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Author: Publisher: ISBN: Category : Music Languages : en Pages : 240
Book Description
This book is a guide for locating scores and musical cue sheets made for films of the silent era, 1894-1929. All entries are for the microfilmed items found in the Library of Congress and the Museum of Modern Art music collections. The format for each main entry includes: (1) entry number; (2) film title; (3) title as transcribed from title page; (4) literary source of film and its author; (5) adapter; (6) author(s) of screenplay; (7) producer; (8) director; (9) film company; (10) distributor; (11) composer/compiler; (12) musical series title; (13) publisher of music, place and date of publication; (14) instrumentation; (15) copyright registration and renewal information; (16) additional notes; (17) projection time and film footage; (18) library and call number; (19) pagination and height; and (20) microfilm and item number. Appendices list the microfilm contents and reel numbers, film scores, and cue sheets of silent films contained in six different collections. The book also includes many still photographs from silent films. (DB)
Author: Publisher: ISBN: Category : Music Languages : en Pages : 240
Book Description
This book is a guide for locating scores and musical cue sheets made for films of the silent era, 1894-1929. All entries are for the microfilmed items found in the Library of Congress and the Museum of Modern Art music collections. The format for each main entry includes: (1) entry number; (2) film title; (3) title as transcribed from title page; (4) literary source of film and its author; (5) adapter; (6) author(s) of screenplay; (7) producer; (8) director; (9) film company; (10) distributor; (11) composer/compiler; (12) musical series title; (13) publisher of music, place and date of publication; (14) instrumentation; (15) copyright registration and renewal information; (16) additional notes; (17) projection time and film footage; (18) library and call number; (19) pagination and height; and (20) microfilm and item number. Appendices list the microfilm contents and reel numbers, film scores, and cue sheets of silent films contained in six different collections. The book also includes many still photographs from silent films. (DB)
Author: Martin Miller Marks Publisher: Oxford University Press ISBN: 0195361636 Category : Music Languages : en Pages : 320
Book Description
In this book, a leading authority on film music examines scores of the silent film era. The first of three projected volumes investigating music written for films, this thoughtful and pathbreaking study demonstrates the richness of silent film music as it details the way in which scores were often planned from the start as an integral part of the whole cinematic experience. Following an introductory chapter that outlines several key theoretical questions and surveys eight decades of writing on film music, Martin Miller Marks focuses on those scores created between 1895 and 1924. He begins by considering two early examples, one German (written by persons unknown for Skladanowsky's Bioskop exhibitions in 1895 and 1896) and one French (scored by Camille Saint-Saëns for the 1908 film L'Assassinat du Duc de Guise). Subsequent chapters fully discuss Walter Cleveland Simon's music for the American film An Arabian Tragedy (1912) as well as the Joseph Breil accompaniment to D. W. Griffith's Birth of a Nation (1915). As described in this book, Breil's memorable score--though a compilation derived from many sources--was played by an orchestra as Griffith's sweeping images filled the screen, thus contributing significantly to the great film's success while also achieving remarkable power in its own right. Marks then concludes with a look at Erik Satie's witty and innovative music for the French film Entr'acte (1924), which was the first film score of consequence by an avant-garde composer. Giving unprecedented attention to a vibrant, important, and oft-neglected facet of twentieth-century music, Music and the Silent Film will interest scholars of film theory, film history, modern music, and modern aesthetics.
Author: Kendra Preston Leonard Publisher: A-R Editions, Inc. ISBN: 0895798352 Category : Music Languages : en Pages : 297
Book Description
Between 1895 and 1929, more than 15,000 motion pictures were made in the United States. We call these works “silent films,” but they were accompanied by an enormous body of music, including works adapted or arranged from pre-existing works, as well as newly composed pieces for theater orchestras, organists, or pianists. While many films and pieces are lost, a considerable amount of material remains extant and available for use in research and performance. Music for Silent Film: A Guide to North American Resources is a unique resource on North American archives and English-language materials available in for those interested in this repertoire. Part I contains information about archives of primary source materials including full and compiled scores, sheet music, published anthologies of music, interviews with cinema musicians, periodicals, and instruction books. Part II surveys the English-language scholarship on silent film music in articles, book chapters, essay collections, and monographs through 2015. The book is fully indexed for ease of access to these important sources on film music.
Author: Kathryn Kalinak Publisher: Oxford University Press ISBN: 0199707979 Category : Performing Arts Languages : en Pages : 162
Book Description
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
Author: Ken Wlaschin Publisher: McFarland ISBN: Category : Biography & Autobiography Languages : en Pages : 404
Book Description
"This study begins the documentation of the lost history of songs of the silent cinema. Part one chronologically lists and describes songs about movies created between 1896 and 1929. Part two provides an alphabetical list of movie stars, including a brief biography of each. Part three reviews the recordings of these songs"--Note de l'éditeur.
Author: Claus Tieber Publisher: Springer ISBN: 1137410728 Category : Music Languages : en Pages : 371
Book Description
The Sounds of Silent Films is a unique collection of investigatory and theoretical essays that, for the first time, unite up-to-date research on the complex historical performance practices of silent film accompaniment with in-depth analyses of relevant case studies.
Author: Ruth Barton Publisher: Routledge ISBN: 1351995863 Category : Music Languages : en Pages : 214
Book Description
Despite their name, the silent films of the early cinematic era were frequently accompanied by music and other sound elements of many kinds, including mechanical instruments, live performers, and audience sing-alongs. The 12 chapters in this concise book explore the multitude of functions filled by music in the rapidly changing context of the silent film era, as the concept of cinema itself developed. Examples are drawn from around the globe and across the history of silent film, both during the classic era of silent film and later uses of the silent format. With contributors drawn from film studies and music disciplines, and including both senior and emerging scholars, Music and Sound in Silent Film offers an essential introduction to the origins of film music and the cinematic art form.
Author: Phillip Johnston Publisher: Bloomsbury Publishing USA ISBN: 1501366416 Category : Music Languages : en Pages : 249
Book Description
Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Dörrie, among others) and in creating new scores for silent films by Browning, Méliès, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music.
Author: Daniel Goldmark Publisher: Courier Corporation ISBN: 0486492869 Category : Music Languages : en Pages : 244
Book Description
This unique collection features piano sheet music that accompanied silent movies. Derived from eight rare sources, the music includes compositions by J. S. Zamecnik, M. L. Lake, Joseph Carl Breil, and others.
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Author: Gillian B. Anderson
Author: Martin Miller Marks
Author: Kendra Preston Leonard
Author: Kathryn Kalinak
Author: Ken Wlaschin
Author: Claus Tieber
Author: Ruth Barton
Author: Phillip Johnston
Author: Daniel Goldmark