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Music for small orchestra (1926)

Music for small orchestra (1926) PDF Author: Ruth Crawford Seeger
Publisher:
ISBN:
Category : Chamber orchestra music
Languages : en
Pages : 104

Book Description


Music for small orchestra (1926)

Music for small orchestra (1926) PDF Author: Ruth Crawford Seeger
Publisher:
ISBN:
Category : Chamber orchestra music
Languages : en
Pages : 104

Book Description


Music for small orchestra (1926)

Music for small orchestra (1926) PDF Author: Ruth Crawford Seeger
Publisher:
ISBN:
Category : Chamber orchestra music
Languages : en
Pages : 184

Book Description


Music for Small Ochestra (1926); Suite No. 2 for Four Strings and Piano (1929)

Music for Small Ochestra (1926); Suite No. 2 for Four Strings and Piano (1929) PDF Author: Ruth Crawford
Publisher: A-R Editions, Inc.
ISBN: 0895793261
Category : Music
Languages : en
Pages : 98

Book Description


Music for small orchestra (1926)

Music for small orchestra (1926) PDF Author: Ruth Crawford Seeger
Publisher:
ISBN:
Category : Chamber orchestra music
Languages : en
Pages : 108

Book Description


Symphony no. 2 in D Minor, op. 24 ("Jullien"}

Symphony no. 2 in D Minor, op. 24 ( Author: George Frederick Bristow
Publisher: A-R Editions, Inc.
ISBN: 9780895796844
Category : Music
Languages : en
Pages : 372

Book Description
URL: https://www.areditions.com/rr/rra/a072.html George Frederick Bristow (1825¿98), American composer, conductor, teacher, and performer, was a pillar of the New York musical community for the second half of the nineteenth century. His participation in an important mid-century battle-of-words (between William Henry Fry and the journalist Richard Storrs Willis and concerning a lack of support for American composers by the Philharmonic Society) has unfortunately overshadowed his accomplishments as a composer, which were significant. Bristow is remembered today primarily for his opera Rip van Winkle (1855) and oratorio Daniel (1866), but he was also a skillful and productive composer of orchestral music¿one of only a handful of American orchestral composers active at mid-century.Bristow wrote his Symphony no. 2 (Jullien) in 1853. It is a substantial work in four movements, scored for the standard orchestra of the early nineteenth century, and strongly influenced by the personal styles of Beethoven and Mendelssohn (whose works were performed regularly by the Philharmonic Society). The symphony is skillfully crafted, melodious, and an intrinsically worthy work of musical artistry. It was named to honor the French conductor Louis Jullien, who visited the United States in 1853¿54 with an unparalleled orchestra. While in the United States Jullien both commissioned and performed American works (including this symphony); his support served as the catalyst for the Fry/Willis battle. The introductory essay to this symphony examines Bristow¿s career, the composition of orchestral music in America at mid-century, and Jullien¿s role in the musical battle; the edition makes available for the first time an important work that has been undeservedly forgotten for over 150 years.

The Music of Ruth Crawford Seeger

The Music of Ruth Crawford Seeger PDF Author: Joseph N. Straus
Publisher: Cambridge University Press
ISBN: 9780521548182
Category : Biography & Autobiography
Languages : en
Pages : 278

Book Description
This book is the first to study the music of Ruth Crawford Seeger, widely considered to be the most important American woman composer of this century. Indeed, it is the first full-length analytical study of the music of any woman composer. The book contains extensive technical descriptions of Ruth Crawford Seeger's music, and also considers her in relation to her contemporaries and to the history of women and music.

Women Making Music

Women Making Music PDF Author: Jane M. Bowers
Publisher: University of Illinois Press
ISBN: 9780252014703
Category : Art
Languages : en
Pages : 428

Book Description
"Do look after my music!" Irene Wienawska Polowski exclaimed before her death in 1932. And from the urgency of that sentiment the authors here have taken their cue to reveal and "look after" the previously neglected contributions of women throughout the history of Western art music. The first work of its kind, Women Making Music presents biographies of outstanding performers and composers, as well as analyses of women musicians as a class, and provides examples of music from all periods including medieval chant, Renaissance song, Baroque opera, German lieder, and twentieth-century composition. Unlike most standard historical surveys, the book not only sheds light upon the musical achievements of women, it also illuminates the historical contexts that shaped and defined those achievements.

Solo for Piano by John Cage, Second Realization, Part 2

Solo for Piano by John Cage, Second Realization, Part 2 PDF Author: David Tudor
Publisher: A-R Editions, Inc.
ISBN: 1987203046
Category : Music
Languages : en
Pages : 101

Book Description
“When I think of music, I think of you and vice-versa,” John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudor—even if it was not written for the piano, Tudor’s nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cage’s Concert for Piano and Orchestra (1957–58). None of Cage’s previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write out—or realize—a performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture “Indeterminacy,” Tudor created a second realization, for which he devised a new temporal structure to implement Cage’s notations. This edition of Tudor’s second realization of the Solo for Piano presents Tudor’s performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudor’s methods of realization; which notations from Cage’s score Tudor selected and why; how Tudor interpreted Cage’s often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudor’s realization fulfills, transcends, and sometimes contravenes the instructions of Cage’s score.

Ruth Crawford Seeger's Worlds

Ruth Crawford Seeger's Worlds PDF Author: Ray Allen
Publisher: University Rochester Press
ISBN: 9781580462129
Category : Music
Languages : en
Pages : 334

Book Description
Offers fresh perspectives on the life and pioneering musical activities of American composer and folk music activist Ruth Crawford Seeger (1901-53). This book presents a collection of studies that reveals how innovation and tradition intertwined in surprising ways to shape the cultural landscape of twentieth-century America.

Palestina

Palestina PDF Author: Leo Zeitlin
Publisher: A-R Editions, Inc.
ISBN: 089579800X
Category : Music
Languages : en
Pages : 88

Book Description
Trained in Russia, Zeitlin (1884–1930) was an accomplished composer, conductor, performer, and pedagogue. In writing Palestina, Zeitlin, as he had done during his entire career, was fulfilling the goals of the Society for Jewish Folk Music, which he joined in 1908 while still a student at the St. Petersburg Conservatory: to compose and perform works of art music on motivic material drawn from Jewish cantillation, liturgy, and folk song. In addition to employing two modes central to Jewish music and several Jewish tunes, in Palestina Zeitlin actually imitates the shofar calls heard in the synagogue before and during Rosh Hashanah and at the conclusion of Yom Kippur. This edition includes an extensive essay on the composer and on the themes and structure of Palestina, with insights into the Capitol Theatre and the role of music in picture palaces of this era.