Author: Naomi A. Weiss Publisher: Univ of California Press ISBN: 0520401441 Category : Drama Languages : en Pages : 300
Book Description
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
Author: Sabine Lichtenstein Publisher: Rodopi ISBN: 9401210551 Category : Literary Criticism Languages : en Pages : 505
Book Description
A libretto is an indispensable part of an opera as a musical genre: with few exceptions, operas have been the subject of musicological studies, and instrumental versions of sung or unsung opera numbers may be heard, but we never listen to libretto texts being performed without the music. Thus as a literary form the libretto is a highly specific genre with its own particular attributes. This volume offers an approach to the libretto through the discussion of these attributes in many different examples. It explores what may be expected of a librettist in response to the demands of the genre’s characteristics, his trials and tribulations, his exchanges with the composer while adapting or converting a source, almost always a literary source, into the eventual libretto, and about the different musical ways of dealing with the text. In this way the volume clarifies the fundamental differences between the libretto and other literary genres.
Author: Anne Lingard Klinck Publisher: McGill-Queen's Press - MQUP ISBN: 0773534482 Category : Literary Criticism Languages : en Pages : 309
Book Description
The author shows that understanding of femininity in ancient Greece can be expanded by going beyond poetry composed by women poets like Sappho to explore girls' and women's choral songs from the archaic period, songs for female choruses and characters in tragedy, and lyrical representations of women's rituals and cults. The book discusses poetry as performance, relevant kinds and genres of poetry, the definition and scope of "woman's song" as a mode, partheneia (maidens' songs) and the girls' chorus, lyric in the drama, echoes and imitations of archaic woman's song in Hellenistic poetry, and inferences about the differences between male and female authors. It demonstrates that woman's song is ultimately best understood as the product of a male-dominated culture but that feminine stereotypes, while refined by male poets, are interrogated and shifted by female poets. The book traces the evolution of female-voice lyric from 600 to 100 BCE and includes Alcman, Sappho, Corinna, Pindar, other lyric poets, lyric in the drama, and the Hellenistic poets Nossis, Theocritus, and Bion.
Author: Rosa Andújar Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110575914 Category : Literary Criticism Languages : en Pages : 466
Book Description
Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and performative. The collected essays demonstrate the dynamic and nuanced relationship between lyric poetry and tragedy within the larger frame of Athenian song- and performance-culture, and reveal a vibrant and symbiotic co-existence between tragedy and lyric. Paths of Song illustrates the effects that this dynamic engagement with lyric possibly had on tragic performances, including performances of satyr drama, as well as on processes of survival and reputation, selection and refiguration, tradition and innovation. The volume is of particular interest to scholars in the field of classics, cultural studies, and the performing arts, as well as to readers interested in poetic transmission and in cultural evolution in antiquity.
Author: Claire Catenaccio Publisher: Cambridge University Press ISBN: 1009300148 Category : History Languages : en Pages : 229
Book Description
The solo singer takes center stage in Euripides' late tragedies. Solo song – what the Ancient Greeks called monody – is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art.
Author: Gail Holst-Warhaft Publisher: Cambridge Scholars Publishing ISBN: 1527501698 Category : Music Languages : en Pages : 421
Book Description
This is the only comprehensive musical biography in English of Mikis Theodorakis (1925-2021), the revolutionary Greek composer. The first edition (1980) was written with the assistance and support of Theodorakis himself; this new edition was commissioned after Theodorakis’ death and extends the assessment of his work to the operas, symphonies and other works composed since 1980. As a political figure in modern Greece, Theodorakis embodied the spirit of resistance to the abuse of authority, from the Nazi occupation of his country and the ensuing civil war to the military dictatorship of 1967-74 and beyond. Based on the author’s personal friendship and collaboration with Theodorakis, this musical biography is both a passionate and an authoritative account of the life-work of a man who became a popular hero in an age of anxiety.
Author: Naomi A. Weiss
Author: Francis M. Dunn
Author: New York Public Library. Reference Department
Author: Sabine Lichtenstein
Author: Anne Lingard Klinck
Author: Thomas Van Nortwick
Author: Rosa Andújar
Author: Edward Ledger
Author: Claire Catenaccio
Author: Gail Holst-Warhaft