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Author: G. H. Cowling Publisher: Forgotten Books ISBN: 9780364049280 Category : Music Languages : en Pages : 150
Book Description
Excerpt from Music on the Shakespearian Stage Whilst pondering over possible subjects, a music-teacher of my youth, the late Wallis Vincent, (one whom I admired greatly not only for his musicianship, which was considerable, but also for his delight in humorous poetry, his ready wit, and his genial kindness), lent me his manu script of a popular lecture on Shakespeare and Music. I was struck by the amount of fun he had got out of it, and foresaw that to make a deeper study of the subject would be to tread an interesting path. I made up my mind not to work the ground already appropriated by Mr E. W. Naylor and re-worked by Mr L. C. Elson, but to go further afield and describe the share taken by musicians in an Elizabethan play. I drew up a scheme, was lucky enough to have it accepted, and proceeded to collect materials to make it into a dissertation. The result is the following little book. It does not assume to be more than a sketch, which at some future time I hope to enlarge. I should have liked to read and ransack every play of the period for material, but alas, 1 had not time enough for this. Then why publish? I publish in order to report progress; but also because I think students of Shake speare and musical historians will find in this essay much that is of interest, and something that is new. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: G. H. Cowling Publisher: Forgotten Books ISBN: 9780364049280 Category : Music Languages : en Pages : 150
Book Description
Excerpt from Music on the Shakespearian Stage Whilst pondering over possible subjects, a music-teacher of my youth, the late Wallis Vincent, (one whom I admired greatly not only for his musicianship, which was considerable, but also for his delight in humorous poetry, his ready wit, and his genial kindness), lent me his manu script of a popular lecture on Shakespeare and Music. I was struck by the amount of fun he had got out of it, and foresaw that to make a deeper study of the subject would be to tread an interesting path. I made up my mind not to work the ground already appropriated by Mr E. W. Naylor and re-worked by Mr L. C. Elson, but to go further afield and describe the share taken by musicians in an Elizabethan play. I drew up a scheme, was lucky enough to have it accepted, and proceeded to collect materials to make it into a dissertation. The result is the following little book. It does not assume to be more than a sketch, which at some future time I hope to enlarge. I should have liked to read and ransack every play of the period for material, but alas, 1 had not time enough for this. Then why publish? I publish in order to report progress; but also because I think students of Shake speare and musical historians will find in this essay much that is of interest, and something that is new. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Cécile de Banke Publisher: Forgotten Books ISBN: 9780483184329 Category : Music Languages : en Pages : 372
Book Description
Excerpt from Shakespearean Stage Production: Then and Now: A Manual for the Scholar-Player He wants to know what the theater was like that Shakespeare had in mind when he was writing the plays. And he wants to know because the answer to this inquiry may solve the problems of staging stated or implied in the text. In spite of the fact that these plays have been performed on almost every known type of stage during the last three hundred and fifty years, isn't it possible that only on the stage for which they were written can their uninterrupted tempo and certitude of performance be realized? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Frederick Bridge Publisher: Forgotten Books ISBN: 9780266587279 Category : Music Languages : en Pages : 112
Book Description
Excerpt from Shakespearean Music in the Plays and Early Operas Shakespeare's dramatic works have been the theme of end less books and articles by eminent scholars. The desire to secure a really correct version of the poet's lines has occupied the minds and talents of a multitude of writers, with the result that We are furnished with various editions differing very much from the older publications, but which are no doubt much more true to the original text. The important place which music holds in Shakespeare's works is well known. In nearly all his plays provision is made for music - both instrumental and vocal. Surely we ought if possible to get at the correct version of the music, and so to let this branch of Shakespeare's art be in keeping with the literary work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John H. Long Publisher: Forgotten Books ISBN: 9780266567356 Category : Drama Languages : en Pages : 320
Book Description
Excerpt from Shakespeare's Use of Music: The Histories and Tragedies For my texts I have used modern editions, the First Folio of 1623, and relevant quartos. All quotations, unless otherwise noted, are from G. B. Harrison's edition of the plays. Line numbers follow the Globe edition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Andrew Gurr Publisher: Cambridge University Press ISBN: 1316284166 Category : Drama Languages : en Pages : 559
Book Description
For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview of Shakespearean theatre in its own time. It is the only authoritative book that describes all the main features of the original staging of Shakespearean drama in one volume: the acting companies and their practices, the playhouses, the staging and the audiences. Thoroughly revised and updated, this fourth edition contains fresh materials about how specific plays by Shakespeare were first staged, and provides new information about the companies that staged them and their playhouses. The book incorporates everything that has been discovered in recent years about the early modern stage, including the archaeology of the Rose and the Globe. Also included is an invaluable appendix, listing all the plays known to have been performed at particular playhouses and by specific companies.
