paradoxalogy PDF Download

Author: giacinto plexyx plescia
Publisher: Lulu.com
ISBN: 0244402620
Category : Philosophy
Languages : en
Pages : 58

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Book Description
grammakademyalogy paradoxalogy gyalogy grammakademy vuotalogy metalogy katalogy ontalogy storyalogy 1 - BANDO D.D. 1532/2016 SETTORE CONCORSUALE 11/C1 FILOSOFIA TEORETICA CANDIDATO: PLESCIA Giacinto - FASCIA: I GIUDIZIO COLLEGIALE: GIUDIZIO: Il candidato Giacinto Plescia ha raggiunto gli indicatori 11/C1 (Filosofia Teoretica)". GIUDIZI INDIVIDUALI:: Il candidato Giacinto Plescia raggiunge, dichiarato senz'altro idoneo e quindi abilitabile. ROBERTA LANFREDINI: Il candidato Giacinto Plescia ha raggiunto gli indicatori previsti per il settore concorsuale 11/C1 (Filosofia Teoretica) pertanto viene dichiarato abilitato in virtù

Author: Rima Povilionienė
Publisher: PL Academic Research
ISBN: 9783631713815
Category : Music
Languages : en
Pages : 0

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Book Description
The author displays versatile cases of the intersection of music and mathematics, moving from philosophical and aesthetic considerations about «mathesis» to practical studies, discussing the interaction between music and other arts, and providing a practical research of contemporary music compositions.

Author: Philipp Jeserich
Publisher: JHU Press
ISBN: 1421411245
Category : Literary Criticism
Languages : en
Pages : 564

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Book Description
A critical study of the relationship between poetics and music theory in medieval culture and aesthetics. Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which Deschamps defines as “artificial.” Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs. Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.

Author: Timour Klouche
Publisher: Springer
ISBN: 3642045790
Category : Computers
Languages : en
Pages : 546

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Book Description
This volume comprises a selection of papers presented at the first International C- ference on Mathematics and Computation in Music – mcm2007. The conference took place at the Staatliches Institut für Musikforschung PK – National Institute for Music Research in Berlin during May 18–20, 2007 and was jointly organized by the National Institute for Music Research Berlin and the Society of Mathematics and Computation in Music. The papers were selected for the conference by the program committee and classfied into talks and posters. All papers underwent further selection, revision and elaboration for this book publication. The articles cover a research field which is heterogeneous with respect to content, scientific language and methodology. On one hand, this reflects the heterogeneity and richness of the musical subject domain itself. On the other hand, it exemplifies a t- sion which has been explicitly intended by both the organizers and the founders of the society, namely to support the integration of mathematical and computational - proaches to music theory, composition, analysis and performance. The subdivision into three parts reflects the original structure of the program. These parts are opened by invited papers and followed by talks and posters.

Author: Rūta Stanevičiūtė
Publisher: Springer
ISBN: 3030144712
Category : Music
Languages : en
Pages : 402

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Book Description
This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.

Author: Sal Mangano
Publisher: "O'Reilly Media, Inc."
ISBN: 1449390765
Category : Computers
Languages : en
Pages : 830

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Book Description
Mathematica Cookbook helps you master the application's core principles by walking you through real-world problems. Ideal for browsing, this book includes recipes for working with numerics, data structures, algebraic equations, calculus, and statistics. You'll also venture into exotic territory with recipes for data visualization using 2D and 3D graphic tools, image processing, and music. Although Mathematica 7 is a highly advanced computational platform, the recipes in this book make it accessible to everyone -- whether you're working on high school algebra, simple graphs, PhD-level computation, financial analysis, or advanced engineering models. Learn how to use Mathematica at a higher level with functional programming and pattern matching Delve into the rich library of functions for string and structured text manipulation Learn how to apply the tools to physics and engineering problems Draw on Mathematica's access to physics, chemistry, and biology data Get techniques for solving equations in computational finance Learn how to use Mathematica for sophisticated image processing Process music and audio as musical notes, analog waveforms, or digital sound samples

Author: Gerard Assayag
Publisher: Springer Science & Business Media
ISBN: 3662049279
Category : Mathematics
Languages : en
Pages : 294

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Book Description
In Western Civilization Mathematics and Music have a long and interesting history in common, with several interactions, traditionally associated with the name of Pythagoras but also with a significant number of other mathematicians, like Leibniz, for instance. Mathematical models can be found for almost all levels of musical activities from composition to sound production by traditional instruments or by digital means. Modern music theory has been incorporating more and more mathematical content during the last decades. This book offers a journey into recent work relating music and mathematics. It contains a large variety of articles, covering the historical aspects, the influence of logic and mathematical thought in composition, perception and understanding of music and the computational aspects of musical sound processing. The authors illustrate the rich and deep interactions that exist between Mathematics and Music.

Author: Michael Gallope
Publisher: University of Chicago Press
ISBN: 022648372X
Category : Music
Languages : en
Pages : 348

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Book Description
We often say that music is ineffable, that it does not refer to anything outside of itself. But if music, in all its sensuous flux, does not mean anything in particular, might it still have a special kind of philosophical significance? In Deep Refrains, Michael Gallope draws together the writings of Arthur Schopenhauer, Friedrich Nietzsche, Ernst Bloch, Theodor Adorno, Vladimir Jankélévitch, Gilles Deleuze, and Félix Guattari in order to revisit the age-old question of music’s ineffability from a modern perspective. For these nineteenth- and twentieth-century European philosophers, music’s ineffability is a complex phenomenon that engenders an intellectually productive sense of perplexity. Through careful examination of their historical contexts and philosophical orientations, close attention to their use of language, and new interpretations of musical compositions that proved influential for their work, Deep Refrains forges the first panoptic view of their writings on music. Gallope concludes that music’s ineffability is neither a conservative phenomenon nor a pious call to silence. Instead, these philosophers ask us to think through the ways in which music’s stunning force might address, in an ethical fashion, intricate philosophical questions specific to the modern world.

Author: Riccardo Martinelli
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110627418
Category : Philosophy
Languages : en
Pages : 182

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Book Description
Ranging from Antiquity to contemporary analytic philosophy, it provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume touches upon metaphysics, ethics, philosophy of language, psychology, anthropology, and scientific developments that have influenced the philosophical explanations of music. Starting from the very origins of philosophy in Western thought (Pythagoras, Plato, Aristotle) the book talks about what music is according to Augustine, Descartes, Leibniz, Rousseau, Kant, Hegel, the Romantics, Schopenhauer, Nietzsche, Wittgenstein, Susanne Langer, Bloch, Adorno, and many others. Recent developments within the analytic tradition are illustrated with particular attention to the ontology of the musical artwork and to the problem of music and emotions. A fascinating idea which recurs throughout the book is that philosophers allow for a sort of a secret kinship between music and philosophy, as means to reveal complementary aspects of truth.

Author: Roberto Giuntini
Publisher: Springer Science & Business Media
ISBN: 9780792357278
Category : Mathematics
Languages : en
Pages : 364

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Book Description
Selected Contributed Papers of the Tenth International Congress of Logic, Methodology and Philosophy of Science, Florence, August 1995