthetics. Narcissus and Pygmalion has, since its first publication in Italian, contributed to the poet's critical fortunes over the past few decades through its combination of sophisticated literary critical thinking and patient argument applied to the poetics of self-reflexivity and, in particular, to the fundamental interface between the verbal and the visual in the Metamorphoses. A substantial introduction accompanies this new translation into English, positioning Rosati's work anew in the forefront of current discussions of Ovidian aesthetics and intermediality, in the wake of the postmodern culture of the simulacrum.
Publisher: Oxford University Press
ISBN: 0192593641
Category : Literary Collections
Languages : en
Pages : 208
Book Description
Nature imitates art—not a paradox from Oscar Wilde's pen, but instead the bold formulation of the Latin poet Ovid (43 BCE-17 CE), marking a radical turning point in ancient aesthetics, founded on the principle of mimesis. For Ovid, art is independent of reality, not its mirror: by enhancing phantasia, the artist's creative imagination and the simulacrum's primacy over reality, Ovid opens up unexplored perspectives for future European literature and art. Through an examination of Narcissus and Pygmalion, figures of illusion and desire, who are the protagonists of two major episodes of the Metamorphoses, Rosati sheds light on some crucial junctures in the history of reception and aesthetics. Narcissus and Pygmalion has, since its first publication in Italian, contributed to the poet's critical fortunes over the past few decades through its combination of sophisticated literary critical thinking and patient argument applied to the poetics of self-reflexivity and, in particular, to the fundamental interface between the verbal and the visual in the Metamorphoses. A substantial introduction accompanies this new translation into English, positioning Rosati's work anew in the forefront of current discussions of Ovidian aesthetics and intermediality, in the wake of the postmodern culture of the simulacrum.
Internal Difference and Meanings in the Roman de la Rose
Author: Douglas Kelly
Publisher: Univ of Wisconsin Press
ISBN: 9780299147846
Category : History
Languages : en
Pages : 246
Book Description
Argues that the 13th-century French poem can best be understood not by trying to resolve or choosing among the diverse meanings within it or among the myriad of interpretations by scholars and medieval and modern readers, but to accept those differences and reflect on our own willingness to accept to reject those meanings as a guide for a love or morality. Paper edition (unseen), $17.95. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Univ of Wisconsin Press
ISBN: 9780299147846
Category : History
Languages : en
Pages : 246
Book Description
Argues that the 13th-century French poem can best be understood not by trying to resolve or choosing among the diverse meanings within it or among the myriad of interpretations by scholars and medieval and modern readers, but to accept those differences and reflect on our own willingness to accept to reject those meanings as a guide for a love or morality. Paper edition (unseen), $17.95. Annotation copyright by Book News, Inc., Portland, OR
Narcissus and Pygmalion
Author: Gianpiero Rosati
Publisher: Oxford University Press
ISBN: 0198852436
Category :
Languages : en
Pages : 202
Book Description
"Metamorphoses Ovid Translated by A. D. Melville and Edited with introduction and notes by E. J. Kenney OXFORD WORLD'S CLASSICS Metamorphic Readings Transformation, Language, and Gender in the Interpretation of Ovid's Metamorphoses Edited by Alison Sharrock, Daniel Möller, and Mats Malm Ovid's Presence in Contemporary Women's Writing Strange Monsters Fiona Cox CLASSICAL PRESENCES"--
Publisher: Oxford University Press
ISBN: 0198852436
Category :
Languages : en
Pages : 202
Book Description
"Metamorphoses Ovid Translated by A. D. Melville and Edited with introduction and notes by E. J. Kenney OXFORD WORLD'S CLASSICS Metamorphic Readings Transformation, Language, and Gender in the Interpretation of Ovid's Metamorphoses Edited by Alison Sharrock, Daniel Möller, and Mats Malm Ovid's Presence in Contemporary Women's Writing Strange Monsters Fiona Cox CLASSICAL PRESENCES"--
Myth, Montage, & Visuality in Late Medieval Manuscript Culture
Author: Marilynn Desmond
Publisher: University of Michigan Press
ISBN: 9780472031832