Author: A. H. Moncur-Sime Publisher: Forgotten Books ISBN: 9780365411802 Category : Drama Languages : en Pages : 214
Book Description
Excerpt from Shakespeare: His Music and Song N the long course of the world's history a few men have been born who seemed to assimi late and represent everything that was best in the particular age to which they belonged, and in the race among whom they lived. Each generation has its sons who o'ertop their fellows. It need not occasion us surprise that it should be so, though it is most difficult, if not impossible, to account for the genius or gifts of such men. Bright, eager, expectant Spirits they are, un common to a degree, and alive in every fibre of their being. Then, on rare occasions, one is born who belongs not to a district but to the nation; and Still more rarely, one who belongs to mankind - a Universal. As Browning aptly puts it: 'a thousand poets pried at life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Frederick Bridge Publisher: Forgotten Books ISBN: 9780260147431 Category : Drama Languages : en Pages : 286
Book Description
Excerpt from The Shakespeare and Music Birthday Book Bursch! Sing' uns das Lied von gestern Abend. Gib acht, Cesario, es ist alt und schlicht. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Alfred Roffe Publisher: Forgotten Books ISBN: 9780265524336 Category : Drama Languages : en Pages : 140
Book Description
Excerpt from The Handbook of Shakespeare Music, Being an Account of Three Hundred and Fifty Pieces of Music Set to Words Taken From the Plays and Poems of Shakespeare, the Compositions Ranging From the Elizabethan Age to the Present Time The compiler of this work took up the subject upwards of sixty years ago, when connected with the trade as music-seller, and also with the theatre. Numerous ll'lt' its were made Of him for the music that was sung in so captivating a manner by Mrs. Jordan, as Ophelia. It was traditional, but never published, and under those circumstances he Was inclined to endeavour to write out the melodies by the ear - which Mrs. Jordan herself was kind enough to listen to, and approve - when, with the addition of a bass by Dr. Arnold, it was published, and met with a success that led to the idea of compiling all the similar adaptations, with the rest of the music Of Shakespeare's plays. Materials were eagerly sought for, and the aid of the leading eminent performers of that period solicitedfor these extra passages, and in all cases, freely given. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John H. Long Publisher: Forgotten Books ISBN: 9780282893156 Category : Languages : en Pages : 232
Book Description
Excerpt from Shakespeare's Use of Music: A Study of the Music and Its Performance in the Original Production of Seven Comedies Lost, A Midsummer Night's Dream, The Mer chant oi Venice, Much Ado About Nothing, As You Like It, and Twelfth Night. (the Taming of the Shrew is omitted because its po sitiou in sequence is uncertain.) By the term dramatic device is meant the use of music as an aid not only to the intensification of the impact of the language, but also to the forwarding of the action, the portrayal of character, the delineation of settings, and the cre ation Of an appropriate atmosphere, such as a mood of mystery or awe. Also included in the term dramatic device is the use of music in solving problems Of stage production in instances where music covers the sound of stage machinery, denotes a lapse of time, or indicates off-stage action. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Edward W. Naylor Ma Publisher: Forgotten Books ISBN: 9780364319116 Category : Music Languages : en Pages : 240
Book Description
Excerpt from Shakespeare and Music The author is greatly indebted to Mr Aldis Wright, who has kindly looked through the work in ms., and contributed one or two interesting notes, which are acknowledged in the proper place. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: G. H. Cowling
Author: G. H. Cowling
Author: Cécile de Banke
Author: Frederick Bridge
Author: John H. Long
Author: Andrew Gurr
Author: A. H. Moncur-Sime
Author: Frederick Bridge
Author: Alfred Roffe
Author: John H. Long
Author: Edward W. Naylor Ma