Author: Ilany Kogan Publisher: Routledge ISBN: 1000030555 Category : Education Languages : en Pages : 170
Book Description
This book has grown from a belief that the psychoanalytic exploration of literature and performances leads to a richer and fuller understanding of each individual’s internal reality. It includes an exploration of narcissistic fantasies from various protagonists of film and novels and focuses on the fantasy of the omnipotence of the self, which is a predominantly narcissistic desire to be a "Master of the Universe", a deity, an omnipotent, immortal figure. Psychoanalysis and art interact in exploring the individual's refusal to give up grandiose fantasies about the self, or his inability to modulate and integrate them within his personality, which are at the origin of his wish to transcend the human condition. These narcissistic fantasies are often expressed through aggressive and self-destructive behaviour, including flirtation with death and destruction. The emotional truth that great artists convey through symbols which often resonates in the audience is examined in this book through studies and comparisons of narcissistic characters in opera, film and contemporary fiction. Identifying with these figures, who place themselves above the law, may give us the illusion of omnipotence and immortality, which corresponds to a primary narcissistic fantasy, the traces of which exist in various degrees in all of us. Part of the popular International Psychoanalytical Association Psychoanalytic Ideas and Applications Series, this book is unique in its focus on the narcissistic fantasy of the omnipotence of the self by means of an analysis of a variety of protagonists from the worlds of the performing arts and literature, and on the exploration of their impact on the audience. It will be of interest to psychoanalysts, therapists, and those with an interest in the intersection of psychoanalytic theory with film and literature.
Author: Linda Hutcheon Publisher: Wilfrid Laurier Univ. Press ISBN: 155458910X Category : Literary Criticism Languages : en Pages : 176
Book Description
Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory. Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the “paradox” created by metafiction: the reader is, at the same time, co-creator of the self-reflexive text and distanced from it because of its very self-reflexiveness. She illustrates her analysis through the works of novelists such as Fowles, Barth, Nabokov, Calvino, Borges, Carpentier, and Aquin. For the paperback edition of this important book a preface has been added which examines developments since first publication. Narcissistic Narrative was selected by Choice as one of the outstanding academic books for 1981–1982.
Author: Mark Savage Publisher: ISBN: 9781949127065 Category : Fiction Languages : en Pages : 304
Book Description
In FICTIONAL FILM CLUB, our narrator attempts to review a series of movies that don't exist. From here, he slips into an ever more obsessive and self-obsessive unreality of made-up movie stars, false features, and perverse productions.
Author: Arnold M. Cooper Publisher: Routledge ISBN: 1134627092 Category : Psychology Languages : en Pages : 241
Book Description
Peter Fonagy Winner of the 2010 Sigourney Award! Joseph Sandler has been an important influence in psychoanalysis throughout the world during the latter part of the twentieth century, contributing to changing views on both psychoanalytic theory and technique. He has also been a bridging force in psychoanalysis, helping to close the gap between American ego psychologists, and British Kleinian and object relations theorists. Psychoanalysis on the Move provides a comprehensive and accessible overview of Sandler's contribution to the development of psychoanalysis. The contributors trace the development of the main themes and achievements of Sandler's work, in particular his focus on combining psychoanalytic theory and clinical practice. Timely and important, Psychoanalysis on the Move should make interesting reading for psychoanalysts, psychotherapists, and all those who wish to know more about one of the most creative figures in psychoanalysis of the past few decades.
Author: Jay Cordes Publisher: Oxford University Press, USA ISBN: 0198844395 Category : Languages : en Pages : 263
Book Description
Data science has never had more influence on the world. Large companies are now seeing the benefit of employing data scientists to interpret the vast amounts of data that now exists. However, the field is so new and is evolving so rapidly that the analysis produced can be haphazard at best. The 9 Pitfalls of Data Science shows us real-world examples of what can go wrong. Written to be an entertaining read, this invaluable guide investigates the all too common mistakes of data scientists - who can be plagued by lazy thinking, whims, hunches, and prejudices - and indicates how they have been at the root of many disasters, including the Great Recession. Gary Smith and Jay Cordes emphasise how scientific rigor and critical thinking skills are indispensable in this age of Big Data, as machines often find meaningless patterns that can lead to dangerous false conclusions. The 9 Pitfalls of Data Science is loaded with entertaining tales of both successful and misguided approaches to interpreting data, both grand successes and epic failures. These cautionary tales will not only help data scientists be more effective, but also help the public distinguish between good and bad data science.
