"Musique Dansante" and the Art of Ballet PDF Download

Author: Rebecca Amie Schwartz-Bishir
Publisher:
ISBN:
Category :
Languages : en
Pages : 446

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Book Description

Author: Katherine Teck
Publisher: Praeger
ISBN: 0313263760
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
Teck explores the creation and performance of music for ballet, modern concert dance, and musical theater dance in 20th-century America. The author writes from her perspective as a professional musician with a graduate degree in composition and extensive experiences as an accompanist for dance. Dividing her study into four sections (Creation, Performance, Silent Artists Speak, and Toward the Future), Teck investigates issues that arise in music and dance collaborations. She presents personal interviews with composers, choreographers, conductors, and performers of both music and dance along with her own reflections on a number of interesting and rarely addressed issues. Two of the most engaging are `What is musicality in a dancer?' and `How does one obtain new music for choreography?' Choice Music is the most constant partner for the dancer in America today, yet it is often the one least written about, least understood, and most challenging to work with effectively. This book is an exploration of contemporary musical collaboration for the dance in 20th century America. It offers an overview of music for theatrical dance in both the creative collaboration and performance of ballet, modern dance, and show styles. Written to be understandable to most theater-goers, this engaging study is based on exclusive personal interviews with outstanding artists in the field of dance, including choreographers, composers, instrumental performers, and dancers themselves, and it presents information that will be helpful to students and professionals as well. Focusing on some of the more practical aspects of music and dance production, the book addresses a number of important questions, such as how choreographers choose music for their dances, how composers know what to write for a ballet, how conductors accommodate the needs of dancers, what dancers need to know about music, what musicality is in a dancer, and how electronic sound technology has been used artistically for dance. Music for the Dance deals with the creative collaborations of choreographers and composers, elements of musical performance, the aesthetics and experiences of dancers in regard to music, the musical training of dancers, and current trends in theatrical dance music. It examines, through the experiences of practicing professionals, the various relationships of sound and movement, and presents a broad view of the art of dance as it is today. This definitive work will be read with interest by dance students and teachers, musicians, theater goers, and patrons and managers of dance companies and arts organizations.

Author: Edward Ferrero
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 290

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Book Description

Author: Friedrich Albert Zorn
Publisher: Boston, Mass. : Heintzemann Press
ISBN:
Category : Ballet
Languages : en
Pages : 328

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Book Description
The first edition of Zorn's book was published in Leipzig in 1887 under the title Grammatik der Tanzkunst; later it was translated into English and Russian. Through text and Zorn's innovative dance notation system, the manual covers positions of the feet, preparatory exercises, arm movements, and step terminology of mid-nineteenth-century ballet. Several quadrille figures are notated as well as the minuet, gavotte, and numerous waltz, polka, and galop steps. A volume of music that includes over one hundred melodies to accompany the steps, exercise, and dances accompanies this edition.

Author: Friedrich Albert Zorn
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 48

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Author: Friedrich Albert Zorn
Publisher: Princeton Book Company Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 48

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Book Description

Author: Kellom Tomlinson
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 159

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Book Description

Author: Edward Ferrero
Publisher: Brown Press
ISBN: 1445531518
Category :
Languages : en
Pages : 284

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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Author: Beth Genné
Publisher: Oxford University Press
ISBN: 0195382188
Category : Music
Languages : en
Pages : 377

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Book Description
Traces the history of famous Hollywood collaborations as the palimpsest of dance, film, and musical techniques were developed over time. Provides lively and necessary scholarship for all dance enthusiasts

Author: Fedor Lopukhov
Publisher: Univ of Wisconsin Press
ISBN: 9780299182748
Category : Music
Languages : en
Pages : 248

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Book Description
Although little-known in the West, Fedor Lopukhov was a leading figure in Russia's dance world for more than sixty years and an influence on many who became major figures in Western dance, such as George Balanchine. As a choreographer, he staged the first post-revolutionary productions of traditional ballets like Swan Lake and The Sleeping Beauty as well as avant-garde and experimental works, including Dance Symphony, Bolt, and a highly controversial version of The Nutcracker. This first publication in English of Lopukhov's theoretical writings will give readers a clear understanding of his seminal importance in dance history and illuminate his role in the development of dance as a nonnarrative, musically based form. These writings present the rationale behind Lopukhov's attempt to develop a "symphonic" ballet that would integrate the formal and expressive elements of dance and music. They also show his finely detailed knowledge of the classical heritage and his creative efforts to transmit major works to future generations. This edition explains not only the making of his own controversial Dance Symphony but also the issues he saw at stake in productions of Giselle, The Sleeping Beauty, and other key works by Petipa and Fokine. Lopukhov's writings argue the details of choreographic devices with an unusual degree of precision, and his comments on composers and the musical repertoire used by his predecessors and contemporaries are equally revealing. Stephanie Jordan's introduction deftly situates these writings within the context of Lopukhov's life and career and in relation to the theories, aesthetics, and practices of dance in the twentieth century.