Author: Gerry Bloustien Publisher: Wakefield Press ISBN: 9781862545007 Category : Literary Criticism Languages : en Pages : 182
Book Description
Musical Visions presents a unique way of thinking about and debating the many facets of contemporary popular music. Under the theme of music as sound, image and movement, this book brings together a vibrant range of perspectives.
Author: Heidi Westerlund Publisher: Springer Nature ISBN: 3030210294 Category : Education Languages : en Pages : 224
Book Description
This open access book highlights the importance of visions of alternative futures in music teacher education in a time of increasing societal complexity due to increased diversity. There are policies at every level to counter prejudice, increase opportunities, reduce inequalities, stimulate change in educational systems, and prevent and counter polarization. Foregrounding the intimate connections between music, society and education, this book suggests ways that music teacher education might be an arena for the reflexive contestation of traditions, hierarchies, practices and structures. The visions for intercultural music teacher education offered in this book arise from a variety of practical projects, intercultural collaborations, and cross-national work conducted in music teacher education. The chapters open up new horizons for understanding the tension-fields and possible discomfort that music teacher educators face when becoming change agents. They highlight the importance of collaborations, resilience and perseverance when enacting visions on the program level of higher education institutions, and the need for change in re-imagining music teacher education programs.
Author: Beverley Diamond Publisher: University of Chicago Press ISBN: 9780226144764 Category : Music Languages : en Pages : 248
Book Description
The most comprehensive study ever undertaken of the musical instruments of native people in Northeastern North America, Visions of Sound focuses on interpretations by elders and consultants from Iroquois, Wabanati, Innuat, and Anishnabek communities. Beverley Diamond, M. Sam Cronk, and Franziska von Rosen present these instruments in a theoretically innovative setting organized around such abstract themes as complementarity, twinness, and relationship. As sources of metaphor—in both sound and image—instruments are interpreted within a framework that regards meaning as "emergent" and that challenges a number of previous ethnographic descriptions. Finally, the association between sound and "motion"—an association that illuminates the unity of music and dance and the life cycles of individual musical instruments—is explored. Featuring over two hundred photographs of instruments, dialogues among the coauthors, numerous interviews with individual music makers, and an appended catalogue of over seven hundred instrument descriptions, this is an important book for all ethnomusicologists and students of Native American culture as well as general readers interested in Native American mythology and religious life.
Author: Jack Viertel Publisher: Macmillan + ORM ISBN: 0374711259 Category : Performing Arts Languages : en Pages : 336
Book Description
New York Times Bestseller: “Both revelatory and entertaining . . . Along the way, Viertel provides some fascinating Broadway history.” —The New York Times Book Review Americans invented musicals—and have a longstanding love affair with them. But what, exactly, is a musical? In this book, longtime theatrical producer and writer Jack Viertel takes them apart, puts them back together, sings their praises, and occasionally despairs over their more embarrassing shortcomings. In the process, he shows us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next—by design or by accident, by emulation or by rebellion—from Oklahoma! to Hamilton and onward. Beginning with an overture and concluding with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales, Viertel shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically. The Secret Life of the American Musical makes you feel like you’re there in the rehearsal room, the front row, and the offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast—the Broadway hit. “A valuable addition to the theater lover’s bookshelf. . . . fans will appreciate the dips into memoir and Viertel’s takes on original cast albums.” —Publishers Weekly “Even seasoned hands will come away with a clearer understanding of why some shows work while others flop.” —Commentary “A showstopper . . . infectiously entertaining.” —John Lahr, author of Notes on a Cowardly Lion “Thoroughly interesting.” —The A.V. Club “The best general-audience analysis of musical theater I have read in many years.” —The Charlotte Observer “Delightful . . . a little bit history, a little bit memoir, a little bit criticism and, for any theater fan, a whole lot of fun.” —The Dallas Morning News
Author: Edward W. Said Publisher: Columbia University Press ISBN: 9780231073196 Category : Music Languages : en Pages : 138
Book Description
Examines the performance of Western high-art music, the politicized theorizing of it, and the use of "melody, solitude, and affirmation" in it.
Author: Blake Howe Publisher: Oxford University Press ISBN: 0190493739 Category : Music Languages : en Pages : 952
Book Description
The Oxford Handbook of Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.
Author: José Colmeiro Publisher: Liverpool University Press ISBN: 178694815X Category : Literary Criticism Languages : en Pages : 342
Book Description
Galician audio/visual culture has experienced an unprecedented period of growth following the process of political and cultural devolution in post-Franco Spain. This creative explosion has occurred in a productive dialogue with global currents and with considerable projection beyond the geopolitical boundaries of the nation and the state, but these seismic changes are only beginning to be the subject of attention of cultural and media studies. This book examines contemporary audio/visual production in Galicia as privileged channels through which modern Galician cultural identities have been imagined, constructed and consumed, both at home and abroad. The cultural redefinition of Galicia in the global age is explored through different media texts (popular music, cinema, video) which cross established boundaries and deterritorialise new border zones where tradition and modernity dissolve, generating creative tensions between the urban and the rural, the local and the global, the real and the imagined. The book aims for the deperipheralization and deterritorialization of the Galician cultural map by overcoming long-established hegemonic exclusions, whether based on language, discipline, genre, gender, origins, or territorial demarcation, while aiming to disjoint the center/periphery dichotomy that has relegated Galician culture to the margins. In essence, it is an attempt to resituate Galicia and Galician studies out of the periphery and open them to the world.
Author: Gerry Bloustien
Author: Heidi Westerlund
Author: Beverley Diamond
Author: Jack Viertel
Author: 
Author: Edward W. Said
Author: Henry T. Finck
Author: Board of Music Trade (UNITED STATES OF AMERICA)
Author: Blake Howe
Author: José Colmeiro