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Author: Elizabeth B. Davis Publisher: University of Missouri Press ISBN: 0826262155 Category : Literary Criticism Languages : en Pages : 260
Book Description
The first in-depth analysis of some of the most important epic poems of the Spanish Golden Age, Myth and Identity in the Epic of Imperial Spain breathes new life into five of these long- neglected texts. Elizabeth Davis demonstrates that the epic must not be overlooked, for doing so creates a significant gap in one's ability to appraise not only the cultural practice of the imperial age, but also the purest expression of its ideology. Davis's study focuses on heroic poetry written from 1569 to 1611, including Alonso de Ercilla's La Araucana, undeniably the most significant epic poem of its time. Also included are Diego de Hojeda's La Christiada, Juan Rufo's La Austriada, . Lope de Vega's Jerusalén Conquistada, and Cristóbal de Virués's Historia del Monserrate. Examining these epics as the major site for the construction of cultural identities and Renaissance nationalist myths, Davis analyzes the means by which the epic constructs a Spanish sense of self. Because this sense of identity is not easily susceptible to direct representation, it is often derived in opposition to an "other," which serves to reaffirm Spanish cultural superiority. The Spanish Christian caballeros are almost always pitted against Amerindians, Muslims, Jews, or other adversaries portrayed as backward or heathen for their cultural and ethnic differences. The pro-Castilian elite of sixteenth-century Spain faced the daunting task of constructing unity at home in the process of expansion and conquest abroad, yet ethnic and regional differences in the Iberian Peninsula made the creation of an imperial identity particularly difficult. The epic, as Davis shows, strains to convey the overriding image of a Spain that appears more unified than the Spanish empire ever truly was. An important reexamination of the Golden Age canon, Myth and Identity in the Epic of Imperial Spain brings a new twist to the study of canon formation. While Davis does not ignore more traditional approaches to the literary text, she does apply recent theories, such as deconstruction and feminist criticism, to these poems, resulting in an innovative examination of the material. Confronting such issues as canonicity, gender, the relationship between literature and Golden Age culture, and that between art and power, this publication offers scholars a new perspective for assessing Golden Age and Transatlantic studies
Author: Elizabeth B. Davis Publisher: University of Missouri Press ISBN: 0826262155 Category : Literary Criticism Languages : en Pages : 260
Book Description
The first in-depth analysis of some of the most important epic poems of the Spanish Golden Age, Myth and Identity in the Epic of Imperial Spain breathes new life into five of these long- neglected texts. Elizabeth Davis demonstrates that the epic must not be overlooked, for doing so creates a significant gap in one's ability to appraise not only the cultural practice of the imperial age, but also the purest expression of its ideology. Davis's study focuses on heroic poetry written from 1569 to 1611, including Alonso de Ercilla's La Araucana, undeniably the most significant epic poem of its time. Also included are Diego de Hojeda's La Christiada, Juan Rufo's La Austriada, . Lope de Vega's Jerusalén Conquistada, and Cristóbal de Virués's Historia del Monserrate. Examining these epics as the major site for the construction of cultural identities and Renaissance nationalist myths, Davis analyzes the means by which the epic constructs a Spanish sense of self. Because this sense of identity is not easily susceptible to direct representation, it is often derived in opposition to an "other," which serves to reaffirm Spanish cultural superiority. The Spanish Christian caballeros are almost always pitted against Amerindians, Muslims, Jews, or other adversaries portrayed as backward or heathen for their cultural and ethnic differences. The pro-Castilian elite of sixteenth-century Spain faced the daunting task of constructing unity at home in the process of expansion and conquest abroad, yet ethnic and regional differences in the Iberian Peninsula made the creation of an imperial identity particularly difficult. The epic, as Davis shows, strains to convey the overriding image of a Spain that appears more unified than the Spanish empire ever truly was. An important reexamination of the Golden Age canon, Myth and Identity in the Epic of Imperial Spain brings a new twist to the study of canon formation. While Davis does not ignore more traditional approaches to the literary text, she does apply recent theories, such as deconstruction and feminist criticism, to these poems, resulting in an innovative examination of the material. Confronting such issues as canonicity, gender, the relationship between literature and Golden Age culture, and that between art and power, this publication offers scholars a new perspective for assessing Golden Age and Transatlantic studies
Author: Efraim Sicher Publisher: Lexington Books ISBN: 1498527795 Category : Religion Languages : en Pages : 323
Book Description
A new approach to thinking about the representation of the Other in Western society, The Jew’s Daughter: A Cultural History of a Conversion Narrative offers an insight into the gendered difference of the Jew. Focusing on a popular narrative of “The Jew’s Daughter,” which has been overlooked in conventional studies of European anti-Semitism, this innovative study looks at canonical and neglected texts which have constructed racialized and sexualized images that persist today in the media and popular culture. The book goes back before Shylock and Jessica in TheMerchant of Venice and Isaac and Rebecca in Ivanhoe to seek the answers to why the Jewish father is always wicked and ugly, while his daughter is invariably desirable and open to conversion. The story unfolds in fascinating transformations, reflecting changing ideological and social discourses about gender, sexuality, religion, and nation that expose shifting perceptions of inclusion and exclusion of the Other. Unlike previous studies of the theme of the Jewess in separate literatures, Sicher provides a comparative perspective on the transnational circulation of texts in the historical context of the perception of both Jews and women as marginal or outcasts in society. The book draws on examples from the arts, history, literature, folklore, and theology to draw a complex picture of the dynamics of Jewish-Christian relations in England, France, Germany, and Eastern Europe from 1100 to 2017. In addition, the responses of Jewish authors illustrate a dialogue that has not always led to mutual understanding. This ground-breaking work will provoke questions about the history and present state of prejudiced attitudes in our society.