Category : History
Languages : en
Pages : 372
Book Description
A broad multidisciplinary study that uses the Epistre Othea to examine the visual presentation of knowledge
Publisher: University of Michigan Press
ISBN: 9780472031832
Category : History
Languages : en
Pages : 372
Book Description
A broad multidisciplinary study that uses the Epistre Othea to examine the visual presentation of knowledge
Calvino and the Pygmalion Paradigm
Author: Bridget Tompkins
Publisher: Troubador Publishing Ltd
ISBN: 1784623296
Category : Fiction
Languages : en
Pages : 252
Book Description
Calvino and the Pygmalion Paradigm: Fashioning the Feminine in I nostri antenati and Gli amori difficili is the first book-length analysis of the representation of the feminine in Calvino’s fiction. Using the structural umbrella of the Pygmalion paradigm and using feminist interpretative techniques, this book offers interesting alternative readings of two of Calvino’s important early narrative collections. The Pygmalion paradigm concerns the creation by a male ‘artist’ of a feminine ideal and highlights the artificiality and narcissistic desire associated with the creation process. This book discusses Calvino’s active and deliberate work of self-creation, accomplished through extensive self-commentaries and exposes both the lack of importance Calvino placed on the feminine in his narratives and the relative absence of critical attention focused on this area. Relying on the analogy between Pygmalion’s pieces of ivory and Barthes’ ‘seme’ and drawing upon the ideas underlying Kristevan intertextuality, the book demonstrates that, despite Calvino’s professed lack of interest in character development, his female characters are carefully and purposefully constructed. A close reading of Calvino’s narratives, engaging directly with Freud, Lacan and the feminist psychoanalytical thinking of Kofmann, Kristeva, Kaplan and others, demonstrates how Calvino uses his female characters as foils for the existential reflections of his typically maladjusted and narcissistic male characters.
Publisher: Troubador Publishing Ltd
ISBN: 1784623296
Category : Fiction
Languages : en
Pages : 252
Book Description
Calvino and the Pygmalion Paradigm: Fashioning the Feminine in I nostri antenati and Gli amori difficili is the first book-length analysis of the representation of the feminine in Calvino’s fiction. Using the structural umbrella of the Pygmalion paradigm and using feminist interpretative techniques, this book offers interesting alternative readings of two of Calvino’s important early narrative collections. The Pygmalion paradigm concerns the creation by a male ‘artist’ of a feminine ideal and highlights the artificiality and narcissistic desire associated with the creation process. This book discusses Calvino’s active and deliberate work of self-creation, accomplished through extensive self-commentaries and exposes both the lack of importance Calvino placed on the feminine in his narratives and the relative absence of critical attention focused on this area. Relying on the analogy between Pygmalion’s pieces of ivory and Barthes’ ‘seme’ and drawing upon the ideas underlying Kristevan intertextuality, the book demonstrates that, despite Calvino’s professed lack of interest in character development, his female characters are carefully and purposefully constructed. A close reading of Calvino’s narratives, engaging directly with Freud, Lacan and the feminist psychoanalytical thinking of Kofmann, Kristeva, Kaplan and others, demonstrates how Calvino uses his female characters as foils for the existential reflections of his typically maladjusted and narcissistic male characters.
'Surfacing' the Politics of Desire
Author: Rajeshwari Suryamohan Vallury
Publisher: University of Toronto Press
ISBN: 0802090389
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
"Surfacing" the Politics of Desire re-examines the "myths" of masculine desire in order to challenge this premise, placing literature at the centre of recent feminist debates over the ontology and politics of sexual difference.
Publisher: University of Toronto Press
ISBN: 0802090389
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
"Surfacing" the Politics of Desire re-examines the "myths" of masculine desire in order to challenge this premise, placing literature at the centre of recent feminist debates over the ontology and politics of sexual difference.
