Author: William T. ParkePublisher:
ISBN:
Category : Music
Languages : en
Pages : 346
Book Description
Musical memoirs : comprising an account of the general state of music in England from the first commemoration of Handel in 1784 to the year 1830...
Author: William T. ParkePublisher:
ISBN:
Category : Music
Languages : en
Pages : 346
Book Description
Musical Memoirs
Author: William Thomas ParkePublisher:
ISBN:
Category : Music
Languages : en
Pages : 370
Book Description
Music in London and the Myth of Decline
Author: Ian TaylorPublisher: Cambridge University Press
ISBN: 0521896096
Category : Music
Languages : en
Pages : 223
Book Description
Taylor questions the widely held belief that the turn of the nineteenth century marked a 'dark age' of musical performance.
Henry Fothergill Chorley
Author: Robert Terrell BledsoePublisher: Routledge
ISBN: 042984395X
Category : Social Science
Languages : en
Pages : 381
Book Description
First published in 1998, this book focuses on the once celebrated but now neglected musical journalism of Henry Forthergill Chorley. For nearly forty years he effectively used his acerbic pen and idiosyncratic critical judgments to celebrate the works of Rossini, Mendelssohn, Meyerbeer, Gounod and Sullivan, and to scorn those of Schumann , Verdi and Wagner. This book also discusses his friendships with literary figures such as Charles Dickens, Elizabeth Barrett Browning, and Felicia Hemans, as well as his ongoing efforts to establish himself as a novelist as well as a journalist.
Sounding Bodies
Author: Shannon DrauckerPublisher: State University of New York Press
ISBN: 143849839X
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Can the concert hall be as erotic as the bedroom? Many Victorian writers believed so. In the mid-nineteenth century, acoustical scientists such as Hermann von Helmholtz and John Tyndall described music as a set of physical vibrations that tickled the ear, excited the nerves, and precipitated muscular convulsions. In turn, writers—from canonical figures such as George Eliot and Thomas Hardy, to New Women novelists like Sarah Grand and Bertha Thomas, to anonymous authors of underground pornography—depicted bodily sensations and experiences in unusually explicit ways. These writers used scenes of music listening and performance to intervene in urgent conversations about gender and sexuality and explore issues of agency, pleasure, violence, desire, and kinship. Sounding Bodies shows how both classical music and Victorian literature, while often considered bastions of conservatism and repression, represented powerful sites for feminist and queer politics.
Catalogue of the Library of Congress
Author: Library of CongressThe Last Trumpet
Author: James Arthur BrownlowPublisher: Pendragon Press
ISBN: 9780945193814
Category : Juvenile Nonfiction
Languages : en
Pages : 310
Book Description
The nineteenth-century English slide trumpet was the last trumpet with the traditional sound of the old classic trumpet. The instrument was essentially a natural trumpet to which had been added a movable slide with a return mechanism. It was England's standard orchestral trumpet, despite the dominance of natural and, ultimately, valved instruments elsewhere, and it remained in use by leading English players until the last years of the century. The slide trumpet's dominating role in nineteenth-century English orchestral playing has been well documented, but until now, the use of the instrument in solo and ensemble music has been given only superficial consideration. Art Brownlow's study is a new and thorough assessment of the slide trumpet. It is the first comprehensive examination of the orchestral, ensemble and solo literature written for this instrument. Other topics include the precursors of the nineteenth-century instrument, its initial development and subsequent modifications, its technique, and the slide trumpet's slow decline. Appendices include checklists of English trumpeters and slide trumpetmakers.
Two Centuries of British Symphonism
Author: Jürgen SchaarwächterPublisher: Georg Olms Verlag
ISBN: 3487152282
Category : Music
Languages : en
Pages : 619
Book Description
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
The Routledge Handbook of Women’s Work in Music
Author: Rhiannon MathiasPublisher: Routledge
ISBN: 0429575041
Category : Music
Languages : en
Pages : 486
Book Description
The Routledge Handbook of Women’s Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women’s contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology – research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI) provides new frames of context for women’s positions as workers, educators, patrons, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender.
Venanzio Rauzzini and the Birth of a New Style in English Singing
Author: Brianna E. Robertson-KirklandPublisher: Routledge
ISBN: 100053684X
Category : History
Languages : en
Pages : 271
Book Description
Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.