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Author: Jordan Stump Publisher: U of Nebraska Press ISBN: 9780803242685 Category : Literary Criticism Languages : en Pages : 206
Book Description
Naming and Unnaming is a dazzling study that centers on the work of Raymond Queneau, one of the most influential French novelists of the twentieth century. Jordan Stump takes as his subject the many implications?epistemological, political, literary, sometimes even physical?of naming in Queneau?s remarkable novels. From the idea that the names of characters offer a more immediate and perhaps even a more intimate understanding of their souls than we might glean from their words and deeds has grown the broad field of inquiry known as literary onomastics. Stump argues that there is another approach to the literary proper name, one that concentrates not on the meaning of names but on the meaning of the use of those names?the ways in which the characters and narrator of a novel address or refer to others. Naming and Unnaming considers the literary and philosophical implications of names and naming. Stump examines four issues in Queneau?s novels?the nature of writing and of creation in general, the possibility or impossibility of knowledge, the relationship between the individual and the group, and the uses of power and control?in relation to which naming emerges as a force both powerful and utterly impotent. By exploring these forces and their evocation, Stump reveals the complexity of both the act of naming and the novels of Queneau.
Author: Jordan Stump Publisher: U of Nebraska Press ISBN: 9780803242685 Category : Literary Criticism Languages : en Pages : 206
Book Description
Naming and Unnaming is a dazzling study that centers on the work of Raymond Queneau, one of the most influential French novelists of the twentieth century. Jordan Stump takes as his subject the many implications?epistemological, political, literary, sometimes even physical?of naming in Queneau?s remarkable novels. From the idea that the names of characters offer a more immediate and perhaps even a more intimate understanding of their souls than we might glean from their words and deeds has grown the broad field of inquiry known as literary onomastics. Stump argues that there is another approach to the literary proper name, one that concentrates not on the meaning of names but on the meaning of the use of those names?the ways in which the characters and narrator of a novel address or refer to others. Naming and Unnaming considers the literary and philosophical implications of names and naming. Stump examines four issues in Queneau?s novels?the nature of writing and of creation in general, the possibility or impossibility of knowledge, the relationship between the individual and the group, and the uses of power and control?in relation to which naming emerges as a force both powerful and utterly impotent. By exploring these forces and their evocation, Stump reveals the complexity of both the act of naming and the novels of Queneau.
Author: Jean Abbott Publisher: ISBN: Category : Names, English (Old), in literature Languages : en Pages : 226
Book Description
Personal names, particularly historical ones, have long been subject to the unconscious biases of the modern scholars who study them. As a result, existing studies of Old English names have focused primarily on onomastic functions that are readily legible for modern readers, treating names as inter- and extratextual links, purveyors of etymological resonances, and, above all, referential labels for characters. In contrast, this dissertation investigates the ways in which the early medieval English experience of naming might diverge from modern expectations, using case studies and close textual analysis to explore what it means to read an Old English name—or any name—on its own terms. In the process, these case studies reveal a persistent anxiety about names that fail to perform their functions, a failure that leads to an utter onomastic negation discussed here as "un-naming." Chapters 1 and 2 are dedicated to Beowulf, the most well-studied Old English text and also one of the most onomastically dense. Chapter 1 challenges the assumption that names function primarily in a referential way, arguing that each instance of naming in this poem also becomes a means of signaling connection in its own right. Shifting to examine connectedness at the level of character, Chapter 2 recasts Beowulf's network of names as a means of controlling and containing anonymity, a measure that fails spectacularly when the anonymous, unconnected—and therefore un-named—dragon endangers not only the named social network within the poem, but also the audience outside of it. Chapter 3 explores the grammar of "being" and "calling" names in the Old English language, investigating the literary consequences of these naming strategies in a number of poems in the Exeter Book. While the "called" solutions of the Exeter Book Riddles help to construct the sense that an object inhabits its own proper place in the world, the prospect of "being" the names and pseudo-names in Deor, Wulf and Eadwacer, Widsith, and The Wanderer can lead to a horrifically indefinite, un-named existence. Finally, Chapter 4 argues that the names of the eponymous interlocutors of the Solomon and Saturn dialogue tradition act as a way of framing, authorizing, and otherwise containing the texts' "transgressive" qualities—a containment that ultimately shatters in Solomon and Saturn II when the monumental "Solomon" and "Saturn" who frame and authorize this dialogue split from the "Solomon" and "Saturn" who address each other as individuals. Together, these case studies demonstrate the stakes and consequences of naming in Old English literature, while also providing a model for more self-conscious and more deeply-contextualized inquiry into the meaning and function of literary personal names.