Now Through a Glass Darkly
Author: Edward Peter Nolan
Publisher: University of Michigan Press
ISBN: 0472101706
Category : Latin literature
Languages : en
Pages : 360
Book Description
Nolan explores the way Roman and medieval authors used the mirror as both instrument and metaphor
Publisher: University of Michigan Press
ISBN: 0472101706
Category : Latin literature
Languages : en
Pages : 360
Book Description
Nolan explores the way Roman and medieval authors used the mirror as both instrument and metaphor
A Book of Myths
Author: Jean Lang
Publisher: Jazzybee Verlag
ISBN: 3849663752
Category : Fiction
Languages : en
Pages : 262
Book Description
"A Book of Myths" deals in a most entertaining manner with the mythology of Greece and Rome and many other noted lands. Added to the pleasure of the story there is the lure of the legend and the spell of old ways and customs. Not only many of the most celebrated are retold, but also many of the less well-known tales. The aim of the author, it is stated, has been to simplify for those who are not erudite scholars the stories of mythology, to which constant reference is made not only in classic, but in modern poetry, and to direct the attention of readers to poems which are not already known to them. Included are tales of Prometheus, Pygmalion, Orpheus, Perseus, King Midas, Pan, the Lorelei, Baldur and many more.
Publisher: Jazzybee Verlag
ISBN: 3849663752
Category : Fiction
Languages : en
Pages : 262
Book Description
"A Book of Myths" deals in a most entertaining manner with the mythology of Greece and Rome and many other noted lands. Added to the pleasure of the story there is the lure of the legend and the spell of old ways and customs. Not only many of the most celebrated are retold, but also many of the less well-known tales. The aim of the author, it is stated, has been to simplify for those who are not erudite scholars the stories of mythology, to which constant reference is made not only in classic, but in modern poetry, and to direct the attention of readers to poems which are not already known to them. Included are tales of Prometheus, Pygmalion, Orpheus, Perseus, King Midas, Pan, the Lorelei, Baldur and many more.
Sculpture and Touch
Author: Peter Dent
Publisher: Routledge
ISBN: 1351549456
Category : Art
Languages : en
Pages : 239
Book Description
Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sense of touch. Sculptors, philosophers and art historians have all linked the two, often in strikingly different ways. In spite of this long running interest in touch and tactility, it is vision and visuality which have tended to dominate art historical research in recent decades. This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals with fresh insights who are working in disciplines beyond art history. The collection brings together a rich and diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum environment, and from the phenomenology of touch in recent philosophy to the experimental findings of scientific study. It is the first volume on this subject to take such a broad approach and, as such, seeks to set the agenda for future research and collaboration in this area.
Publisher: Routledge
ISBN: 1351549456
Category : Art
Languages : en
Pages : 239
Book Description
Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sense of touch. Sculptors, philosophers and art historians have all linked the two, often in strikingly different ways. In spite of this long running interest in touch and tactility, it is vision and visuality which have tended to dominate art historical research in recent decades. This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals with fresh insights who are working in disciplines beyond art history. The collection brings together a rich and diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum environment, and from the phenomenology of touch in recent philosophy to the experimental findings of scientific study. It is the first volume on this subject to take such a broad approach and, as such, seeks to set the agenda for future research and collaboration in this area.
The Pygmalion Effect
Author: Victor I. Stoichita
Publisher: University of Chicago Press
ISBN: 0226775216
Category : Art
Languages : en
Pages : 273
Book Description
Pygmalion's sculpture, which the gods endowed with life, marks, according to this book, perhaps the first instance in Western art of an image that exists on its own terms, rather than simply imitating something else. Stoichita delivers this image and its avatars from the shadow cast by art that merely replicates reality.
Publisher: University of Chicago Press
ISBN: 0226775216
Category : Art
Languages : en
Pages : 273
Book Description
Pygmalion's sculpture, which the gods endowed with life, marks, according to this book, perhaps the first instance in Western art of an image that exists on its own terms, rather than simply imitating something else. Stoichita delivers this image and its avatars from the shadow cast by art that merely replicates reality.