Author: R. F. WolpertPublisher: CUP Archive
ISBN: 9780521347761
Category : Music
Languages : en
Pages : 148
Book Description
The fifth volume in this study of the music of the Tang Court.
Music from the Tang Court: Volume 7
Author: Laurence E. R. PickenPublisher: Cambridge University Press
ISBN: 0521543363
Category : Music
Languages : en
Pages : 332
Book Description
The seventh volume in this study of the music of the Tang Court.
Music from the Tang Court: Volume 5
Author: R. F. WolpertPublisher: CUP Archive
ISBN: 9780521347761
Category : Music
Languages : en
Pages : 148
Book Description
The fifth volume in this study of the music of the Tang Court.
Music from the Tang Court: Volume 6
Author: Laurence E. R. PickenPublisher: Cambridge University Press
ISBN: 9780521621007
Category : Music
Languages : en
Pages : 328
Book Description
This volume brings to an end the transcription and description of thirty-one items from the Court Entertainment Music of the Tang. Of particular interest are a tune for a birthplace-ode by the Taizong Emperor, music for spear throwing, and a piece imitating calls between sexual partners in a flock of geese. Important appendices discuss stylistic differences between music of the Tang and imitative Japanese compositions, Tang compositions with military associations, and relatedness between movements in suites from the Tang.
Music from the Tang Court: Volume 3
Author: Laurence PickenPublisher: CUP Archive
ISBN: 9780521278386
Category : Music
Languages : en
Pages : 120
Book Description
Fáscicle 3 publishes smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2.
Music from the Tang Court: Volume 2
Author: R. F. WolpertPublisher: CUP Archive
ISBN: 9780521318587
Category : Music
Languages : en
Pages : 116
Book Description
This second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunnō-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song.
Music from the Tang Court: Volume 7
Author: Laurence E. R. PickenPublisher: Cambridge University Press
ISBN: 9780521543361
Category : Music
Languages : en
Pages : 0
Book Description
The series of volumes of Music from the Tang Court considers a repertory of music at least 1400 years old. During the two centuries before 841 the Japanese Court borrowed a large amount of secular entertainment music from China. This 'Tang Music' (Togaku) survives in Japan in a substantial body of manuscripts, but is transformed in character in contemporary performance. This edition transcribes and comments on the music as it survives in its earliest sources. This process has revealed surprising evidence for ancient interconnections in Asian musics, and the essays in this seventh volume present aspects of this research to date. They provide evidence, for example, of music in a scale of four notes only from Bali and from Ancient China, as well as, most significantly, for the transportation from the Tang capital to Japan of 'several tens of scrolls of music in tablature'.
Music from the Tang Court: Volume 3
Author: Laurence PickenPublisher: Cambridge University Press
ISBN: 9780521278386
Category : Music
Languages : en
Pages : 0
Book Description
During the two centuries before 841, the Japanese Court borrowed a large amount of secular entertainment music from China, chiefly music of the Sui and Tang Courts. This music, known as 'Tang Music' is preserved in manuscripts written between the eighth and thirteenth centuries and to be seen today in the library of the Imperial Palace in Tokyo and in other Japanese libraries. With Fáscicle 3 the series will begin publication of smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2, together with single-stave, conflated, justified versions of Toraden and Shunnó-den, and structural analyses of these two suites.
Music from the Tang Court
Author: Laurence PickenPublisher: CUP Archive
ISBN: 9780521318341
Category : Music
Languages : en
Pages : 156
Book Description
This fourth fascicle publishes fourteen items, from the second scroll of pieces belonging to the Ichikotsu-cho mode-key group.
Music from the Tang Court: Volume 2
Author: Laurence PickenPublisher: Cambridge University Press
ISBN: 9780521318587
Category : Music
Languages : en
Pages : 116
Book Description
During the two centuries before 841, the Japanese Court borrowed a large amount of secular entertainment music from China, chiefly music of the Sui and Tang Courts. This music, known as 'Tang Music' is preserved in manuscripts written between the eighth and thirteenth centuries and to be seen today in the library of the Imperial Palace in Tokyo and in other Japanese libraries. This second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunnō-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song. In addition, and continuing the study of the first fascicle, a justified, conflated text of Ō-dai hajin-raku on a single stave will be included. In the light of this, a version for performance can be established.
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