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Author: Paul A. Trout Publisher: Prometheus Books ISBN: 1616145021 Category : Nature Languages : en Pages : 316
Book Description
In this illuminating and evocative exploration of the origin and function of storytelling, the author goes beyond the work of mythologist Joseph Campbell, arguing that mythmaking evolved as a cultural survival strategy for coping with the constant fear of being killed and eaten by predators. Beginning nearly two million years ago in the Pleistocene era, the first stories, Trout argues, functioned as alarm calls, warning fellow group members about the carnivores lurking in the surroundings. At the earliest period, before the development of language, these rudimentary "stories" would have been acted out. When language appeared with the evolution of the ancestral human brain, stories were recited, memorized, and much later written down as the often bone-chilling myths that have survived to this day. This book takes the reader through the landscape of world mythology to show how our more recent ancestors created myths that portrayed animal predators in four basic ways: as monsters, as gods, as benefactors, and as role models. Each incarnation is a variation of the fear-management technique that enabled early humans not only to survive but to overcome their potentially incapacitating fear of predators. In the final chapter, Trout explores the ways in which our visceral fear of predators is played out in the movies, where both animal and human predators serve to probe and revitalize our capacity to detect and survive danger. Anyone with an interest in mythology, archaeology, folk tales, and the origins of contemporary storytelling will find this book an exciting and provocative exploration into the natural and psychological forces that shaped human culture and gave rise to storytelling and mythmaking.
Author: Paul A. Trout Publisher: Prometheus Books ISBN: 1616145021 Category : Nature Languages : en Pages : 316
Book Description
In this illuminating and evocative exploration of the origin and function of storytelling, the author goes beyond the work of mythologist Joseph Campbell, arguing that mythmaking evolved as a cultural survival strategy for coping with the constant fear of being killed and eaten by predators. Beginning nearly two million years ago in the Pleistocene era, the first stories, Trout argues, functioned as alarm calls, warning fellow group members about the carnivores lurking in the surroundings. At the earliest period, before the development of language, these rudimentary "stories" would have been acted out. When language appeared with the evolution of the ancestral human brain, stories were recited, memorized, and much later written down as the often bone-chilling myths that have survived to this day. This book takes the reader through the landscape of world mythology to show how our more recent ancestors created myths that portrayed animal predators in four basic ways: as monsters, as gods, as benefactors, and as role models. Each incarnation is a variation of the fear-management technique that enabled early humans not only to survive but to overcome their potentially incapacitating fear of predators. In the final chapter, Trout explores the ways in which our visceral fear of predators is played out in the movies, where both animal and human predators serve to probe and revitalize our capacity to detect and survive danger. Anyone with an interest in mythology, archaeology, folk tales, and the origins of contemporary storytelling will find this book an exciting and provocative exploration into the natural and psychological forces that shaped human culture and gave rise to storytelling and mythmaking.
Author: William J. Dominik Publisher: BRILL ISBN: 9789004099722 Category : Literary Criticism Languages : en Pages : 228
Book Description
This critical study of Statius' "Thebaid" focuses on the central theme of power how it is exercised on the supernatural and human levels, the consequences of its pursuit and abuse in terms of the human condition, and the question of its contemporary relevance.
Author: James E. Combs Publisher: Routledge ISBN: 1317928997 Category : Performing Arts Languages : en Pages : 257
Book Description
Collecting together some of the best thinking about the relationship between movies and politics, this book, originally published in 1993, encourages an awareness of the political dimension of film, both for film scholars and those entering the film industry. Eight essays are grouped into four parts addressing political ideology and movie narrative, political myth in the movies, political history and movie culture, and political communication and the movies. An introductory essay, as well as prefatory remarks to each of the four parts, brings additional insight and perspective and puts the essays into context.
Author: Jason Bulmahn Publisher: Paizo Incorporated ISBN: 9781601255495 Category : Games & Activities Languages : en Pages : 0
Book Description
"Based on the original roleplaying game rules designed by Gary Gygax and Dave Arneson and inspired by the third edition of the game designed by Monte Cook, Jonathan Tweet, Skip Williams, Richard Baker, and Peter Adkison"--Title page verso.