Author: Jean Abbott Publisher: ISBN: Category : Languages : en Pages :
Book Description
Personal names, particularly historical ones, have long been subject to the unconscious biases of the modern scholars who study them. As a result, existing studies of Old English names have focused primarily on onomastic functions that are readily legible for modern readers, treating names as inter- and extratextual links, purveyors of etymological resonances, and, above all, referential labels for characters. In contrast, this dissertation investigates the ways in which the early medieval English experience of naming might diverge from modern expectations, using case studies and close textual analysis to explore what it means to read an Old English name--or any name--on its own terms. In the process, these case studies reveal a persistent anxiety about names that fail to perform their functions, a failure that leads to an utter onomastic negation discussed here as "un-naming." Chapters 1 and 2 are dedicated to Beowulf, the most well-studied Old English text and also one of the most onomastically dense. Chapter 1 challenges the assumption that names function primarily in a referential way, arguing that each instance of naming in this poem also becomes a means of signaling connection in its own right. Shifting to examine connectedness at the level of character, Chapter 2 recasts Beowulf's network of names as a means of controlling and containing anonymity, a measure that fails spectacularly when the anonymous, unconnected--and therefore un-named--dragon endangers not only the named social network within the poem, but also the audience outside of it. Chapter 3 explores the grammar of "being" and "calling" names in the Old English language, investigating the literary consequences of these naming strategies in a number of poems in the Exeter Book. While the "called" solutions of the Exeter Book Riddles help to construct the sense that an object inhabits its own proper place in the world, the prospect of "being" the names and pseudo-names in Deor, Wulf and Eadwacer, Widsith, and The Wanderer can lead to a horrifically indefinite, un-named existence. Finally, Chapter 4 argues that the names of the eponymous interlocutors of the Solomon and Saturn dialogue tradition act as a way of framing, authorizing, and otherwise containing the texts' "transgressive" qualities--a containment that ultimately shatters in Solomon and Saturn II when the monumental "Solomon" and "Saturn" who frame and authorize this dialogue split from the "Solomon" and "Saturn" who address each other as individuals. Together, these case studies demonstrate the stakes and consequences of naming in Old English literature, while also providing a model for more self-conscious and more deeply-contextualized inquiry into the meaning and function of literary personal names.
Author: Alexandra Watkins Publisher: Berrett-Koehler Publishers ISBN: 1626561885 Category : Business & Economics Languages : en Pages : 96
Book Description
Every year, 6 million companies and more than 100,000 products are launched. They all need an awesome name, but many (such as Xobni, Svbtle, and Doostang) look like the results of a drunken Scrabble game. In this entertaining and engaging book, ace naming consultant Alexandra Watkins explains how anyone—even noncreative types—can create memorable and buzz-worthy brand names. No degree in linguistics required. The heart of the book is Watkins's proven SMILE and SCRATCH Test—two acronyms for what makes or breaks a name. She also provides up-to-date advice, like how to make sure that Siri spells your name correctly and how to nab an available domain name. And you'll see dozens of examples—the good, the bad, and the “so bad she gave them an award.” Alexandra Watkins is not afraid to name names.
Author: Michelle Bonzcek Evory Publisher: Open Suny Textbooks ISBN: 9781942341505 Category : Languages : en Pages : 190
Book Description
Naming the Unnameable: An Approach to Poetry for the New Generation assembles a wide range of poetry from contemporary poets, along with history, advice, and guidance on the craft of poetry. Informed by a consideration to the psychology of invention, Michelle Bonczek Evory¿s writing philosophy emphasizes both spontaneity and discipline, teaching students how to capture the chaos in our memories, imagination, and bodies with language, and discovering ways to mold them into their own cosmos, sculpt them like clay on a page. Exercises aim to make writing a form of play in its early stages that gives way to more enriching insights through revision, embracing the writing of poetry as both a love of language and a tool that enables us to explore ourselves and understand the world. Naming the Unnameable promotes an understanding of poetry as a living art and provides ways for students to involve themselves in the growing contemporary poetry community that thrives in America today.
Author: Jordan Stump
Author: Jordan Stump
Author: Kate E Tunstall
Author: Jean Abbott
Author: Jean Abbott
Author: Alexandra Watkins
Author: Agata Michalowska
Author: Michelle Bonzcek Evory
Author: George R. Stewart
Author: Alexander McQueen
Author: Jeff Truman