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Author: Penelope Gouk Publisher: ISBN: 9780300073836 Category : History Languages : en Pages : 308
Book Description
The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.
Author: Penelope Gouk Publisher: ISBN: 9780300073836 Category : History Languages : en Pages : 308
Book Description
The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.
Author: Ryan J. Stark Publisher: CUA Press ISBN: 0813215781 Category : History Languages : en Pages : 247
Book Description
Ryan J. Stark presents a spiritually sensitive, interdisciplinary, and original discussion of early modern English rhetoric. He shows specifically how experimental philosophers attempted to disenchant language
Author: Keith Thomas Publisher: Penguin UK ISBN: 0141932406 Category : History Languages : en Pages : 853
Book Description
Witchcraft, astrology, divination and every kind of popular magic flourished in England during the sixteenth and seventeenth centuries, from the belief that a blessed amulet could prevent the assaults of the Devil to the use of the same charms to recover stolen goods. At the same time the Protestant Reformation attempted to take the magic out of religion, and scientists were developing new explanations of the universe. Keith Thomas's classic analysis of beliefs held on every level of English society begins with the collapse of the medieval Church and ends with the changing intellectual atmosphere around 1700, when science and rationalism began to challenge the older systems of belief.
Author: Penelope Gouk Publisher: Routledge ISBN: 1351556932 Category : Music Languages : en Pages : 238
Book Description
How do people use music to heal themselves and others? Are the healing powers of music universal or culturally specific? The essays in this volume address these two central questions as to music‘s potential as a therapeutic source. The contributors approach the study of music healing from social, cultural and historical backgrounds, and in so doing provide perspectives on the subject which complement the wealth of existing literature by practitioners. The forms of music therapy explored in the book exemplify the well-being that can be experienced as a result of participating in any type of musical or artistic performance. Case studies include examples from the Bolivian Andes, Africa and Western Europe, as well as an assessment of the role of Islamic traditions in Western practices. These case studies introduce some new, and possibly unfamiliar models of musical healing to music therapists, ethnomusicologists and anthropologists. The book contributes to our understanding of the transformative and healing roles that music plays in different societies, and so enables us better to understand the important part music contributes to our own cultures.
Author: Seth Lobis Publisher: Yale University Press ISBN: 0300210418 Category : Literary Criticism Languages : en Pages : 429
Book Description
Beginning with an analysis of Shakespeare’s The Tempest and building to a new reading of Milton’s Paradise Lost, author Seth Lobis charts a profound change in the cultural meaning of sympathy during the seventeenth century. Having long referred to magical affinities in the universe, sympathy was increasingly understood to be a force of connection between people. By examining sympathy in literary and philosophical writing of the period, Lobis illuminates an extraordinary shift in human understanding.
Author: Bronwen Price Publisher: Manchester University Press ISBN: 9780719060526 Category : Biography & Autobiography Languages : en Pages : 226
Book Description
The New Atlantis has fired the imaginations of its readers since its original appearance in 1627. Often regarded as the apotheosis of Bacon's ideas through its depiction of an advanced 'scientific' society, it is also read as a seminal work of science fiction. Standing at the threshold of early modern culture, this key text incorporates the practical and visionary, utility and utopia. This volume of eight new essays by leading scholars provides a stimulating dialogue between a range of critical perspectives. Encompassing the fields of cultural history, history of science, literature and politics, the collection explores The New Atlantis' complex location within Bacon's oeuvre and its negotiations with cultural debates of the past and present. Contributors consider the book's use of rhetoric, its narrative contexts, its political and ethical implications, its relation to the natural knowledge of the period, and the function of miracles in New Atlantan society. The politics of colonialism and Jewish toleration, its complex representation of gender, and the role and politics of censorship are also explored. This volume will be the ideal companion to Bacon's The New Atlantis and for all students of literature, politics, history, cultural history and history of science
Author: Benjamin Wardhaugh Publisher: Routledge ISBN: 1351557084 Category : Music Languages : en Pages : 222
Book Description
How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able to persuade the Royal Society that a musical performance could constitute a scientific experiment? Or that the judgement of a musical audience could provide evidence for a mathematically precise theory of musical tuning? This book presents answers to these questions. It constitutes a general history of quantitative music theory in the late seventeenth century as well as a detailed study of one part of that history: namely the applications of mathematical and mechanical methods of understanding to music that were produced in England between 1653 and 1705, beginning with the responses to Descartes's 1650 Compendium music and ending with the Philosophical Transactions' account of the appearance of Thomas Salmon at the Royal Society in 1705. The book is organized around four key questions. Do musical pitches form a small set or a continuous spectrum? Is there a single faculty of hearing which can account for musical sensation, or is more than one faculty at work? What is the role of harmony in the mechanical world, and where can its effects be found? And what is the relationship between musical theory and musical practice? These are questions which are raised and discussed in the sources themselves, and they have wide significance for early modern theories of knowledge and sensation more generally, as well as providing a fascinating side light onto the world of the scientific revolution.
Author: Rebecca Herissone Publisher: Oxford University Press, USA ISBN: 9780198167006 Category : Music Languages : en Pages : 354
Book Description
Thus, over the course of the seventeenth century, there occurred a complete transformation in almost every aspect of theory: by the 1720s, many of the principles being described bore close relation to those still used today. Nowhere was this metamorphosis clearer than in England where, because of a traditional emphasis on practicality, there was much more willingness to accept and encourage new theoretical ideas than on the continent.
Author: Christine Göttler Publisher: BRILL ISBN: 9004163964 Category : History Languages : en Pages : 396
Book Description
Investigating the meanings and uses of "spiritus" in a variety of early modern disciplines and fields - natural philosophy, theology, music, literature and the visual arts - this book revisits the ambivalent history of a central ancient concept in a period of crisis and change.
Author: Penelope Gouk
Author: Penelope Gouk
Author: Ryan J. Stark
Author: Tim Carter
Author: Keith Thomas
Author: Penelope Gouk
Author: Seth Lobis
Author: Bronwen Price
Author: Benjamin Wardhaugh
Author: Rebecca Herissone
Author: Christine Göttler