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Author: Mark Coleman Publisher: Da Capo Press ISBN: 0786748400 Category : Music Languages : en Pages : 286
Book Description
Suddenly, popular music resembles an alien landscape. The great common ground of 45s, LPs, and even compact discs is rapidly falling by the wayside to be replaced by binary bits of sound. In the 21st century, radical advances in music technology threaten to overshadow the music itself. Indeed, today the generations divide over how they listen to the music, not what kinds of music they enjoy.Playback is the first book to place the staggering history of sound reproduction within its larger social and cultural context. Concisely told via a narrative arc that begins with Edison's cylinder and ends with digital music, this is a history that we have all directly experienced in one way or another. From the Victrola to the 78 to the 45 to the 33 1/3 to the 8track to the cassette to the compact disc to MP3 and beyond (not to mention everyone from Thomas Edison to Enrico Caruso to Dick Clark to Grandmaster Flash to Napster CEO Shawn Fanning), the story of Playback is also the story of music, and the music business, in the 20th century.
Author: Mark Coleman Publisher: Da Capo Press ISBN: 0786748400 Category : Music Languages : en Pages : 286
Book Description
Suddenly, popular music resembles an alien landscape. The great common ground of 45s, LPs, and even compact discs is rapidly falling by the wayside to be replaced by binary bits of sound. In the 21st century, radical advances in music technology threaten to overshadow the music itself. Indeed, today the generations divide over how they listen to the music, not what kinds of music they enjoy.Playback is the first book to place the staggering history of sound reproduction within its larger social and cultural context. Concisely told via a narrative arc that begins with Edison's cylinder and ends with digital music, this is a history that we have all directly experienced in one way or another. From the Victrola to the 78 to the 45 to the 33 1/3 to the 8track to the cassette to the compact disc to MP3 and beyond (not to mention everyone from Thomas Edison to Enrico Caruso to Dick Clark to Grandmaster Flash to Napster CEO Shawn Fanning), the story of Playback is also the story of music, and the music business, in the 20th century.
Author: Sheila Whiteley Publisher: Psychology Press ISBN: 0415146704 Category : Femininity Languages : en Pages : 394
Book Description
Using a variety of methodologies and a wide range of case studies, the contributors describe and debate how pop music performers, subcultures, fans and texts construct and deconstruct "masculine" and "feminine" identities.
Author: Robert G. Culp Publisher: ONE JACKED MONKEY LLC ISBN: 1639250190 Category : Young Adult Fiction Languages : en Pages : 712
Book Description
When an ancient evil rises… …six misfits must rally together. But has their destiny already been written? Two teenage star-crossed lovers formed a team who would become their family. They thought their future was bright, but a war is fast approaching. The fate of all reality hanging in the balance. To succeed, they must uncover the true reason why Camelot fell. What no one could predict was their bond would unleash a hellish end. Can destiny be rewritten by love and loss? You’ll love this incredible YA Urban Fantasy Trilogy because it has the perfect mix of magic, thrills, adventure, and romance to keep you turning the pages. Get it now.
Author: Jill Galvan Publisher: Cornell University Press ISBN: 0801457386 Category : Literary Criticism Languages : en Pages : 225
Book Description
The nineteenth century saw not only the emergence of the telegraph, the telephone, and the typewriter but also a fascination with séances and occult practices like automatic writing as a means for contacting the dead. Like the new technologies, modern spiritualism promised to link people separated by space or circumstance; and like them as well, it depended on the presence of a human medium to convey these conversations. Whether electrical or otherworldly, these communications were remarkably often conducted—in offices, at telegraph stations and telephone switchboards, and in séance parlors—by women. In The Sympathetic Medium, Jill Galvan offers a richly nuanced and culturally grounded analysis of the rise of the female medium in Great Britain and the United States during the Victorian era and through the turn of the century. Examining a wide variety of fictional explorations of feminine channeling (in both the technological and supernatural realms) by such authors as Henry James, George Eliot, Arthur Conan Doyle, Bram Stoker, Marie Corelli, and George Du Maurier, Galvan argues that women were often chosen for that role, or assumed it themselves, because they made at-a-distance dialogues seem more intimate, less mediated. Two allegedly feminine traits, sympathy and a susceptibility to automatism, enabled women to disappear into their roles as message-carriers.Anchoring her literary analysis in discussions of social, economic, and scientific culture, Galvan finds that nineteenth- and early twentieth-century feminization of mediated communication reveals the challenges that the new networked culture presented to prevailing ideas of gender, dialogue, privacy, and the relationship between body and self.
Author: William Forde Thompson Publisher: SAGE Publications ISBN: 1483365581 Category : Reference Languages : en Pages : 2364
Book Description
This definitive reference resource examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-to-Z fashion and richly illustrated with photographs, provide the social and behavioral context for examining the importance of music in society. Entries are authored and signed by experts in the field and conclude with references and further readings, as well as cross references to related entries. A Reader′s Guide groups related entries by broad topic areas and themes, making it easy for readers to quickly identify related entries. A Chronology of Music places material into historical context; a Glossary defines key terms from the field; and a Resource Guide provides lists of books, academic journals, websites and cross-references. The multimedia digital edition is enhanced with video and audio clips and features strong search-and-browse capabilities through the electronic Reader’s Guide, detailed index, and cross references. Music in the Social and Behavioral Sciences, available in both multimedia digital and print formats, is a must-have reference for music and social science library collections. Key Themes: Aesthetics and Emotion Business and Technology Communities and Society Culture and Environment Elements of Musical Examination Evolutionary Psychology Media and Communication Musicianship and Expertise Neuroscience Perception, Memory, Cognition Politics, Economics, Law Therapy, Health, Wellbeing
Author: Christopher D. Berk Publisher: Univ of California Press ISBN: 0520394933 Category : Criminals Languages : en Pages : 162
Book Description
"Past and present efforts to reform prisons and mental hospitals are haunted by a desire to democratize custody. Embedded in this desire, Democracy in Captivity shows, is a persistent anxiety about who ought to govern ward life. Stuck in the middle of the social engineering efforts of both custodians and would-be democratic reformers are prisoners and patients themselves. Wards struggle for representation and, invariably, provoke backlash -- not only in the blunt forms of restraint chairs, riot gear, and a surgeon's scalpel, but also more covert sorts of maneuvering under the cover of 'democratic' management. Christopher D. Berk explains how these more subtle moves facilitate exploitation, entrench disenfranchisement, and naturalize authoritarian rule. In doing so, he uses custody as a lens to examine wider pathologies that have captured the politics of punishment today"--
Author: Susan Schmidt Horning Publisher: JHU Press ISBN: 1421410222 Category : Business & Economics Languages : en Pages : 322
Book Description
The recording studio, she argues, is at the center of musical culture in the twentieth century.--Emily Thompson, Princeton University "Science"
Author: Mark Coleman
Author: Mark Coleman
Author: Sheila Whiteley
Author: Robert G. Culp
Author: Jill Galvan
Author: William Forde Thompson
Author: Christopher D. Berk
Author: University of North Carolina at Chapel Hill. Music Library
Author: Susan Schmidt Horning
Author: University of Wisconsin--Madison. Libraries. Mills Music Library
Author: