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Author: Carl Engel Publisher: e-artnow ISBN: Category : Music Languages : en Pages : 328
Book Description
"Musical Myths and Facts" in 2 volumes is one of the best-known works by a German author Carl Engel. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents._x000D_ Volume 1:_x000D_ A Musical Library_x000D_ Elsass-Lothringen_x000D_ Music and Ethnology_x000D_ Collections of Musical Instruments_x000D_ Musical Myths and Folk-lore _x000D_ The Studies of our Great Composers_x000D_ Superstitions concerning Bells _x000D_ Curiosities in Musical Literature_x000D_ The English Instrumentalists_x000D_ Musical Fairies and their Kinsfolk _x000D_ Sacred Songs of Christian Sects…_x000D_ Volume 2:_x000D_ Mattheson on Handel_x000D_ Diabolic Music _x000D_ Royal Musicians_x000D_ Composers and Practical Men_x000D_ Music and Medicine_x000D_ Popular Stories with Musical Traditions _x000D_ Dramatic Music of Uncivilized Races_x000D_ A Short Survey of the History of Music_x000D_ Chronology of the History of Music_x000D_ The Musical Scales in Use at the Present Day...
Author: Carl Engel Publisher: e-artnow ISBN: Category : Music Languages : en Pages : 328
Book Description
"Musical Myths and Facts" in 2 volumes is one of the best-known works by a German author Carl Engel. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents._x000D_ Volume 1:_x000D_ A Musical Library_x000D_ Elsass-Lothringen_x000D_ Music and Ethnology_x000D_ Collections of Musical Instruments_x000D_ Musical Myths and Folk-lore _x000D_ The Studies of our Great Composers_x000D_ Superstitions concerning Bells _x000D_ Curiosities in Musical Literature_x000D_ The English Instrumentalists_x000D_ Musical Fairies and their Kinsfolk _x000D_ Sacred Songs of Christian Sects…_x000D_ Volume 2:_x000D_ Mattheson on Handel_x000D_ Diabolic Music _x000D_ Royal Musicians_x000D_ Composers and Practical Men_x000D_ Music and Medicine_x000D_ Popular Stories with Musical Traditions _x000D_ Dramatic Music of Uncivilized Races_x000D_ A Short Survey of the History of Music_x000D_ Chronology of the History of Music_x000D_ The Musical Scales in Use at the Present Day...
Author: Jonathan McCollum Publisher: Lexington Books ISBN: 1498507050 Category : Music Languages : en Pages : 431
Book Description
Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.
Author: Carl Engel
Author: Carl Engel
Author: Carl Engel
Author: Bernard Quaritch
Author: 
Author: 
Author: Bernard Quaritch
Author: New South Wales. Parliament. Legislative Council
Author: 
Author: New South Wales Free Public Library, Sydney
Author: Jonathan McCollum