Author: Oliver J. Noble-Wood Publisher: OUP Oxford ISBN: 0191016993 Category : Literary Criticism Languages : en Pages : 247
Book Description
A Tale Blazed Through Heaven examines developments in the representation of the classical tale of Mars, Venus, and Vulcan in the literature and painting of the Golden Age of Spain (c.1526-1681). Anchored in close analysis of individual primary texts, the five chapters that comprise this study assess how poets and painters breathed new life into the tale inherited from Homer, Ovid, and others, examining some of the ways in which the story of Mars, Venus, and Vulcan was disguised, developed, expanded, mocked, combined with or played off against different subjects, or otherwise modified in order to pique the interest of successive generations of readers and viewers. Each chapter discusses what particular changes and shifts in emphasis reveal about the tale itself, specific renderings, the aims and intentions of individual poets and painters, and the wider context of the literary and visual culture of Early Modern Spain. Discussing a range of poems by both canonical (Garcilaso de la Vega, Luis de Góngora, Lope de Vega, etc.) and less well-known writers (Juan de la Cueva, Alonso de Castillo Solórzano, Salvador Jacinto Polo de Medina, etc.), and culminating in detailed examination of select mythological works by Philip IV's court painter, Diego Velázquez, this book sheds light on questions relating to aspects of classical reception in the Renaissance, the rise of specific poetic styles (epic, mock-epic, burlesque, etc.), the interplay between the sister arts of poetry and painting, and the continual process of imitation and invention that was one of the defining features of the Spanish Golden Age.
Author: Melanie Henry Publisher: MHRA ISBN: 1781880026 Category : Literary Criticism Languages : en Pages : 182
Book Description
The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic offers a comprehensive analysis of all eight of Cervantes's Ocho comedias (published 1615), moving beyond conventional anti-Lope approaches to Cervantine dramatic practise in order to identify what, indeed, his theatre promotes. Considered on its own aesthetic terms, but also taking into account ontological and socio-cultural concerns, this study compels a re-assessment of Cervantes's drama and conflates any monolithic interpretations which do not allow for the textual interplay of contradictory and conflicting discourses which inform it. Cervantes's complex and polyvalent representation of freedom underpins such an approach; a concept which is considered to be a leitmotif of Cervantes's work but which has received scant attention with regards to his theatre. Investigation of this topic reveals not only Cervantes's rejection of established theatrical convention, but his preoccupation with the difficult relationship between the individual and the early modern Spanish world. Cervantes's comedias emerge as a counter-perspective to dominant contemporary Spanish ideologies and more orthodox artistic imaginings. Ultimately, The Signifying Self seeks to recuperate the Ocho comedias as a significant part of the Cervantine, and Golden-Age, canon and will be of interest and benefit to those scholars who work on Cervantes and indeed on early modern Spanish theatre in general.
Author: Celia López-Chávez Publisher: University of Oklahoma Press ISBN: 0806155221 Category : History Languages : en Pages : 321
Book Description
First published in 1569, La Araucana, an epic poem written by the Spanish nobleman Alonso de Ercilla, valorizes the Spanish conquest of Chile in the sixteenth century. Nearly a half-century later in 1610, Gaspar de Villagrá, Mexican-born captain under Juan de Oñate in New Mexico, published Historia de la Nueva México, a historical epic about the Spanish subjugation of the indigenous peoples of New Mexico. In Epics of Empire and Frontier—a deft cultural, ethnohistorical reading of these two colonial epics, both of which loom large in the canon of Spanish literature—Celia López-Chávez reveals new ways of thinking about the themes of empire and frontier. Employing historical and literary analysis that goes from the global to the regional, and from the sixteenth to the twenty-first centuries, López-Chávez considers Ercilla and Villagrá not only as writers but as citizens and subjects of the powerful Spanish empire. Although frontiers of conquest have always been central to the regional histories of the Americas, this is the first work to approach the subject through epic poetry and the main events in the poets’ lives. López-Chávez also investigates the geographical spaces and landmarks where the conquests of Chile and New Mexico took place, the natural landscape of each area as both the Spanish and the natives saw it, and the characteristics of the expeditions in both regions, with special attention to the violence of the invasions. In her discussion of law, geography, and frontier, López-Chávez carries the poems’ firsthand testimony on the political, cultural, and social resistance of indigenous people into present-day debates about regional and national identity. An interdisciplinary, comparative postcolonial interpretation of the history found in two poetic narratives of conquest, Epics of Empire and Frontier brings fresh understanding to the role that poetry plays in regional and national memory and culture.
