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Author: Jessie Ann Owens Publisher: ISBN: Category : Music Languages : en Pages : 580
Book Description
A festschrift prepared for the occasion of musicologist Lewis Lockwood's 65th birthday. The volume's 27 contributions, written by Lockwood's students and American colleagues, cover topics including tonal color in Dufay; notes on a Josquin motet and its sources; the Florentine madrigal, 1540-60; and a model for a changing aesthetic in the chansons of Loyset Compere. An appendix lists Lockwood's publications on Renaissance music.
Author: Jessie Ann Owens Publisher: ISBN: Category : Music Languages : en Pages : 580
Book Description
A festschrift prepared for the occasion of musicologist Lewis Lockwood's 65th birthday. The volume's 27 contributions, written by Lockwood's students and American colleagues, cover topics including tonal color in Dufay; notes on a Josquin motet and its sources; the Florentine madrigal, 1540-60; and a model for a changing aesthetic in the chansons of Loyset Compere. An appendix lists Lockwood's publications on Renaissance music.
Author: Richard Sherr Publisher: Routledge ISBN: 9781138361652 Category : Languages : en Pages : 326
Book Description
First published in 1999, the essays that follow have been selected from the author's writings to explore musical institutions in 15th and 16th century Italy with a detailed focus on the papal choir, but with additional comments on Mantua (Mantova), Florence and France. Much of the material which formed the basis of those essays was largely drawn from archives. Richard Sherr explores diverse areas including the Medici coat of arms in a motet for Leo X, performance practice in the papal chapel during the 16th century, the publications of Guglielmo Gonzaga, Lorenzo de' Medici as a patron of music and homosexuality in late sixteenth-century Italy.
Author: Anna Maria Busse Berger Publisher: Cambridge University Press ISBN: 1316298299 Category : Music Languages : en Pages : 1058
Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Author: Lewis Lockwood Publisher: Oxford University Press ISBN: 0199703000 Category : Music Languages : en Pages : 425
Book Description
Based on extensive documentary and archival research, Music in Renaissance Ferrara is a documentary history of music for one of the most important city-states of the Italian Renaissance. Lockwood shows how patrons and musicians created a musical center over the course of the fifteenth-century, tracing the growth of music and musical life in rich detail. It also sheds new light on the careers of such important composers as Dufay, Martini, Obrecht, and Josquin Desprez. This paperback edition features a new preface that re-introduces the book and reflects on its contribution to our modern knowledge of music in the culture of the Italian Renaissance.
Author: Donald C. Sanders Publisher: Lexington Books ISBN: 073916726X Category : Art Languages : en Pages : 213
Book Description
In Music at the Gonzaga Court in Mantua, Donald C. Sanders examines the history of musical composition and performance at the northern Italian court of Mantua from the fifteenth century to the seventeenth century. Music is discussed in the context of the visual art, poetry, and theater that graced the court and of the Gonzaga family's interaction with the major European historical figures of the era.
Author: Elizabeth McCahill Publisher: Harvard University Press ISBN: 0674726154 Category : History Languages : en Pages : 317
Book Description
In 1420, after more than one hundred years of the Avignon Exile and the Western Schism, the papal court returned to Rome, which had become depopulated, dangerous, and impoverished in the papacy's absence. Reviving the Eternal City examines the culture of Rome and the papal court during the first half of the fifteenth century. As Elizabeth McCahill explains, during these decades Rome and the Curia were caught between conflicting realities--between the Middle Ages and the Renaissance, between conciliarism and papalism, between an image of Rome as a restored republic and a dream of the city as a papal capital. Through the testimony of humanists' rhetorical texts and surviving archival materials, McCahill reconstructs the niche that scholars carved for themselves as they penned vivid descriptions of Rome and offered remedies for contemporary social, economic, religious, and political problems. In addition to analyzing the humanists' intellectual and professional program, McCahill investigates the different agendas that popes Martin V (1417-1431) and Eugenius IV (1431-1447) and their cardinals had for the post-Schism pontificate. Reviving the Eternal City illuminates an urban environment in transition and explores the ways in which curialists collaborated and competed to develop Rome's ancient legacy into a potent cultural myth.
Author: Christine Suzanne Getz Publisher: Ashgate Publishing, Ltd. ISBN: 9780754651215 Category : Music Languages : en Pages : 340
Book Description
Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan. The book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed.
Author: Jessie Ann Owens
Author: Jessie Ann Owens
Author: Richard Sherr
Author: Fiona Kisby
Author: Anna Maria Busse Berger
Author: Victor Coelho
Author: Lewis Lockwood
Author: Marco Folin
Author: Donald C. Sanders
Author: Elizabeth McCahill
Author: Christine Suzanne Getz