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Author: Giuseppe Verdi Publisher: Glissato Edizioni Musicali ISBN: 8835890926 Category : Music Languages : en Pages : 95
Book Description
"Nabucco" (overture) by Giuseppe Verdi arranged for Flexible Low Brass Quartet (advanced level) by Francesco Leone. Score and Parts (10): 1.Euphonium / Trombone (bass clef), Eb and F Horn , Bb Baritone (treble clef). 2.Euphonium / Trombone (bass clef) Eb and F Horn , Bb Baritone (treble clef). 3.Euphonium / Trombone/ Eb- F Tuba. 4.Euphonium / BassTrombone/ Tuba. Audio demo available on www.glissato.it. ________________ "Nabucco" (ouverture) arrangiamento per Quartetto di Ottoni gravi. Partitura e Parti (10) .
Author: Giuseppe Verdi Publisher: Glissato Edizioni Musicali ISBN: 8835890926 Category : Music Languages : en Pages : 95
Book Description
"Nabucco" (overture) by Giuseppe Verdi arranged for Flexible Low Brass Quartet (advanced level) by Francesco Leone. Score and Parts (10): 1.Euphonium / Trombone (bass clef), Eb and F Horn , Bb Baritone (treble clef). 2.Euphonium / Trombone (bass clef) Eb and F Horn , Bb Baritone (treble clef). 3.Euphonium / Trombone/ Eb- F Tuba. 4.Euphonium / BassTrombone/ Tuba. Audio demo available on www.glissato.it. ________________ "Nabucco" (ouverture) arrangiamento per Quartetto di Ottoni gravi. Partitura e Parti (10) .
Author: Richard Langham Smith Publisher: Cambridge University Press ISBN: 1108481612 Category : Art Languages : en Pages : 387
Book Description
A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.
Author: F. Noske Publisher: Springer Science & Business Media ISBN: 9401010870 Category : Music Languages : en Pages : 428
Book Description
The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.
Author: Edward W. Said Publisher: Vintage ISBN: 0307829650 Category : Political Science Languages : en Pages : 416
Book Description
A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.
Author: Louis Adolphe Coerne Publisher: E-Kitap Projesi & Cheapest Books ISBN: 6059285422 Category : Music Languages : en Pages : 575
Book Description
It is not the purpose of this work to write a treatise on instrumentation or to prepare a pedagogical analysis of orchestration only, but rather to trace the evolu-tion of the orchestra and of orchestration in connection with the history of music proper. Special emphasis will be laid upon what may be termed the IMPELLING FORCES to which the development of orchestration is due. This necessitates a considerable repetition of familiar facts that do not lend themselves to further original treatment. The restatement of such facts, however, would seem to form an indispensable background for the main theme, which is thereby exposed with all its attending phases of logical evolution. In addition to extended studies of orchestral scores themselves, the standard works of Berlioz, Gevaërt, Riemann, Parry, and others have, as a matter of course, been referred to. The subject under discussion has already been admirably handled by Lavoix in his voluminous work entitled "Histoire de L'Instrumentation," but it was unquestionably done through French glasses, and the scores of not one German romanticist are submitted to careful analysis beyond those of Weber and Wagner. "Parsifal" had not been produced at the time when Lavoix's book went to press, nor had such representative composers as Brahms, Saint-Saëns, Tschaikowsky, Dvorak then won their full meed of recognition. It is obvious, therefore, that the orchestration especially of the nineteenth century offers a fertile field for further profitable research. Again, the present writer is not aware of the existence of any comprehensive work in the English language upon the history of the orchestra and of orchestration. Throughout these pages the achievements of the more prominent composers are set forth in such manner as to indicate not only the distinctive features of their orchestration but of their general creative ability as well. In each case, the general style of composition and its significance as a contribution to musical literature are first enlarged upon. This is followed by an examination of the differentiated treatment of the strings, the wood, the brass, presented in logical sequence. A final analysis is then made of the individual method of orchestration as a whole, together with its relative value in the evolution of orchestration. In the Appendix to this book will be found a few musical illustrations selected from representative orchestral scores. LOUIS ADOLPHE COERNE. Cambridge, Massachusetts, U.S.A. April 30, 1905.
Author: Giuseppe Verdi
Author: Giuseppe Verdi
Author: Luigi Bassi
Author: Richard Langham Smith
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Author: F. Noske
Author: James M. Trotter
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Author: Edward W. Said
Author: Louis Adolphe Coerne
Author: Peter M. Cooke