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Author: Irene Deliege Publisher: Psychology Press ISBN: 1135472246 Category : Music Languages : en Pages : 461
Book Description
This text comprises of papers relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological.
Author: Stefan Koelsch Publisher: John Wiley & Sons ISBN: 0470683406 Category : Science Languages : en Pages : 323
Book Description
A comprehensive survey of the latest neuroscientific research into the effects of music on the brain Covers a variety of topics fundamental for music perception, including musical syntax, musical semantics, music and action, music and emotion Includes general introductory chapters to engage a broad readership, as well as a wealth of detailed research material for experts Offers the most empirical (and most systematic) work on the topics of neural correlates of musical syntax and musical semantics Integrates research from different domains (such as music, language, action and emotion both theoretically and empirically, to create a comprehensive theory of music psychology
Author: Peter Herborn Publisher: Emanobooks ISBN: 3038360511 Category : Music Languages : en Pages : 986
Book Description
Most people in the Western world listen to music because of emotions. They want to create or experience emotions. But music is made of tones, tones are sound waves and sound waves are physics. How is it possible that physics becomes psychology, because emotions are a psychological phenomenon? When people like a certain piece of music, they usually want to listen to it again and again. Not infrequently for years and decades. What could be the reasons for this? When people like a piece of music, it is primarily the melody that they like. For most people, the melody is the face of a piece. More than anything else, it is the element of music they remember. What are the characteristics of melodies that make them to be remembered by listeners? What features of the melody could it be that ensure being liked by listeners? Based on more than 300 keywords, over 160 musical examples, and 39 charts, answers to these and many other questions are sought and offered in this book. This book is always two-in-one. By illuminating how melodies are built that enjoy great popularity, it is a book of music theory. In this way, it addresses readers who are primarily interested in the book because they themselves invent melodies. By illuminating what psychological mechanisms and physiological responses trigger the melodic operations of composers and improvisers, it is an introduction to music psychological thinking. It combines fundamental considerations from cognitive science, psychology, anthropology, and linguistics. Thus, it is addressed not only to music theorists and musicologists, but ultimately to all readers who wish to expand their knowledge of how melodies work.
Author: Publisher: John Wiley & Sons ISBN: 1119170044 Category : Psychology Languages : en Pages : 992
Book Description
II. Sensation, Perception & Attention: John Serences (Volume Editor) (Topics covered include taste; visual object recognition; touch; depth perception; motor control; perceptual learning; the interface theory of perception; vestibular, proprioceptive, and haptic contributions to spatial orientation; olfaction; audition; time perception; attention; perception and interactive technology; music perception; multisensory integration; motion perception; vision; perceptual rhythms; perceptual organization; color vision; perception for action; visual search; visual cognition/working memory.)
Author: Bozena Kostek Publisher: Springer Science & Business Media ISBN: 9783540257295 Category : Computers Languages : en Pages : 440
Book Description
This monograph provides novel insights into cognitive mechanisms underlying the processing of sound and music in different environments. A solid understanding of these mechanisms is vital for numerous technological applications such as for example information retrieval from distributed musical databases or building expert systems. In order to investigate the cognitive mechanisms of music perception fundamentals of hearing psychophysiology and principles of music perception are presented. In addition, some computational intelligence methods are reviewed, such as rough sets, fuzzy logic, artificial neural networks, decision trees and genetic algorithms. The applications of hybrid decision systems to problem solving in music and acoustics are exemplified and discussed on the basis of obtained experimental results.
Author: Josef Syka Publisher: Springer Science & Business Media ISBN: 1441987126 Category : Science Languages : en Pages : 607
Book Description
The symposium on Acoustical Signal Processing in the Central Auditory System which was held in Prague on September 4--7, 1996 was the third in a series organized in Prague, after the Neuronal Mechanisms of Hearing symposium in 1980 and Auditory Pathway - Structure and Function symposium in 1987. Approximately 100 scientists regis tered for the symposium and presented 82 separate papers and posters. The present vol ume contains 53 of these contributions, mostly presented at the symposium as invited review papers. Several essential changes occurred since the previous meeting in 1987. In auditory neuroscience, recently developed methods opened new horizons in the investigation of the structure and function of the central auditory pathway. Methods like c-fos tracing tech niques and monoclonal antibodies for neurotransmitters and their receptors, like the intro duction of electrophysiological recording from brain slices have made possible new insights into the function of individual neurons and their interconnections, particularly in the cochlear nuclei and in the superior olivary complex. Integrative approaches towards understanding the central auditory function started to dominate in the field. It is not easy at the present time to differentiate between purely morphological and neurochemical ap proaches; similarly electrophysiological approaches are accompanied inevitably by behav ioral and psychophysical studies. The understanding of human brain function advanced significantly during the last several years. mainly due to the contribution of magneto encephalography. positron emission tomography and functional nuclear magnetic reso nance imaging.
Author: Carol L. Krumhansl Publisher: Oxford University Press ISBN: 0190287446 Category : Psychology Languages : en Pages : 318
Book Description
This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.
Author: Russell Hartenberger
Author: Russell Hartenberger
Author: Irene Deliege
Author: Stefan Koelsch
Author: Peter Herborn
Author: 
Author: Bozena Kostek
Author: Eric Clarke
Author: Josef Syka
Author: Carol L. Krumhansl
Author: Diana Deutsch