Author: Tracy McNulty Publisher: Columbia University Press ISBN: 0231161182 Category : Political Science Languages : en Pages : 322
Book Description
Wrestling with the Angel is a meditation on contemporary political, legal, and social theory from a psychoanalytic perspective. It argues for the enabling function of formal and symbolic constraints in sustaining desire as a source of creativity, innovation, and social change. The book begins by calling for a richer understanding of the psychoanalytic concept of the symbolic and the resources it might offer for an examination of the social link and the political sphere. The symbolic is a crucial dimension of social coexistence but cannot be reduced to the social norms, rules, and practices with which it is so often collapsed. As a dimension of human life that is introduced by language—and thus inescapably “other” with respect to the laws of nature—the symbolic is an undeniable fact of human existence. Yet the same cannot be said of the forms and practices that represent and sustain it. In designating these laws, structures, and practices as “fictions,” Jacques Lacan makes clear that the symbolic is a dimension of social life that has to be created and maintained and that can also be displaced, eradicated, or rendered dysfunctional. The symbolic fictions that structure and support the social tie are therefore historicizable, emerging at specific times and in particular contexts and losing their efficacy when circumstances change. They are also fragile and ephemeral, needing to be renewed and reinvented if they are not to become outmoded or ridiculous. Therefore the aim of this study is not to call for a return to traditional symbolic laws but to reflect on the relationship between the symbolic in its most elementary or structural form and the function of constraints and limits. McNulty analyzes examples of “experimental” (as opposed to “normative”) articulations of the symbolic and their creative use of formal limits and constraints not as mere prohibitions or rules but as “enabling constraints” that favor the exercise of freedom. The first part examines practices that conceive of subjective freedom as enabled by the struggle with constraints or limits, from the transference that structures the “minimal social link” of psychoanalysis to constrained relationships between two or more people in the context of political and social movements. Examples discussed range from the spiritual practices and social legacies of Moses, Jesus, and Teresa of Avila to the political philosophy of Hannah Arendt and Jacques Rancière. The second part is devoted to legal and political debates surrounding the function of the written law. It isolates the law’s function as a symbolic limit or constraint as distinct from its content and representational character. The analysis draws on Mosaic law traditions, the political theology of Paul, and twentieth-century treatments of written law in the work of Carl Schmitt, Walter Benjamin, Sigmund Freud, Pierre Legendre, and Alain Badiou. In conclusion, the study considers the relationship between will and constraint in Kant’s aesthetic philosophy and in the experimental literary works of the collective Oulipo.
Author: Selina Fenech Publisher: Fairies and Fantasy Pty, Limited ISBN: 9780987151179 Category : Art Languages : en Pages : 60
Book Description
Goddesses and gods, kings and queens, knights and maidens, and creatures of lore and fable. A soft cover collection of Selina Fenech's mythology themed artworks. Includes lush, full page reprints of Fenech's artworks, sketchbook images, plus information and insight into the creation of each work. 60 pages.
Author: Annie Connole Publisher: Chin Music Press ISBN: 1634050266 Category : Poetry Languages : en Pages : 122
Book Description
Traversing the wild landscapes of the American West, prose and photography combine to create a lucid, dream-like vision of visitations and allegorical animal encounters with Snake, Owl, and Dragonfly, among others. The Spring tells a stirring, elegiac tale of death, love, rebirth, survival, and resilience.
Author: Jean-Michel Rabaté Publisher: Cambridge University Press ISBN: 110704054X Category : History Languages : en Pages : 297
Book Description
1922: Literature, Culture, Politics examines key aspects of culture and history in 1922, a year made famous by the publication of several modernist masterpieces, such as T.S. Eliot's The Waste Land and James Joyce's Ulysses. Individual chapters written by leading scholars offer new contexts for the year's significant works of art, philosophy, politics, and literature. 1922 also analyzes both the political and intellectual forces that shaped the cultural interactions of that privileged moment. Although this volume takes post-WWI Europe as its chief focus, American artists and authors also receive thoughtful consideration. In its multiplicity of views, 1922 challenges misconceptions about the "Lost Generation" of cultural pilgrims who flocked to Paris and Berlin in the 1920s, thus stressing the wider influence of that momentous year.
Author: Paul A. Trout
Author: Paul A. Trout
Author: Geoffrey Hill
Author: William J. Dominik
Author: James E. Combs
Author: Jason Bulmahn
Author: Tracy McNulty
Author: Selina Fenech
Author: Annie Connole
Author: Jean-Michel Rabaté
Author: John Bunyan (Spirit)