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Author: Constant Lambert
Publisher: London : Faber and Faber, Limited
ISBN:
Category : Music
Languages : en
Pages : 354

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Author: John Blacking
Publisher: University of Chicago Press
ISBN: 0226088308
Category : Music
Languages : en
Pages : 281

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Book Description
One of the most important ethnomusicologists of the century, John Blacking achieved international recognition for his book, How Musical Is Man? Known for his interest in the relationship of music to biology, psychology, dance, and politics, Blacking was deeply committed to the idea that music-making is a fundamental and universal attribute of the human species. He attempted to document the ways in which music-making expresses the human condition, how it transcends social divisions, and how it can be used to improve the quality of human life. This volume brings together in one convenient source eight of Blacking's most important theoretical papers along with an extensive introduction by the editor. Drawing heavily on his fieldwork among the Venda people of South Africa, these essays reveal his most important theoretical themes such as the innateness of musical ability, the properties of music as a symbolic or quasi-linguistic system, the complex relation between music and social institutions, and the relation between scientific musical analysis and cultural understanding.

Author: Andrew Blake
Publisher: Manchester University Press
ISBN: 9780719042997
Category : Music
Languages : en
Pages : 274

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Book Description
Examines the trajectories, linearities and paradoxes which have constituted contemporary British music. Provides an account of how British music came to be what it is in the 1990s.

Author: Hubertus Jahn
Publisher: Cornell University Press
ISBN: 9780801485718
Category : History
Languages : en
Pages : 260

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Book Description
A cultural history charting the rise and fall of Russian patriotism during the first few years of the Great War. Illustrated with period prints, posters and broadsides, the book traces the evolution of patriotic symbolism in popular entertainments and cultural production.

Author: Anthony Bateman
Publisher: Routledge
ISBN: 1134067453
Category : Art
Languages : en
Pages : 289

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Book Description
Sporting Sounds presents an eclectic collection of essays, all of which are concerned with various relationships between sport and music. This unique book includes a range of international case studies, examines the use of music as a motivational aid for players, and the historical roots of music in sport.

Author: Glenda Dawn Goss
Publisher: Routledge
ISBN: 1135541175
Category : Music
Languages : en
Pages : 328

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Book Description
First Published in 1998. This book is a comprehensive annotated bibliography of writings about the life, times, and music of Jean Sibelius (1865-1957). Over 1,000 sources in 11 different languages are represented, from the earliest writings, which appeared in the 1890s, to studies published through 1994. Historical information and background are supplied together with an indication of the reliability of each source. Translations of studies into English, German, and French are noted, particularly important in a field where so many items are in Finnish and Swedish. Introductory essays to each section discuss Sibelius in different contexts: for example, vis--vis his contemporaries in Scandinavia, in relation to folk music, in reception history, and in the scholarly literature. Individual musical compositions have their own sections with bibliography. Comprehensive indexes cover the musical works, authors, and people and subjects mentioned.

Author: Deborah Mawer
Publisher: Cambridge University Press
ISBN: 1107037530
Category : Literary Criticism
Languages : en
Pages : 321

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Book Description
This book explores the historical-cultural interactions between French concert music and American jazz across 1900-65, from both perspectives.

Author: Michael Steen
Publisher: Oxford University Press, USA
ISBN: 0195222180
Category : Biography & Autobiography
Languages : en
Pages : 992

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Book Description
"Gioachino Rossini was one of the most influential as well as one of the most industrious and emotionally complex of the great nineteenth-century composers. Between 1810 and 1829, he wrote thirty-nine operas, a body of work, comic and serious, which transformed Italian opera, and radically altered the course of opera in France." "His retirement from operatic composition in 1829, at the age of 37, was widely assumed to be the act of a talented but lazy man. In reality, political events and a series of debilitating illnesses were the determining factors. After drafting the Stabat mater in 1832, Rossini wrote no music of consequence for the best part of twenty-five years, before the clouds lifted and he began composing again in Paris in the late 1850s. During this glorious Indian summer of his career, he wrote 150 songs and solo piano pieces - his 'Sins of Old Age' - and his final masterpiece, the Petite Messe solennelle." "The image of Rossini as a gifted but feckless amateur - the witty, high-spirited bon vivant who dashed off The Barber of Seville in a mere thirteen days - persisted down the years, until the centenary of his death in 1968 inaugurated a process of re-evaluation by scholars, performers, and writers. The original 1985 edition of Richard Osborn's Rossini redefined the life and provided detailed analyses of the complete Rossini oeuvre. Twenty years on, all Rossini's operas have been staged and recorded, a Critical Edition of his works is well advanced, and a scholarly edition of his correspondence, including 250 previously unknown letters from Rossini to his parents, is in progress."--BOOK JACKET.

Author: Rhoderick McNeill
Publisher: Routledge
ISBN: 1317040872
Category : Music
Languages : en
Pages : 250

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Book Description
The symphony retained its primacy as the most prestigious large-scale orchestral form throughout the first half of the twentieth century, particularly in Britain, Russia and the United States. Likewise, Australian composers produced a steady stream of symphonies throughout the period from Federation (1901) through to the end of the 1950s. Stylistically, these works ranged from essays in late nineteenth-century romanticism, twentieth-century nationalism, neo-classicism and near-atonality. Australian symphonies were most prolific during the 1950s, with 36 local entries in the 1951 Commonwealth Jubilee Symphony competition. This extensive repertoire was overshadowed by the emergence of a new generation of composers and critics during the 1960s who tended to regard older Australian music as old-fashioned and derivative. The Australian Symphony from Federation to 1960 is the first study of this neglected genre and has four aims: firstly, to show the development of symphonic composition in Australia from Federation to 1960; secondly, to highlight the achievement of the main composers who wrote symphonies; thirdly, to advocate the restoration and revival of this repertory; and, lastly, to take a step towards a recasting of the narrative of Australian concert music from Federation to the present. In particular, symphonies by Marshall-Hall, Hart, Bainton, Hughes, Le Gallienne and Morgan emerge as works of particular note.

Author: Nalini Ghuman
Publisher:
ISBN: 0199314896
Category : Music
Languages : en
Pages : 369

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Book Description
During the century of British rule of the Indian subcontinent known as the British Raj, the rulers felt the significant influence of their exotic subjects. Resonances of the Raj examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the Raj on the English musical imagination. Conventional narratives depict a one-way influence of Britain on India, with the 'discovery' of Indian classical music occurring only in the post-colonial era. Drawing on new archival sources and approaches in cultural studies, author Nalini Ghuman shows that on the contrary, England was both deeply aware of and heavily influenced by India musically during the Indian-British colonial encounter. Case studies of representative figures, including composers Edward Elgar and Gustav Holst, and Maud MacCarthy, an ethnomusicologist and performer of the era, integrate music directly into the cultural history of the British Raj. Ghuman thus reveals unexpected minglings of peoples, musics and ideas that raise questions about 'Englishness', the nature of Empire, and the fixedness of identity. Richly illustrated with analytical music examples and archival photographs and documents, many of which appear here in print for the first time, Resonances of the Raj brings fresh hearings to both familiar and little-known musics of the time, and reveals a rich and complex history of cross-cultural musical imaginings which leads to a reappraisal of the accepted historiographies of both British musical culture and of Indo-Western fusion.