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Music History During the Renaissance Period, 1520-1550

Music History During the Renaissance Period, 1520-1550 PDF Author: Blanche M. Gangwere
Publisher: Bloomsbury Publishing USA
ISBN: 0313072825
Category : Social Science
Languages : en
Pages : 550

Book Description
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.

Music History During the Renaissance Period, 1520-1550

Music History During the Renaissance Period, 1520-1550 PDF Author: Blanche M. Gangwere
Publisher: Bloomsbury Publishing USA
ISBN: 0313072825
Category : Social Science
Languages : en
Pages : 550

Book Description
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.

Citation and Authority in Medieval and Renaissance Musical Culture

Citation and Authority in Medieval and Renaissance Musical Culture PDF Author: Suzannah Clark
Publisher: Boydell & Brewer Ltd
ISBN: 9781843831662
Category : Music
Languages : en
Pages : 286

Book Description
Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.

Companion to Medieval and Renaissance Music

Companion to Medieval and Renaissance Music PDF Author: Tess Knighton
Publisher: Univ of California Press
ISBN: 9780520210813
Category : Art
Languages : en
Pages : 452

Book Description
With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.

European Music, 1520-1640

European Music, 1520-1640 PDF Author: James Haar
Publisher: Boydell & Brewer Ltd
ISBN: 184383894X
Category : Literary Criticism
Languages : en
Pages : 600

Book Description
Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").

Musical Humanism and Its Legacy

Musical Humanism and Its Legacy PDF Author: Nancy Kovaleff Baker
Publisher: Pendragon Press
ISBN: 9780945193296
Category : Music
Languages : en
Pages : 562

Book Description


The Josquin Companion

The Josquin Companion PDF Author: Richard Sherr
Publisher:
ISBN: 9780198163350
Category : Music
Languages : en
Pages : 738

Book Description
This Companion presents the most complete discussion ever published in English on the music of the greatest composer of the late fifteenth and early sixteenth centuries. A collaborative effort by a team of distinguished scholars, the volume provides a basic survey of Josquin's music and the many problems that attend it. Taking account of the most recent research, the book also includes a sampler CD of Josquin's works specially recorded by The Clerk's Group.

Music and Culture in Late Renaissance Italy

Music and Culture in Late Renaissance Italy PDF Author: Iain Fenlon
Publisher: Oxford University Press
ISBN: 9780198164449
Category : History
Languages : en
Pages : 300

Book Description
Explores the role of music in the cultural, religious, and political upheavals of late Renaissance Italy, revealing how musical activity of all kinds was instrumentalized by those in power. Italian culture did not lose its vigour after 1530, but underwent a transformation.

Art and Music in the Early Modern Period

Art and Music in the Early Modern Period PDF Author: KatherineA. McIver
Publisher: Routledge
ISBN: 1351575686
Category : Music
Languages : en
Pages : 459

Book Description
The relationship between music and painting in the Early Modern period is the focus of this collection of essays by an international group of distinguished art historians and musicologists. Each writer takes a multidisciplinary approach as he or she explores the interface between music performance and painting, or between music and art theory. The essays reflect a variety and range of approaches and offer methodologies which might usefully be employed in future research in this field. The volume is dedicated to the memory of Franca Trinchieri Camiz, an art historian who worked extensively on topics related to art and music, and who participated in some of the conference panels from which many of these essays originate. Three of Professor Camiz's own essays are included in the final section of this volume, together with a bibliography of her writings in this field. They are preceded by two thematic groups of essays covering aspects of musical imagery in portraits, issues in iconography and theory, and the relationship between music and art in religious imagery.

Echoing Helicon

Echoing Helicon PDF Author: Tim Shephard
Publisher: Oxford University Press, USA
ISBN: 0199936137
Category : Art
Languages : en
Pages : 185

Book Description
In the construction of a private princely identity before the eyes of a select public in the study rooms of Italian Renaissance rulers, ideals of sober recreation met with leisured reality. Echoing Helicon reconstructs, through the interpretation of painted and intarsia decoration, the roles played by music in such settings.

Humanism and the Reform of Sacred Music in Early Modern England

Humanism and the Reform of Sacred Music in Early Modern England PDF Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317119592
Category : History
Languages : en
Pages : 272

Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.