Author: Jeffrey Berman Publisher: Bloomsbury Publishing ISBN: 1350166588 Category : Literary Criticism Languages : en Pages : 296
Book Description
Bringing together the human story of care with its representation in film, fiction and memoir, this book combines an analysis of care narratives to inform and inspire ideas about this major role in life. Alongside analysis of narratives drawn from literature and film, the author sensitively interweaves the story of his wife's illness and care to illuminate perspectives on dealing with human decline. Examining texts from a diverse range of authors such as Leo Tolstoy, Edith Wharton and Alice Munro, and filmmakers such as Ingmar Bergman and Michael Haneke, it addresses questions such as why caregiving is a dangerous activity, the ethical problems of writing about caregiving, the challenges of reading about caregiving, and why caregiving is so important. It serves as a fire starter on the subject of how we can gain insight into the challenges and opportunities of caregiving through the creative arts.
Author: James Buhler Publisher: Oxford University Press ISBN: 0199371091 Category : Performing Arts Languages : en Pages : 432
Book Description
A theory of the soundtrack is concerned with what belongs to the soundtrack, how a soundtrack is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound and music, classify the types of relations that films have used for image and sound, identify the central problems, and reflect on and describe effective uses of sound in film. This book summarizes and critiques major theories of the soundtrack from roughly 1929 until today. Rather than providing an exhaustive historical survey, it sketches out the range of theoretical approaches that have been applied to the soundtrack since the commercial introduction of the sound film. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories. The organization is both chronological and topical, the former in that the chapters move steadily from early film theory through models of the classical system to more recent critical theories; the latter in that the chapters highlight central issues for each generation: the problem of film itself, then of image and sound, of adequate analytical-descriptive models, and finally of critical-interpretative models.
Author: Maite Conde Publisher: Univ of California Press ISBN: 0520964888 Category : History Languages : en Pages : 310
Book Description
In her authoritative new book, Maite Conde introduces readers to the crucial early years of Brazilian cinema. Focusing on silent films released during the First Republic (1889-1930), Foundational Films explores how the medium became implicated in a larger project to transform Brazil into a modern nation. Analyzing an array of cinematic forms, from depictions of contemporary life and fan magazines, to experimental avant-garde productions, Conde demonstrates the distinct ways in which Brazil’s early film culture helped to project a new image of the country.
Author: Ludovica Grassi Publisher: Routledge ISBN: 1000391612 Category : Psychology Languages : en Pages : 167
Book Description
In this book, Ludovica Grassi explores the importance of music in psychoanalysis, arguing that music is a basic working tool for psyche, as words are composed of sound, rhythm and intonation more than lexical meaning. Starting from ethnomusicological, evolutionary, neurodevelopmental, psychological and psychoanalytical perspectives, the book explores music’s symbolic status, structure and way of operating compared to unconscious psychic functioning. Extraordinary similarities are revealed, especially in mechanisms such as repetition, imitation, variation (transformation), intimacy and the work of mourning, of the negative and of nostalgia. Moreover, silence and absence are essential components of music as well as of psychic and symbolic functioning. Time and temporality are specifically investigated in the book as key elements both in music and in symbolization and subjectivation processes. The role of the word’s phonic kernel and of the voice as fundamental links to emotions, the body, the sexual and the infantile has promising implications for psychoanalytic work. All these elements find an articulation in the natural as well as complex activity of listening, which conveys a tri-dimensional and polyphonic dimension of the world, so important both in music and in psychoanalysis. Illuminating the link between music and analysis in new and contemporary ways, The Sound of the Unconscious explores the resulting advances in theory and clinical practice and will be of great interest to practicing and training psychoanalysts and psychotherapists.