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Author: JoannaS. Walker Publisher: Routledge ISBN: 1351556657 Category : Art Languages : en Pages : 380
Book Description
An original and valuable intervention in the fast-growing field of feminist and new art histories, Nancy Spero, Encounters offers a sophisticated interpretation of the work of a highly original and under-represented woman artist. The study proposes a new model of comparatism within the field of visual studies, mirroring and complementing Spero's dialogic manner of working. Basing her analyses on extensive research and multiple face-to-face interviews with the artist, Joanna Walker examines how a selection of the artists and art forms Spero cited offer significant points of comparison with her work. Walker presents Spero's encounters with the art of Ana Mendieta; with the poetry of the American poet H.D.; with the dance of Isadora Duncan; and, turning the lens back on Spero as subject, with the portraits of the artist by Abe Frajndlich. Also included are transcripts of Walker's interviews with the artist, and a listing of the books contained in Spero's personal library which informed her practice. Not only does this book cast well-deserved light on an artist who spent most of her career on the margins of the mainstream - it reverses genealogies and revises the traditional remit of the art historical monograph through both its structure and content.
Author: JoannaS. Walker Publisher: Routledge ISBN: 1351556657 Category : Art Languages : en Pages : 380
Book Description
An original and valuable intervention in the fast-growing field of feminist and new art histories, Nancy Spero, Encounters offers a sophisticated interpretation of the work of a highly original and under-represented woman artist. The study proposes a new model of comparatism within the field of visual studies, mirroring and complementing Spero's dialogic manner of working. Basing her analyses on extensive research and multiple face-to-face interviews with the artist, Joanna Walker examines how a selection of the artists and art forms Spero cited offer significant points of comparison with her work. Walker presents Spero's encounters with the art of Ana Mendieta; with the poetry of the American poet H.D.; with the dance of Isadora Duncan; and, turning the lens back on Spero as subject, with the portraits of the artist by Abe Frajndlich. Also included are transcripts of Walker's interviews with the artist, and a listing of the books contained in Spero's personal library which informed her practice. Not only does this book cast well-deserved light on an artist who spent most of her career on the margins of the mainstream - it reverses genealogies and revises the traditional remit of the art historical monograph through both its structure and content.
Author: Joanna S. Walker Publisher: Ashgate Publishing, Ltd. ISBN: 9781409420439 Category : Art Languages : en Pages : 276
Book Description
An original and valuable intervention in the fast-growing field of feminist and new art histories, Nancy Spero, Encounters offers a sophisticated interpretation of the work of a highly original and under-represented woman artist. The study proposes a new model of comparatism within the field of visual studies, mirroring and complementing Spero's dialogic manner of working. Spero's encounters with the work of Ana Mendieta, H.D., Isadora Duncan and others are examined.
Author: Eleanor Heartney Publisher: Prestel Verlag ISBN: 3641108217 Category : Art Languages : en Pages : 507
Book Description
"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.
Author: Chloë Julius Publisher: Manchester University Press ISBN: 1526173174 Category : Art Languages : en Pages : 192
Book Description
Cases of citation presents a history of artists who incorporated literary references into their work from the 1960s onwards. Through a series of object-focused chapters that each take up a singular ‘case of citation’, the collection considers how literary citation emerged as a viable and urgent strategy for artists during this period. It surveys nine artworks by a diverse group of artists – including David Wojnarowicz, Lis Rhodes, Romare Bearden and Silvia Kolbowski – whose citations draw on literary works with authors ranging from Gertrude Stein to Jean Genet. The book also features an interview with pioneering feminist artist Elaine Reichek that discusses her career-long commitment to working with text. Together, the artworks and cited texts are approached from various critical angles, with each author questioning and complicating the ways in which we can ‘read’ textual citations in art.
Author: Sylvère Lotringer Publisher: U of Minnesota Press ISBN: 1937561925 Category : Philosophy Languages : en Pages : 159
Book Description
Those who are mad like Antonin Artaud, are they just as mad as he was? Madness, like the plague, is contagious, and everyone, from his psychiatrists to his disciples, family, and critics, everyone who gets close to Artaud, seems to participate in his delirium. Sylvère Lotringer explores various embodiments of this shared delirium through what Artaud called “mental dramas”—a series of confrontations with his witnesses or “persecutors” where we uncover the raw delirium at work, even in Lotringer himself. Mad Like Artaud does not intend to add one more layer of commentary to the bitter controversies that have been surrounding the cursed poet’s work since his death in 1948, nor does it take sides among the different camps who are still haggling over his corpse. This book speaks of the site where “madness” itself is simmering.
Author: Jacques Derrida Publisher: University of Chicago Press ISBN: 022680769X Category : Philosophy Languages : en Pages : 403
Book Description
"The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."—Alexander Gelley, Library Journal
Author: Marianne Hirsch Publisher: Columbia University Press ISBN: 0231156529 Category : Art Languages : en Pages : 319
Book Description
Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories--multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.
Author: Lucy Bradnock Publisher: Yale University Press ISBN: 0300251033 Category : Art Languages : en Pages : 241
Book Description
This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896-1948). A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics.
Author: JoannaS. Walker
Author: JoannaS. Walker
Author: Joanna S. Walker
Author: Eleanor Heartney
Author: Chloë Julius
Author: Dave Beech
Author: Sylvère Lotringer
Author: Jacques Derrida
Author: Marianne Hirsch
Author: Terry Barrett
Author: Lucy Bradnock