The Theories of Claude Debussy, Musicien Français PDF Download

Author: Léon Vallas
Publisher: London : Oxford
ISBN:
Category : Musical criticism
Languages : en
Pages : 214

View

Book Description

Author: Gail E. Nelson
Publisher:
ISBN:
Category :
Languages : en
Pages : 88

View

Book Description

Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0190681519
Category : Music
Languages : en
Pages : 505

View

Book Description
In Renegotiating French Identity, Jane Fulcher addresses the question of cultural resistance to the German occupation and Vichy regime during the Second World War. Nazi Germany famously stressed music as a marker of national identity and cultural achievement, but so too did Vichy. From the opera to the symphony, music did not only serve the interests of Vichy and German propaganda: it also helped to reveal the motives behind them, and to awaken resistance among those growing disillusioned by the regime. Using unexplored Resistance documents, from both the clandestine press and the French National Archives, Fulcher looks at the responses of specific artists and their means of resistance, addressing in turn Pierre Schaeffer, Arthur Honegger, Francis Poulenc, and Olivier Messiaen, among others. This book investigates the role that music played in fostering a profound awareness of the cultural and political differences between conflicting French ideological positions, as criticism of Vichy and its policies mounted.

Author: James R. Anthony
Publisher: Hal Leonard Corporation
ISBN: 9781574670219
Category : Music
Languages : en
Pages : 604

View

Book Description
First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.

Author: Pierre Capelle
Publisher:
ISBN:
Category :
Languages : en
Pages : 892

View

Book Description

Author: Helen Julia Minors
Publisher: Routledge
ISBN: 1351331094
Category : Music
Languages : en
Pages : 243

View

Book Description
This book appraises the contribution of Paul Dukas (1865–1935) to a wide variety of French musical practices. As a composer, critic, artistic collaborator and teacher, Dukas was central to the fin de siècle and early twentieth-century Paris musical scene (and more broadly to the French scene). Significantly, his compositional style mediated tradition through the modern language of his present, while his critical writings pioneered a new mode of musical discourse in the French press. Of further interest are Dukas’s professional relationships with iconic figures such as Gabriel Fauré and Claude Debussy, and his role in fostering the next generation of French composers. In addition to mentoring famous names such as Olivier Messiaen and Tony Aubin, he staunchly supported his female students, notably Elsa Barraine, Claude Arrieu and Yvonne Desportes. This unique essay collection offers a panoramic perspective on a comparatively neglected French musician. Paul Dukas: Legacies of a French Musician traces two aspects of his work: Part I treats Dukas as a composer, thinker and artistic collaborator; Part II constructs his intellectual legacy as seen in his creative and pedagogic endeavours. This book is essential reading for anyone interested in fin de siècle and early twentieth-century French music, women in French music, music criticism and composition education in the Paris Conservatoire.

Author: Robert Koenig (Linguiste.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 336

View

Book Description

Author: Michael R Bundy
Publisher: Troubador Publishing Ltd
ISBN: 1788037332
Category : Music
Languages : en
Pages : 600

View

Book Description
sions of Eternity is the companion volume to Prophets without Honour (Matador, 2011) which explored the forgotten mélodies of Charles-Marie Widor, Louis Vierne and Charles Tournemire. The present work continues that study but with regard to the largely unknown choral works and operas by these same composers: it also expands upon the mores of Parisian Musical society, 1870-1939, and discusses in greater detail than before the prevalent influences and restrictions, which might have had a bearing on a young composer. Widor’s printed and unpublished works are discussed, as are those of his pupil Louis Vierne alongside a more detailed, and possibly provocative, discussion of the latter’s life and loves, and their relevance to that composer’s compositions. His completely unknown ‘cantate lyrique’ Praxinoë is also revealed. The greater part of Visions of Eternity is given over to a discussion of the influences that affected another of Widor’s pupils, Charles Tournemire, in both temporal and theological terms. His individual musical language, discussing both his use of traditional Latin and Indian chants, quixotic character and amours are also investigated. This is a book of great musical relevance, for it deals with composers and issues which greatly influenced later French musicians, particularly Maurice Duruflé, Jean Yves Daniel-Lesur, Jean Langlais and Olivier Messiaen: these, in turn, passed their knowledge to more contemporary composers. Whilst this book has been researched in great depth, its content is delivered with a light, occasionally humorous touch. This is not a dry, academic work, but one for both the cognoscenti and enthusiast alike.

Author: Graham Johnson
Publisher: Oxford : Oxford University Press
ISBN: 9780199249664
Category : Music
Languages : en
Pages : 572

View

Book Description
A French Song Companion is an indispensable guide to the modern repertoire and the most comprehensive book of French melodie in any language. Noted accompanist Graham Johnson provides repertoire guides to the work of over 150 composers--the majority of them from France but including British, American, German, Spanish, and Italian musicians who have written French vocal music. The book contains major articles on Faure, Duparc, Debussy, Ravel, and Poulenc, as well as essays on Bizet, Chabrier, Gounod, Chausson, Hahn, and Satie, and important reassessments of such composers as Massenet, Koechlin, and Leguerney. The book combines these articles with the complete texts in English of over 700 songs, all translated by Richard Stokes, making it also a treasury of French poetry from the fifteenth through the twentieth centuries. The translations alone will prove invaluable to music lovers and performers; combined with the biographical articles, they become the ideal map for exploring this exciting and diverse repertoire.

Author: Jeffrey H. Jackson
Publisher: Duke University Press
ISBN: 0822385082
Category : Music
Languages : en
Pages : 281

View

Book Description
Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbeat, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial. Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France’s most cherished notions of "civilization." At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.