Author: Gaëtan PiconPublisher: Editions Gallimard
ISBN:
Category : Painting, French
Languages : fr
Pages : 248
Book Description
1863, naissance de la peinture moderne
Author: Gaëtan PiconPublisher: Editions Gallimard
ISBN:
Category : Painting, French
Languages : fr
Pages : 248
Book Description
Naissances de la peinture moderne
Author: Yvon TaillandierPublisher:
ISBN:
Category : Art, Modern
Languages : fr
Pages : 148
Book Description
Mil huit cent soixante trois
Author: Gaëtan PiconDix-huit cent soixante-trois
Author: Gaëtan PiconLa naissance de la peinture moderne de l'academisme à l'aube du XXème siècle
Author: Jean-Louis FaureHistoire de la peinture moderne
Author: Histoire de la peinture moderne: De Baudelaire à Bonnard; naissance d'une vision nouvelle
Author: Maurice Raynal"Painting, Politics and the Struggle for the ?ole de Paris, 1944?964 "
Author: Natalie AdamsonPublisher: Routledge
ISBN: 1351555189
Category : Art
Languages : en
Pages : 331
Book Description
Painting, Politics and the Struggle for the ?ole de Paris, 1944-1964 is the first book dedicated to the postwar or 'nouvelle' ?ole de Paris. It challenges the customary relegation of the ?ole de Paris to the footnotes, not by arguing for some hitherto 'hidden' merit for the art and ideas associated with this school, but by establishing how and why the ?ole de Paris was a highly significant vehicle for artistic and political debate. The book presents a sustained historical study of how this 'school' was constituted by the paintings of a diverse group of artists, by the combative field of art criticism, and by the curatorial policies of galleries and state exhibitions. By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, the book traces the artists, exhibitions, and art critical debates that made the ?ole de Paris a zone of aesthetic and political conflict. Through setting the ?ole de Paris into its artistic, social, and political context, Natalie Adamson demonstrates how it functioned as the defining force in French postwar art in its defence of the tradition of easel painting, as well as an international point of reference for the expansion of modernism. In doing so, she presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in France during the two decades following World War II.
Author: Maurice Raynal
Author: Maurice Raynal