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Author: Shawn Pryor Publisher: Capstone ISBN: 1666348147 Category : Juvenile Fiction Languages : en Pages : 41
Book Description
"Thirteen-year-old Tyler is enjoying the outdoor music festival when evil Cynthia Cyber turns the trumpet belonging to his cousin into a monster, forcing Tyler to once again become a superhero and defeat the musical monster before it reduces the city to rubble."--
Author: Shawn Pryor Publisher: Capstone ISBN: 1666348147 Category : Juvenile Fiction Languages : en Pages : 41
Book Description
"Thirteen-year-old Tyler is enjoying the outdoor music festival when evil Cynthia Cyber turns the trumpet belonging to his cousin into a monster, forcing Tyler to once again become a superhero and defeat the musical monster before it reduces the city to rubble."--
Author: Samuel Lipman Publisher: Northwestern University Press ISBN: 9780810110762 Category : Literary Collections Languages : en Pages : 340
Book Description
Dissent, but even Lipman's opponents will concede that he argues with skill and vigor and that he makes a case that needs to be answered.
Author: Heather Cocks Publisher: Simon and Schuster ISBN: 1416938044 Category : Art Languages : en Pages : 280
Book Description
Hailed as the meanest queens in the cafeteria by the Village Voice and viciously funny by the Hollywood Reporter, Cocks and Morgan skewer Hollywoods worst dressed celebrities--and no one, no matter how respected, is beyond their reach. Full-color photos throughout.
Author: Christopher Knab Publisher: Christopher Knab ISBN: 0974342033 Category : Music trade Languages : en Pages : 281
Book Description
This book takes the mystery out of the music business! "Music Is Your Business" tells you who does what in the music industry. Music industry veteran Christopher Knab's honest, no-nonsense information will empower you to market and promote your music--whether you're an experienced performer or just starting out. Learn how to attract distributors, get radio airplay, negotiate offers, and create a demand for your music with topics like Con Jobs: Watch Out for the Flim Flam Man, 10 Reasons Why Musicians Fail (and How Not To), What A&R Reps Do, and Online Music Retailing. Straight to the point legal chapters by entertainment attorney Bartley F. Day include Filing Copyright Applications, Trademarking Band Names, and Making Sense of Recording Industry Contracts. A sample distributor one-sheet, band tour and work schedule, band bio, and more! Newly revised, updated, and 100 pages longer, the 3rd edition of "Music Is Your Business" is essential for independent musicians and record labels.
Author: Publisher: ISBN: Category : Languages : en Pages : 60
Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Derek B. Scott Publisher: Routledge ISBN: 1351540556 Category : Music Languages : en Pages : 288
Book Description
First published in 1989, The Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the home. The popularity of these domestic songs opened up opportunities to women composers, and a chapter of the book is dedicated to the discussion of women songwriters and their work. The commercial success of bourgeois song through the sale of sheet music demonstrated how music might be incorporated into a system of capitalist enterprise. Scott examines the early amateur music market and its evolution into an increasingly professionalized activity towards the end of the century. This new updated edition features an additional chapter which provides a broad survey of music and class in London, drawing on sources that have appeared since the book's first publication. An overview of recent research is also given in a section of additional notes. The new bibliography of nineteenth-century British and American popular song is the most comprehensive of its kind and includes information on twentieth-century collections of songs, relevant periodicals, catalogues, dictionaries and indexes, as well as useful databases and internet sites. The book also features accompanying downloadable resources of songs from the period.
Author: Publisher: ISBN: Category : Languages : en Pages : 60
Book Description
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Author: Ragnhild Brøvig Publisher: MIT Press ISBN: 0262374110 Category : Social Science Languages : en Pages : 323
Book Description
The art of mashup music, its roots in parody, and its social and legal implications. Parody needn’t recognize copyright—but does an algorithm recognize parody? The ever-increasing popularity of remix culture and mashup music, where parody is invariably at play, presents a conundrum for internet platforms, with their extensive automatic, algorithmic policing of content. Taking a wide-ranging look at mashup music—the creative and technical considerations that go into making it; the experience of play, humor, enlightenment, and beauty it affords; and the social and legal issues it presents—Parody in the Age of Remix offers a pointed critique of how society balances the act of regulating art with the act of preserving it. In several jurisdictions, national and international, parody is exempted from copyright laws. Ragnhild Brøvig contends that mashups should be understood as a form of parody, and thus be protected from removal from hosting platforms. Nonetheless, current copyright-related content-moderation regimes, relying on algorithmic detection and automated decision making, frequently eliminate what might otherwise be deemed gray-area content—to the detriment of human listeners and, especially, artists. Given the inaccuracy of takedowns, Parody in the Age of Remix makes a persuasive argument in favor of greater protection for remix creativity in the future—but it also suggests that the content-moderation challenges facing mashup producers and other remixers are symptomatic of larger societal issues.
Author: Shawn Pryor
Author: Shawn Pryor
Author: Charles Reid
Author: Samuel Lipman
Author: Heather Cocks
Author: Christopher Knab
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Author: Derek B. Scott
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Author: Library of Congress. Copyright Office
Author: Ragnhild Brøvig