Author: Aaron M. Kahn Publisher: Cambridge Scholars Publishing ISBN: 1443834173 Category : Literary Criticism Languages : en Pages : 250
Book Description
With the rise of nationalism, and with it the nation-state in the fifteenth and sixteenth centuries, so arose new polemical issues. As the Spanish Empire expanded in the sixteenth century, theologians, jurists, artists and politicians commented on the morality and legitimacy of the imperial enterprise. With the increase in power of successive Spanish sovereigns from the Catholic Monarchs to Philip II (1556–98), followed by the decadence of the state through the reign of Charles II (1665–1700), political participants and observers alike put their thoughts on paper for mass dissemination. The study of epic poetry, poetry, drama, novels, rhetoric, imperial administrative documents and religion, reveals a plethora of means by which these people conveyed thoughts and opinions, often negatively critical, concerning Spain’s monarchs, their imperial policies, the Catholic Church, the role of the nobility in government, and societal limitations. Providing innovative literary interpretations and revealing newly-discovered archival material, experts from US and UK universities have contributed original scholarly studies to this volume which delve deeper than academia has thus far into the operations of imperial Spain and the reactions of the people of the time. Studying works by the likes of Alonso de Ercilla, Juan de la Cueva, Miguel de Cervantes, Lope de Vega, Francisco de Quevedo, and Calderón de la Barca, among others, On Wolves and Sheep explores the various methods used in the Spanish Golden Age to voice political opinions and ideas.
Author: Kimberly Lynn Publisher: Cambridge University Press ISBN: 1316785238 Category : History Languages : en Pages : 427
Book Description
Iberia stands at the center of key trends in Atlantic and world histories, largely because Portugal and Spain were the first European kingdoms to 'go global'. The Early Modern Hispanic World engages with new ways of thinking about the early modern Hispanic past, as a field of study that has grown exponentially in recent years. It focuses predominantly on questions of how people understood the rapidly changing world in which they lived - how they defined, visualized, and constructed communities from family and city to kingdom and empire. To do so, it incorporates voices from across the Hispanic World and across disciplines. The volume considers the dynamic relationships between circulation and fixedness, space and place, and how new methodologies are reshaping global history, and Spain's place in it.
Author: Sizen Yiacoup Publisher: MHRA ISBN: 1907322914 Category : Literary Criticism Languages : en Pages : 170
Book Description
Scholarship on the late medieval and early modern Castilian frontier ballad has tended to fall into two distinct categories: analyses which promote a view of the fronterizo corpus as an instrument of anti-Muslim, nationalist ideology in the service of the Christian Reconquest, or interpretations which favour the perception of the poems as idealizing and distinctly Islamophile in their representations of Granadan Muslims. In this study, Şizen Yiacoup offers readings of the romances fronterizos that take into consideration yet look beyond expressions of cross-cultural hostility or sympathy in order to assess the ways in which the poems recall a process of cultural exchange between Christians and Muslims. An understanding of the relationship between the ballads, their original social setting, and the setting in which they achieved their greatest popularity provides the framework for this interpretation of the poems’ shifting cultural connotations. Accordingly, Yiacoup traces the evolution of their historical and cultural significance as they moved from their origins in the fourteenth and fifteenth centuries, when a Castilian frontier with Islamic Granada was still a reality, into the sixteenth, when this boundary vanished as part of the larger realignment of cultural, territorial and political frontiers of the new ‘Spanish’ empire.
Author: Craig Kallendorf Publisher: Routledge ISBN: 1000460908 Category : History Languages : en Pages : 220
Book Description
The Virgilian Tradition II brings together thirteen essays by historian Craig Kallendorf. The essays present a distinctive approach to the reception of the canonical classical author Virgil, that is focused around the early printed books through which that author was read and interpreted within early modern culture. Using the prefaces, dedicatory letters, and commentaries that accompanied the early modern editions of Virgil’s Eclogues, Georgics, Aeneid, and Appendix Virgiliana, they demonstrate how this paratextual material was used by early readers to develop a more nuanced interpretation of Virgil’s writings than twentieth-century scholars believed they were capable of. The approach developed throughout this volume shows how the emerging field of book history can enrich our understanding of the reception of Greek and Latin authors. This book will appeal to scholars and students of early modern history, as well as those interested in book history and cultural history. (CS 1103).
Author: Elizabeth B. Davis
Author: Elizabeth B. Davis
Author: Efraim Sicher
Author: Oliver J. Noble-Wood
Author: Melanie Henry
Author: Celia López-Chávez
Author: Aaron M. Kahn
Author: Kimberly Lynn
Author: Sizen Yiacoup
Author: Anthony J. Cascardi
Author: Craig Kallendorf