Music from the Tang Court: Volume 5 PDF Download

Author: R. F. Wolpert
Publisher: CUP Archive
ISBN: 9780521347761
Category : Music
Languages : en
Pages : 148

View

Book Description
The fifth volume in this study of the music of the Tang Court.

Author: Laurence E. R. Picken
Publisher: Cambridge University Press
ISBN: 0521543363
Category : Music
Languages : en
Pages : 332

View

Book Description
The seventh volume in this study of the music of the Tang Court.

Author: Laurence Picken
Publisher: CUP Archive
ISBN: 9780521318341
Category : Music
Languages : en
Pages : 156

View

Book Description
This fourth fascicle publishes fourteen items, from the second scroll of pieces belonging to the Ichikotsu-cho mode-key group.

Author: Laurence Picken
Publisher: CUP Archive
ISBN: 9780521278386
Category : Music
Languages : en
Pages : 120

View

Book Description
Fáscicle 3 publishes smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2.

Author: Laurence E. R. Picken
Publisher: Cambridge University Press
ISBN: 9780521621007
Category : Music
Languages : en
Pages : 328

View

Book Description
This volume brings to an end the transcription and description of thirty-one items from the Court Entertainment Music of the Tang. Of particular interest are a tune for a birthplace-ode by the Taizong Emperor, music for spear throwing, and a piece imitating calls between sexual partners in a flock of geese. Important appendices discuss stylistic differences between music of the Tang and imitative Japanese compositions, Tang compositions with military associations, and relatedness between movements in suites from the Tang.

Author: R. F. Wolpert
Publisher: CUP Archive
ISBN: 9780521318587
Category : Music
Languages : en
Pages : 116

View

Book Description
This second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunnō-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song.

Author: Laurence Ernest Rowland Picken
Publisher: Oxford University Press, USA
ISBN:
Category : China
Languages : en
Pages : 96

View

Book Description
This second fascicle includes two further suites from the Ichikotsu-ch mode-key group.

Author: Xifan Li
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110790955
Category : Art
Languages : en
Pages : 456

View

Book Description
This volume covers Chinese art during the reign of the Sui and Tang Dynasties during which the various disciplines of plastic and performing arts all entered a stage of unprecedented prosperity and development. It also traces new explorations in calligraphy, painting, and mural art and highlights architectural achievements during the historic period. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

Author: Jennifer Post
Publisher: Routledge
ISBN: 1136705198
Category : Art
Languages : en
Pages : 468

View

Book Description
First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

Author: David W. Hughes
Publisher: Routledge
ISBN: 1351697609
Category : Music
Languages : en
Pages : 468

View

Book Description
Music is a frequently neglected aspect of Japanese culture. It is in fact a highly problematic area, as the Japanese actively introduced Western music into their modern education system in the Meiji period (1868-1911), creating westernized melodies and instrumental instruction for Japanese children from kindergarten upwards. As a result, most Japanese now have a far greater familiarity with Western (or westernized) music than with traditional Japanese music. Traditional or classical Japanese music has become somewhat ghettoized, often known and practised only by small groups of people in social structures which have survived since the pre-modern era. Such marginalization of Japanese music is one of the less recognized costs of Japan's modernization. On the other hand, music in its westernized and modernized forms has an extremely important place in Japanese culture and society, Beethoven's Ninth Symphony, for example, being so widely known and performed that it is arguably part of contemporary Japanese popular and mass culture. Japan has become a world leader in the mass production of Western musical instruments and in innovative methodologies of music education (Yamaha and Suzuki). More recently, the Japanese craze of karaoke as a musical entertainment and as musical hardware has made an impact on the leisure and popular culture of many countries in Asia, Europe and the Americas. This is the first book to cover in detail all genres including court music, Buddhist chant, theatre music, chamber ensemble music and folk music, as well as contemporary music and the connections between music and society in various periods. The book is a collaborative effort, involving both Japanese and English speaking authors, and was conceived by the editors to form a balanced approach that comprehensively treats the full range of Japanese musical culture.