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Author: Theodor Dumitrescu Publisher: Routledge ISBN: 1351544950 Category : Music Languages : en Pages : 392
Book Description
Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
Author: Suzanne Lord Publisher: Bloomsbury Publishing USA ISBN: 0313052689 Category : Music Languages : en Pages : 264
Book Description
This book introduces every important aspect of the Elizabethan music world. In ten scrupulously researched yet accessible chapters, Lord examines the lives of composers, the evolution of musical instruments, the Elizabethan system of musical notation, and the many textures and traditions of Elizabethan music. Biographical entries introduce the most significant and prolific composers as well as the members of royal society who influenced Elizabethan musical culture. Both familiar and obscure instruments of the era are described with focus on their musical and social contexts. Various types of music are defined and illustrated, along with an explanation of the musical notation used during this era. Chapter bibliographies, glossaries, and an index provide additional tools for both the novice and the experienced student of music and music history. When Elizabeth ascended to the throne in 1558, England was undergoing tremendous upheaval. Power struggles between Protestants and Catholics shaped the English music world as musicians' livelihoods were directly linked to their religious allegiances. Music became a form of strategy within court politics, and secular music evolved through the musical and poetic influences of the Italian Renaissance. Events of the day were told and retold through music, class and social differences were sung with relish, and rituals of love and life were set to story and song. When England defeated the vaunted Spanish Armada in 1588, a victorious nation expressed its jubilance through music.
Author: David Starkey Publisher: Random House ISBN: 1448141095 Category : History Languages : en Pages : 388
Book Description
For the kings and queens of England, a trumpet fanfare or crash of cymbals could be as vital a weapon as a cannon. Showcasing a monarch’s power, prestige and taste, music has been the lifeblood of many a royal dynasty. From sacred choral works to soaring symphonies, Music and Monarchy looks at how England’s character was shaped by its music. To David Starkey and Katie Greening, works like Handel’s Water Music and Tallis’s Mass for Four Voices were more than entertainment – they were pieces signalling political intent, wealth and ambition. Starkey and Greening examine England’s most iconic musical works to demonstrate how political power has been a part of musical composition for centuries. Many of our current musical motifs of nationhood, whether it’s the Last Night of the Proms or football terraces erupting in song, have their origins in the way the crown has shaped the national soundtrack. Published to coincide with a major BBC series, Music and Monarchy is not a book about music. It is a history of England written in music, from our leading royal historian.
Author: Anna Whitelock Publisher: Sarah Crichton Books ISBN: 1429949163 Category : Biography & Autobiography Languages : en Pages : 481
Book Description
From the private world of a beloved English queen, a story of intimacy, royalty, espionage, rumor, and subterfuge Queen Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay her bedchamber, closely guarded by the favored women who helped her dress, looked after her jewels, and shared her bed. Elizabeth's private life was of public concern. Her bedfellows were witnesses to the face and body beneath the makeup and raiment, as well as to rumored dalliances with such figures as Earl Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic stratagems. Such was the significance of the queen's body: it represented the very British state itself. In The Queen's Bed, the historian Anna Whitelock offers a revealing look at the Elizabethan court and the politics of intimacy. She dramatically reconstructs, for the first time, the queen's quarters and the women who patrolled them. It is a story of sex, gossip, conspiracy, and intrigue brought to life amid the colors, textures, smells, and routines of the royal court. The women who attended the queen held the truth about her health, chastity, and fertility. They were her friends, confidantes, and spies—nobody knew her better. And until now, historians have overlooked them. The Queen's Bed is a revelatory, insightful look into their daily lives—the untold story of the queen laid bare.
Author: Kerry McCarthy PhD Publisher: Oxford University Press ISBN: 0190635231 Category : Music Languages : en Pages : 320
Book Description
The composer Thomas Tallis (c. 1505 - November 1585) lived and worked through much of the turbulent Tudor period in England. Unlike many of his contemporaries, he did not just react to radical change: he thrived on it. He helped invent new musical styles to meet the demands of the English Reformation. He revived and reimagined older musical forms for a new era. Fewer than a hundred of his works have survived, but they are incredibly diverse, from miniature settings of psalms and hymns to a monumental forty-voice motet. In this new biography, author Kerry McCarthy traces Tallis's long career from his youthful appointment at Dover Priory to his years as a senior member of the Chapel Royal, revisiting the most important documents of his life and a wide variety of his musical works. The book also takes readers on a guided journey along the River Thames to the palaces, castles, and houses where Tallis made music for the four monarchs he served. It ends with reflections on Tallis's will, his epitaph (whose complete text McCarthy has recently rediscovered), and other postmortem remembrances that give us a glimpse of his significant place in the sixteenth-century musical world. Tallis will be treasured by performers, scholars, Tudor enthusiasts, and anyone interested in English Renaissance music.
Author: Katherine Butler (Music tutor)
Author: Katherine Butler (Music tutor)
Author: Theodor Dumitrescu
Author: Suzanne Lord
Author: David Starkey
Author: Johann Gottfried Flügel
Author: Johann Gottfried Flügel
Author: Anna Whitelock
Author: Kerry McCarthy PhD
Author: Newton Ivory Lucas
Author: Newton Ivory Lucas